Why do primary school textbooks and children s books like to use italics?

Pay attention to the use of pen pen regular script strokes have Teton, Tibetan dew, square circle, fast and slow and other pen methods. Different pen methods produce different shapes and textures of lines, and different lines need different pen methods to reflect. The shape of the pen regular script is smaller, the thickness of the line does not change much, if you do not pay attention to the pen when writing, the strokes will not meet the requirements, and the strokes will appear weak, stiff and rigid.

Therefore, it is necessary to go through rigorous training to master the method of using the pen. The strokes are clear The beginning and end of each stroke of the pen and regular script must be explained clearly, neat and standardized, clean and neat, and can not be scribbled and adhered to. However, there must be an internal echo relationship between the strokes and the strokes, so that the strokes can reach:

It is not only orderly in the beginning and end, clear in the pen, solid and powerful, but also continuous in stopping, straight but not stiff, curved but not weak, smooth and natural. The structure of the square pen script emphasizes the balanced distribution of strokes and radicals, the stable center of gravity, the appropriate proportions, the correct glyphs, and the standardization. When the words are arranged together, they should be evenly sized and neat.

Although there are also uneven changes in form, it is still neat and neat on the whole. Reduced stippling: In order to make writing easier, Xingshu simplified some parts of the regular script, or omitted stippling, or merged lines.

Regular script is the font that can best maintain the original genes after the evolution of Chinese characters, so that children can easily grasp and recognize them in learning. Whereas other or artwork fonts are decorated by deformation. Therefore, when children learn to write, it is good to be able to write beautifully, which is very good.

Do you think it is appropriate for them to talk about the writing theory requirements of calligraphers?

Compare Tian Yingzhang and Sima Yan. The Chinese textbooks of the People's Education Society only include Ding Yongkang's regular script, and Sima Yan's calligraphy. Sima Yan's early regular script and Tian Yingzhang's regular script are the same in style.

At that time, Tian Yingzhang had a public office in **. At that time, Tian Yingzhang wanted to be the chairman of the Hard Pen Calligraphy Association. But the Ministry of Personnel does not allow it.

The chairman of the Hard Pen Calligraphy Association is Pang Zhonghua. Tian Yingzhang was not well-known at that time because of his public office. Later, because of the popularity of the Internet, it became widely known.

Because of the sales of Sima Yan's copybooks, his final works were included in the Education Society, and some of his works were selected into Chinese textbooks.

They are all calligraphers. Tian Yingzhang became popular because of the Internet, Sima Yan became popular because of the bookstore, Tian Yingzhang specialized in Ou Kai, and Sima Yan also started by Ou Kai.

Sima Yan, like Xi Shu in the early days, advocated the rapid development of calligraphy and the rapid practice of calligraphy, and Sima Yan gained the market as a result. Sima Yan is proficient in a variety of fonts, Sima Yan's hard pen script and Ding Yongkang's regular script around 2002, selected into the people's education version of the Chinese textbook, Sima Yan earned enough fame.

In general, those who can produce calligraphy are somewhat level, but to distinguish between good and bad words, they also need to practice words. Understand the meaning of the gestures. Analyse.

Figure 1, Tian Yingzhang's words, the master Mr. Shen Yinmo said: "Writing with an astringent pen is Le, writing with a quick pen is brushing, writing with a heavy pen is painting, and using a light pen is to describe." Mi Fu said:

Shen Liao typesetting. Typesetting means that when writing, the knot must be arranged evenly, but only care about uniformity, there will be few changes.

Tian Yingzhang's characters have not changed much, Tian Yingzhang's student Jing Xiaopeng, Tian Yingzhang's son Tian Xuesong and Tian Yingzhang are not much different in calligraphy.

The Ou Kai Kai script of the Qing Dynasty master Yao Mengqi is smart and charming.

Sima Yan's early regular script was learned from Europe, but after simplification, Sima Yan was good at pen writing. Later works absorbed Yan style and imitation Song style, and Sima Yan also studied Liu style.

Yan Ti famous Tan Yanhong, Yan Ti characters seem to be clumsy and ingenious, square and round, calm and powerful.

To learn calligraphy, you need to use your pen more, observe more and think more. Tian Yingzhang and Sima Yan are both products of the times. Those who can produce posters are certainly not ordinary. The quality of calligraphy, the quality of the characters, subjective judgment and assertiveness are very important.

The ancients said: "Li Du's article is here, and the light is long." Tian Yingzhang and his elder brother Tian Yunzhang, son Tian Xuesong, student Jing Xiaopeng, and nephew Tian Zhongquan formed a Tian Kai family. This matter has always been criticized by the calligraphy community.

The quality of the character depends on the gesture of the stroke, Sima Yan's regular script is relatively neat, and the road tree swings. Tian Yingzhang's regular script stands tall and tall. It's calligraphers who shine.

The Chinese textbook includes Sima Yan's characters, first, because the space is limited, and second, the experts of the People's Education Society believe that Sima Yan's characters are easier to learn and popular.

It is normal for different people to have different standards and feelings about the beauty of calligraphy, and their ability to comprehend beauty is also different. I am a lover of Tian Yingzhang's European characters.

Divergent? Are you sure you're looking at Tian Kai?

Tian Kai not only does not diverge, but also pays attention to the palace, and the horizontal painting and the place where there is an intersection are the same as the strings of children, and they should not be scattered.

In addition, as Tian Yingzhang's age changes, his font also changes. When I was young, I wrote a lot of words with a large difference in thickness and joints, and when I was older, my writing notes were well-proportioned, and the joints were much smaller, but they were more receptive.

Tian Yingzhang's font is a standardized European font, and Sima Yan's font has its own creative composition.

Fonts, which are the basis of calligraphy, are not what I personally think is important.

How good-looking, but dignified and atmospheric. And each person's aesthetic is different, and it may also have a certain impact on the font's opinion (although I also think Tian Yingzhang's words are not very good in terms of aesthetics).

It's like Yan Zhenqing and Liu Gongquan's regular script, in terms of personal aesthetics, I always feel that it is not as handsome and chic as Huang Tingjian, but I have to say that as an introductory textbook, it is very suitable.

Hello, Mr. Tian Yingzhang's regular script is elegant and vulgar and has a very high artistic quality, he is the first person in contemporary Oukai. Sima Yan's character structure is not perfect, and it is somewhat rigid.

Personally, I am optimistic about Tian Yingzhang.

said that Tian Yingzhang's words are not good, ugly, and it is said that his words are good and practical, and the European style is obvious, in fact, good and bad vary from person to person, and the so-called text is not the first If you are a professional calligrapher and belittle others, it is very simple, and peers are enemies.

I think Tian Yingzhang's words have a kind of helplessness about the vicissitudes of time, Ding Yongkang's has a kind of righteousness, but Sima Yan's is too flat. It varies from person to person, and everyone thinks differently. Others say that Ding Yongkang's practice is not good, but I still insist. It is recommended that students practice Ding Yongkang's.

Tian Yingzhang has a relatively large role in the promotion of regular script.

My teacher is Zhang Ke, a calligrapher from Jiangsu, who once said that Tian Yingzhang's handwriting is not level, but it looks very good, but it is very floating, and I suggest that you do not practice his calligraphy.

To learn Tian Yingzhang's calligraphy, it is better to learn the calligraphy of his brother Tian Yunzhang.

The horizontal fold of the "four" character box is written as a horizontal fold hook is mainly a penmanship technique, with calligraphy factors, and there is a back.

For example, if you write four characters in a line of calligraphy, you will realize that it is more comfortable to write as a hook, so the teacher teaches students to write like this. Many teachers do not have a good knowledge of calligraphy theory, and only know how to write it this way, but cannot say why. The horizontal starting point of the horizontal folding hook of the word "square" is not at the intersection of the horizontal and the apostrophe, but a small distance from the horizontal.

When practicing writing, you should look at the characters in the vocabulary list from the book, which are Chinese italic characters that are closer to handwriting. The font in the Xinhua dictionary is a square word in the printed font, which is different from the usual handwriting, and you can't refer to such words to write handwritten characters. Although Chinese italics, Founder Kai simplified characters, etc., are also printed, they fully reflect the characteristics similar to handwriting when designing this font, so it is recommended that parents practice according to the words in the vocabulary list.

The author suggests that the text and vocabulary lists of primary and secondary school Chinese textbooks should be in Chinese italics or simplified characters in square italics, so as to facilitate students' reference in learning characters. When I was researching the structure of the Chinese characters, I did so according to the existing Chinese italic characters in the computer. But I don't know if Chinese italics can be used for free when writing books.

I am a calligraphy teacher, and I am speaking fairly to your child's Chinese teacher, and the teacher is right. If you don't know how to teach, you can give the child to the teacher, don't teach blindly, so as not to miss the child's life. Advice is against the ear, see if you can accept it!

I'm not a calligraphy teacher, but I've practiced some hard pen calligraphy myself, so I can only say that your foundation is too poor, and the teacher is really right.

The first grade Chinese textbook uses Song style.

Primary school Chinese textbooks are generally written in italics, and the appearance of Song script may be written as an educational requirement.

It's normal, in fact, it's not just Song and italics, but also imitation Song, Heiti and the like.

Mainly, this is the rule of Kumon.

The text is basically an imitation of Song style.

Authors, all in italics.

Secondary titles, generally in bold.

The italics are mainly based on Wang Xizhi, plus some font design elements. This one is more complicated and can't be said in too much detail.

The Song style is naturally the first in the Song and Ming Dynasty engraving printing. Some claims, such as those related to Qin Hui, are unreliable.

Cough! 5 points question, how detailed is it :-)

As far as I know, Mr. Zhang Yuanji is in charge of the work of the Commercial Press, and he is good at calligraphy. At that time, it was neither beautiful nor standardized, and a single typographic font felt a deep responsibility to improve it.

In 1909, the Commercial Press hired Xu Xixiang to engrave the No. 2 regular script character mold and pour the lead movable type, which was used to improve the printing of enlightenment literacy textbooks, so that young children could copy the block letters. In order to solve the problem of single printing font, it is engraved at the same time"Square head""Lishu characters"and other fonts. A new font was added to the movable type in our country, which was called at the time"Business word".

Business word"The advent of the book has changed the way of printing books in Song style in China. It has attracted the attention of the printing industry in various parts of the country, and they have come to Shanghai to order from business"Business word".The new movable type created by business is also the basis and basis for the creation of character models and fonts in the mainland, Taiwan, Hong Kong and Macao, and even overseas in the future.

New China's italic character model, I remember that it seems that Mr. Deng Sanmu has made a great contribution. It draws on the essence of Chinese calligraphy masters of the past dynasties, skimming and stretching, neat and chic, dignified and generous, suitable for typesetting primary school textbooks and children's books.

The italics evolved from the willow style, and the Song style evolved from the European style.

Evolved from the book of the line and the official book.

It is the font of a calligrapher who writes a variety of calligraphy and official calligraphy.

It's not just Wang Xizhi.

These are all Hanyi fonts. Above: Hanyi Italic Simplified Chinese. Below: Hanyi Book Song Yi simplified.

Chinese italics and Chinese Chinese Song bar.

It is the font of Tian Yingzhang, Tian Yingzhang, the character Cunqing, Cunqing, born in Tianjin in 1950, a graduate student in calligraphy, and a cadre of the Ministry of Personnel. He graduated from Capital Normal University and Tokyo Gakugei University in Japan. Calligrapher.

Successively: Appointed Writer, Director of the Chinese Calligraphy and Painting Talent Training Center of the Ministry of Personnel, Executive Director of the Calligraphy and Painting Talent Qualification Examination Committee, President of the Chinese Modern Hard Pen Calligraphy Research Association, First President of the China Hard Pen Calligraphy Association, Member of the Chinese Calligraphers Association, President of the Ouyang Xun Calligraphy Art Research Association, Secretary-General of the Preparatory Committee of Wang Xizhi Stele Forest, Honorary President of the Chinese Academy of Calligraphy and Painting, Professor of the Japanese National Art Calligraphy Institute, Consultant of the Japan Calligraphy Association, Vice Chairman of the Japan International Federation of Calligraphy and Painting Artists. He is currently the vice president of the magazine "Chinese Talent" of the Ministry of Personnel, the director of the Chinese Calligraphy and Painting Talent Training Center of the Ministry of Personnel, and the lifelong calligrapher of the China International Academy of Calligraphy and Painting Art.

1. The font is different.

Imitation Song style is a kind of more delicate and upright font that adopts the structure of Song style and regular script strokes, and the horizontal and vertical strokes are uniformly thick, which is often used to typeset subheadings, poems, short essays, annotations, quotations, etc., and is also used to typeset the text part in some reading materials.

Italics, also known as living body, is a kind of font that imitates handwriting habits, with beautiful and uniform strokes and correct glyphs, and is widely used in student textbooks, popular readings, annotations, etc.

2. The strokes are different.

The strokes of the imitation Song style are equal to thick, not as thin and straight as the Song style, the text is light and vertical, and the font is relatively slender and long.

The regular weight is dotted with dots, structure, and cloth white, so that the dot painting is accurate and precise, and the structure is sparse and proper.

Imitation Song style is a kind of bai using Song style structure, Kaidu calligraphy strokes of the more Zhi delicate and upright font, stroke dao

Horizontal and vertical thickness is uniform, often used to print subtitles, poems, short poems, annotations, quotations, etc., and is also used to typeset the main part of the text in some readings. The imitation Song style is designated by the state as a standard font for mechanical drawing, a font model used in Chinese typewriters, and a main font used in computers. Imitation Song style is a font that is widely used in our daily life, because of its beautiful and neat, clear and beautiful, strong and powerful, easy to recognize, so it is loved by people.

Most of the prefaces, afterwords, explanatory texts, posters, blackboard newspapers, and book notes of various exhibitions, as well as product manuals, are also in imitation of Song style. In particular, the engineering font stipulated by the state on the engineering drawing is a long imitation of Song style.

Regular script is also called regular script, true book, and regular book. It gradually evolved from the official book, which became more simplified, horizontal and vertical.

These are two different words, bai body, and Song style is more common in the DU official document occasion than zhi, and Song style is the most widely used in the printing industry.

version of the right to one. fonts. You can go to the encyclopedia to see that the Song style italics is a font that imitates handwriting, and the same encyclopedia also explains that the italics can see the difference when comparing the appearance.