The structure of regular script, the structure of regular script should follow several points

The structure of calligraphy is like the skeleton of a person, the whole is the most important, no matter how upside down or the whole, every character is a whole. Chinese characters are mainly hieroglyphs, and after thousands of years of development, they have become a near-perfect script.

The main thing is to find the center of gravity and the main pen of the word, and gradually practice with the help of the ancients' method of knotting.

The structure of regular script should follow the structure of curved meters, upper and lower letters, upper and lower left and right, etc.

1. Bent meter: Bent rice is an important division symbol used to splice and form various structures in regular script, and is the basis of the writing structure. It is a simple hook and curved line that can be used to connect radicals, upper and lower structures, and left and right structures.

2. Rubber uppercase and lowercase: The structure of regular script is based on uppercase and lowercase, and below the uppercase is lowercase. On the one hand, it maintains the overall sense of the glyph, and on the other hand, it can gradually drop the pen from top to bottom, so that the structure constructed is beautiful and standardized.

3. Upper and lower left and right structure: The structure of regular script is often formed by the integration of upper and lower and left and right structures. The vertical direction of the upper and lower structures is often composed of the upper sound side or the upper and lower units, while the horizontal direction of the left and right structures is often composed of the left and right elements.

4. Dotted form: The structure of regular script is based on single dot painting and combined dot painting, and various Chinese characters are constructed. In terms of dot painting, there are 16 basic forms at the vertex, left and right, and lower part; In terms of composition, the combination of stippling and curved lines of Chinese characters is ever-changing.

5. Structural proportion: The proportion and balance of the regular script structure are very important, the overall proportion should be coordinated, and the depth and angle of each stroke and water should be appropriately connected.

When writing regular script, it is also necessary to pay attention to the speed of strokes and the evenness of water to avoid the shortening between strokes, and at the same time, it is also necessary to follow the writing order of stroke by stroke and line by line to avoid these pen errors such as "pocket characters" or font sizes. Accurate structure and proportions are one of the important foundations for neat, smooth and beautiful writing. Especially in the process of learning regular script, the correctness and accuracy of the structure are particularly important, and it needs to be accumulated and improved.

With slick practice and practice, you can gradually master the structure of regular script and improve the quality of writing.

Regular script introduction

Italic is one of the most commonly used fonts in Chinese calligraphy, and regular script is a corresponding writing style, which belongs to a type of printing style. Its shape is standardized and neat, the strokes are clear and smooth, the shape is beautiful and dignified, and it is often used in calligraphy, letters, seals, printing, advertising and other occasions.

The basic rules of regular script structure are as follows:

1. The most taboo words in regular script are such as operators, the size is long and flat, and each is wonderful. Printed characters bring convenience to our reading, but also have some bad effects on our understanding of regular script, such as many teenagers misunderstand that the characters are as big as the characters, and the characters are full of grids.

2. Ping is a balanced grasp of the center of gravity of the word, and the regular script requires stability and integrity. Flat, steady, visually feel that the word is balanced, without losing the center of gravity; Positive, relative to the side. The knot word is taken as the entry, and then the risk is sought by the positive, and the danger is born, and the knot is mysterious.

3. Compared with the printed style, the regular script requires more prominent changes in the sparse style, such as the words south and the ground.

4. Symmetry means that the dots in the word are sparse and dense, harmonious and beautiful. Symmetry is not the average arrangement of dot painting, on the contrary, we should pay attention to the sparse and scattered dot painting, and the problem for beginners is more in the inability to gather. Symmetry refers not only to the space between dot paintings, but also to the symmetry of the dot paintings themselves.

For beginners, symmetry is arguably the most difficult thing to solve in knots.

5. Staggered: The staggered words require that the words should not be flat, but staggered up and down, left and right, but vivid, from which we can also see some manifestations of the calligrapher's creativity.

6. Retraction: The conceptual understanding of block characters has affected our in-depth understanding of regular script knots, and the retraction and retraction changes of regular script are extremely rich. People who have not practiced calligraphy are most likely to make the mistake of knotting characters is not knowing how to put them away.

If you are more prominent, you can take a look at the "Lingfei Sutra", which is a good model for learning knots.

7. Concession: The dot painting that requires the word to dig up the world is not a mechanical placement, but a response between the dot paintings, unity and unity.

8. Similarities and differences: where the same is changed, within a single word, the same dot painting, part to change, such as Yan word; Between the adjacent two words, if there are similar dot paintings, radicals should also be changed.

9. Coherence: Strictly speaking, coherence should be classified as the part of the pen, which is proposed in the law of knotting, emphasizing the organic integrity of the dot painting arrangement. The shape and arrangement of all the dots in the character should be judged to be united and bloodlined.

Regular script is static, and the coherence of dot painting in static is more subtle.

Chinese calligraphy is a dynamic art of life that integrates poetry, painting, crafts, dance, etc., and she uses a combination of brilliant and colorful dots and lines to create a vivid and strong dynamic effect in the static beauty, containing the life feelings of the unity of nature and man; She is the core of the core of Chinese culture, respecting the aesthetic environment of affection, comfort, calmness, and the isomorphism of heaven and man. Below I bring you the regular script calligraphy structure, I hope you like it.

Regular script calligraphy structure appreciation:

Regular script calligraphy structure 1

Regular script calligraphy structure 2

Regular script calligraphy structure 3

A few essentials of regular script structure:

It is generally believed that there are six essentials of regular script structure.

Horizontal and vertical: The main thing is to create the stability of the word. Although some of the strokes are oblique, such as oblique horizontal and oblique vertical, the overall situation of the whole character is that the center of gravity is stable.

Even if it is "crooked", it must also be "crooked but not falling". This is the charm of the art of calligraphy. Such as "positive, abundant".

Dense and symmetrical: the so-called "sparse can be walked, dense and impermeable" Generally speaking, words with fewer strokes can have thicker lines, and words with more strokes can have thinner lines. In this way, the words can be made more evenly proportioned. Such as "eye, field".

The main and secondary are clear: in the combined word, the general radical is always in a secondary position, it should be given shape with the main body, and it should be humble, not dominant. Such as "throwing, glowing".

Dotted painting echoes: dot painting and structure should pay attention to each other's undertaking, greeting, reflection and care, so that there is an internal connection, so that the brushwork is continuous, so that it has a vivid and lively vitality. Such as "big, first, eight".

Variation: It means that there are the same strokes and the same parts in a certain word, and it is necessary to try to change and avoid the repetition and similarity of strokes and structures. Such as "forest, fire".

Symmetrical to the back: refers to the point painting to be attached to a certain gesture. That is, the opening and closing, wrapping, and stretching of the gesture should present different postures. Pay attention to the harmony and unity of the font. Such as "North, India".

The rules of writing and structure of regular script are as follows:

The messy and poor block writing is mostly caused by the inaccurate writing of the dot painting, the lines are not straight, and the horizontal and vertical are not parallel. Therefore, if you want to write your regular script neatly, standardly, and beautifully in a short time, you must correct the above shortcomings, and the characters will be neatly standardized immediately.

1. The dot painting is clear

The eight basic dot paintings of Chinese characters include: dot, horizontal, vertical, skimming with Zen pinching, lifting, folding, and hooking. These eight basic strokes are included in the character "Yong", which is called the Eight Methods of Yongzi.

Chinese character stippling is the basic component of Chinese characters, also known as lines, so the line is an important criterion for determining the beauty and ugliness of Chinese characters.

2. Straight lines:

Whether it is horizontal, vertical, or skimming, it should be written with force and even, and the lines should be strong and straight. Lines that are not written straight will cause the weakness of the Chinese characters and make the Chinese characters lose their beauty.

3. Take the momentum on the right side of the word:

Calligraphy is divided into flat potential and oblique potential, flat potential is generally suitable for seal, official book, regular script is generally taken to the upper right side, so when writing, the horizontal of the regular script should be oblique to the upper right, so that it visually gives people a sense of peace. The main feature of the upper right is that the horizontal tilt is upward, and the words arranged on the left and right should be low on the left and sell on the right.

4. Horizontal and vertical parallels:

Parallel lines are one of the main rules of regular script, if there are multiple horizontal or multiple vertical to make them parallel to each other, the character will be quickly neat.

5. Lines are equidistant:

Where there are many horizontal or vertical arrangements, they are generally at an equal distance from each other.

Three major features of regular script structure:

1. Symmetry of the center line

The so-called center line symmetry is for the center of gravity of Chinese characters, each Chinese character has its center of gravity, the simplest is to draw a straight line in the middle of the Chinese characters, so that the left and right sides of the word symmetry, this line is the center line. The center line is generally in the middle of the word, and its basic rule is that the left and right parts of the line are basically symmetrical or the area is basically symmetrical.

Performance characteristics:

Left and right dot painting symmetry: after this kind of character is separated from the middle, the dot painting on both sides is basically the same, such as positive, no, is, dry, mountain, individual, large, middle, branch, Beijing, heavy, fruit, seeking, out, city, green, leisure, instrument, education, etc. Its central approach to finding is as follows:

It is divided from the vertical drawing, intersection point or starting point, hook, etc. in the middle of each word, and its upper and lower points or vertical are all on a line. The characters on the left and right dots are generally combined or with an up-and-down structure.

2. Parallel lines:

Parallel lines refer to the fact that horizontal and horizontal, vertical and vertical or apostrophes are basically equal in Chinese characters, which is the main principle of character construction to express the neatness of Chinese characters. Such as: heavy, is, in, there is a country, to, time, use, we, before, its, shape, same, green, easy, the, elephant, level, strong, west, period, etc.

3. Equidistant:

Equidistant means that the distance between horizontal and horizontal, vertical and vertical or apostrophes is basically equal, and equidistant mainly shows the symmetry of Chinese characters, which is usually called cloth white symmetry. Such as: the country wants, uses, purposes, gets, three, on.

By mastering the above rules, your handwriting will become neat, standardized, and beautiful in a short period of time.

The regular script knot has a frame structure (law, calligraphy is a unique oriental art variety based on Chinese characters, through the organic combination of Chinese character monochrome (generally inky black) lines and color blocks, with Feiling's penmanship, rigorous knots and through-the-whole charm, impacting the viewer's vision, giving people the enjoyment of the beauty of the grand spike.

In the five types of calligraphy, such as seal, li, Kai, line and grass, the line not only takes into account the fast and flexible penmanship, but also maintains the rigor of the Chinese character knot, and has a unique aesthetic taste. When appreciating the famous posts and monuments of the calligraphers in history, we will find that the same word appears in different works, or in different places in the same work, and the knot, size, thickness, and even the meaning have changed greatly (the famous artist seems to pursue this change more in his creation), so as to adapt to the needs of the layout of the plot and even the expression and venting of the author's emotions at that time.

It should be said that some of the works are indeed carefully prepared, but most of the works are some calligraphy notes, and some are impromptu creations after drinking, and there is no more time to plan the layout, but it does not affect the artistry of the works, so whenever I appreciate these masterpieces, I always think that calligraphers should have a simple knot rule to follow. If you can't, you can't make a work of art, and if the rules are too complicated, it will definitely affect the flow of the brushwork. So I think there must be a simple rule of knots for the vast majority of calligraphers to follow.