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The posture should be correct, with both feet flat on the ground, hands on the case, shoulders flat, back straight, head straight, eyes on the paper.
Hold the pen to point to the real palm, hold the pen in the finger, and move the pen in the wrist. Begin to practice the word pillow wrist, and gradually lift the wrist and suspend the wrist.
The penmanship should be distinguished, generally divided into two kinds of square pens and round pens, and it is necessary to clarify the application parts of the center, side and horizontal front.
Regular script is the basis for learning calligraphy. After learning regular script, I will learn to write in line, and finally cursive. You can learn Wei Bei first.
Don't look at the post and write a stroke, first read the post, understand the essentials thoroughly, and then write a word in one go.
First of all, it is necessary to practice all kinds of radicals well, and then it will be easy to compose various characters later.
As long as you are willing to learn and practice calligraphy, you will definitely be able to learn it. But the method must be correct, otherwise it will backfire.
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Well, I am a calligraphy teacher myself, and I have met many of you in this situation, practicing calligraphy is very simple and complicated, learning too many theories for beginners does not have much effect, and mastering practical skills is very simple. Let's talk about the calligraphy first, the European body is very good, but the ninety into the palace is not good, the ninety into the palace strokes are no problem, but its structure is too exquisite, it is difficult for beginners to master, it is not like writing, it is very annoying. So you can buy Tian Yingzhang's copybook, which is also a European style, but it is much easier, if the copybook is not easy to buy, search on the Internet**, and find a place to print two is enough.
Again, it is a brush, European body is recommended to use both, not soft or hard, easy to make.
You learn by yourself, the most difficult is the stroke practice, a lot of words have strokes to explain, but the explanation is not too detailed, especially a lot of subtle words are not very easy to say, when you figure it out yourself, you must pay attention to the change of the pen, people who have just learned often do not grasp well, and the structure must be faithful to the original post, the strokes should also be in place, I believe that if you persist for a period of time, it will be greatly improved.
As for whether to learn Yan Ti Liuti, I suggest not to learn, the biggest advantage of learning Yan Liu is that it is easy to get started, and if you don't really like Yan Liu's style, don't learn it. It's very important to choose your favorite calligraphy, and you don't have to ask for more, Tian Yingzhang is writing European style, I've never seen him write anything else, people are calligraphers, and a font is good enough. That's it, if there is a problem, we will communicate again
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To practice calligraphy, one must have understanding, and the other must obtain the law.
Comprehension comes from more practice, more reading, and more pondering. Among them, practice is copying. Reading is to read and post and read other people's works. Keep learning, comparing, and finding out your own shortcomings. If you can't write a certain word well, you must find out the reason and practice again.
The second is to obtain the Fa. The shortcut is to seek a teacher, and now you can ask for a book. Learn a little theoretical knowledge, and you will get twice the result with half the effort.
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Agree with the upstairs Takami! Learn words with heart! Be persistent! Be careful! Like one!
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Ouyang Xun (557--641) was a native of Linxiang, Tanzhou (now Changsha, Hunan). Dr. Taichang of Sui Shiguan, and Tang Shi was named the prince rate of the order, also known as "Ouyang rate change". Because his son Ouyang Tong is also good at calligraphy, it is also called "Da Ou".
In the Sui Dynasty, Ouyang Xun's calligraphy enjoyed a high reputation, and in the Tang Dynasty, Ouyang Xun, who was close to ancient times, was still teaching calligraphy in the "Hongwen Pavilion". Ouyang Xun has eight bodies and wonderful, the degree of regular calligraphy is rigorous, the pen power is steep, the world is unparalleled, and it is called the first regular script of the Tang Dynasty. He and Yu Shinan were both famous for their calligraphy in the early Tang Dynasty, and were called "Ou Yu".
Historical records record that the calligraphy beginner learned the king character, and the steep over. Legend has it that Ouyang Xun once bought the "Finger Return Map" used by Wang Xizhi's godson to learn characters with a lot of money, and copied and studied hard day and night. Another time he went out with Yu Shinan, on the way to see a stele written by the Jin Dynasty calligrapher Suo Jing, sat on the ground, carefully observed, traced and studied next to the stele for 3 days, it can be seen that Ouyang Xun has a deep love for calligraphy.
Later, he extensively studied the stone inscriptions of the Northern Dynasties, and at the same time absorbed the strengths of some local calligraphers, and then integrated the brushwork of Lishu, forming a calligraphy style of "strong and dangerous, and strict law". Later generations saw the danger in the middle of the peace with his book, and it was the most convenient for beginners, called "European Style" (also known as "Rate Change"). Its "Jiucheng Palace Liquan Ming" can be described as the pinnacle of European regular script; The main works also include "Huadu Temple Yong Zen Master Tower Inscription", "Yu Gonggong Wen Yanbo Monument", "Huangfu Birthday Monument", "Dream Laying Post" and so on are famous all over the world.
Ouyang Xun's calligraphy because of the characteristics of the Han Dynasty and the Jin Dynasty regular script, and also participated in the six dynasties tablet, the division is said to be the head of the wide collection. The main characteristics of Ouyang Xun's calligraphy style are rigorous and neat, flat and sharp. Although the glyph is slightly longer, it is divided into white cloths, neat and rigorous, the middle palace is tight, the main pen is elongated, it seems to be unrestrained, there are sparse and dense, all sides are prepared, the eight sides are exquisite, the rhyme is vivid, just right.
The dot painting is coordinated, the structure is arranged, it is flat and steep, and most of the fonts are expanded to the right, but the center of gravity is still very stable, and there is no sense of oblique tilting, and the fun of the danger is positive.
In terms of glyphs, European characters often give us the feeling of being narrow and long;
Another feeling that the European word gives us is stability;
The strokes of European characters are complex and simple, and when the different characters are together, they are generally written with more strokes and written smaller with fewer strokes;
Most of the European knots expand to the right;
European characters are sometimes different from the general character structure, and there are many characters in the "Jiucheng Gong Liquan Ming" that are different from the general traditional way of writing.
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Do you like European sports!?It's a rare sight in a hundred years. We look good too.
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Hello! I also like European characters, the glyph is slightly long, I think the European body has a degree, the turn is tangible, the pen is strong, slightly moisten the shape, the strokes are according to their degrees, and the structure is according to their method (there are "Ouyang Xun 36 Laws" paste), and you can also observe and learn from the European body, such as Huang Ziyuan. Just practice more! I like it.
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Method steps.
1. Prepare the tools:
Pen, ink, paper, inkstone, projection calligraphy copying table, loose-leaf copybook.
2. Take out the loose-leaf copybook idea and put it under the protective version of the projection calligraphy copying table. Then cover it with felt, then put on the raw edge paper, turn on the switch of the projection table, adjust the brightness, and start writing.
Method Step 2
1. Read and paste carefully, analyze the structure of the word and the characteristics of the pen.
For example, the face character is broad, and the pen is more round.
The European body is steep, and the square pen is used more.
2. Carefully copy and write the character twice, and form a preliminary memory of the structure of the word with a pen.
3. Write twice on the sticker. The structure of the word is further memorized with a pen.
4. Put the words on the projection on the model for comparison, and find out where the pen structure is not in place, so that the next step is corrected.
5. Finally, break away from the word sticker and come back once, so that the word will be learned and a permanent memory will be formed.
The advantage of this learning method is that it can achieve the combination of copying and the purpose of the model, and can quickly enter and post and post out, and finally embark on the road of creation.
Precautions. When copying, pay attention to the calligraphy, analyze the pen and knot of the word, and do not blindly copy.
After each time, it should be put on the model word on the projection for comparison, find out what is not written well, and correct it next time.
Read the post carefully before writing it and find out its characteristics, because every post is different.
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Learn the small seal first, and practice more simple strokes. Sharpening your basic skills will be of great benefit to your future learning of other genres.
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Calligraphy is actually a process of honing the mind, it is not singular, so you can try to consider the connection between them, rather than just focusing on the accuracy of the form.
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Not only do you have to practice more, but you also have to watch more. People who practice calligraphy are progressing in a step-by-step manner, sometimes there is progress that they may not feel, and then one, to have understanding, communicate with peers, and ask others more about your works. Don't bother.
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Practicing hard is not about how much time you spend! And interest and inspiration are the most important things, and when inspiration and interest come, practice well.
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It's not okay to rush for quick success, the foundation is the most important! Let's honestly practice regular script!
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Generally, there are a lot of contacts with white, and the block letters have not been written yet, so they want to grass first, which is not solid.
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In fact, there is no problem with your words from the strokes, but the structure of the words is relatively irregular, usually pay more attention to the structure of the words, the selection of strokes, and the size. At this stage, you don't need to use transparent paper to draw and write, read more posts, and experience the structure of the word.
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Actually, it's okay, remember this sentence "regular script is like a person standing still, walking calligraphy is like a person walking, cursive writing is like a person running." "You also need to watch and practice more, calm down, be patient, practice more basic strokes, figure out the structure, and don't be too anxious.
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Find your own interests and get twice the result with half the effort.
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The more you practice, the more annoying it gets?! It's definitely going to be worse to practice like this, so let's stop. Wait until you're in the mood to practice again.
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That depends on whether the practice is subordinate, regular or line, and all kinds of books have the requirements of the frame structure. Generally, the inter-frame structure of regular script is different according to different book styles. I practice European sports, and there are 36 methods of interstitial structure that are more famous in history, 92 methods of Huang Ziyuan, and so on.
However, these methods tend to rigidize the practice of characters, and the more they practice, the more dull they become. There is a folk joke that "Jiucheng Palace (European Sports Masterpiece) is unsuccessful". I think that the structure of the frame should be organically combined with the practice strokes, the key is to master the writing of common words in different structures, carefully figure it out, draw inferences from one another, such as commonly used single characters, left and right structures, upper and lower structures, semi-surrounding, full surrounding, etc., you will feel that many words you have not written can also be written well, which is the subtle after writing similar words.
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Practice writing Chinese characters with Hui Zi Ge, Mi Zi Ge, and Jiu Gong Ge. Familiar with the law and law of the composition of Chinese characters, a large number of copybook templates, the pursuit of the root, naturally mastered.
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Search online; Ninety-two methods of calligraphy practice frame structure.
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I'm also a beginner like you, I think Yan Liu Zhuou four major stele extension, beginners try not to touch, but should try to copy some posts, and so on to fully grasp the shape and structure of the learned font, as well as the method of moving the pen, and then go to learn the stele extension.
Many beginners who learn Tang Kai start from the stele, it is easy to stop and make slow progress because although they try very hard to imitate the glyph of the stele, even if the shape is reached, the meaning is not grasped. As for the meaning of the pen and the weight, speed and slowness, it is impossible to figure out. And often confused!!
Nowadays, there are a lot of genuine photocopies that beginners should copy!! I don't know if I'm right, let's work together, make progress together!!
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The only thing that is more similar to Yanshu is the European body.
This statement is incorrect, these are two completely different styles of regular script.
The face is fat and broad, and Ou Shu is very beautiful.
European characters have very strict requirements for structure and lines, and it is not easy for beginners to learn.
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This is a difference, generally beginners in the training class teachers like to teach the face of the body, so that the effect is fast, easy to learn a little look out, but Tang Kai law is strict, easy to get started, it is difficult to come out, compared to the European structure and strokes are better to master, it is recommended to learn the European body first, do not learn this and that casually.
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The so-called Nine Cheng Palace, Nine Cheng Palace.
Nine out of ten were unsuccessful.
The European style is the "extreme rule" of regular script, which is recognized.
The glyphs of the Yan style are simple and majestic.
The writing is small and tasteful.
Writing big is better looking.
And it allows people to make a slow transition from the pen.
Convenient later. And every word of European style is comparable to a work of art.
It's very beautifully written.
It's hard to practice alone.
If you two learn it together.
It's hard to learn well. These are two fonts that seem to have a considerable visual distance in regular script.
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No, you have to choose the one you like and continue to learn in this system to be successful. Yan is outside the body, and Europe is not the same system.
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It's better not to study together. To get started, you should lay a good foundation for one of these fonts. Otherwise, you will learn nondescript. The face is thin and vertical, a very elegant and generous font. And European style I think is a very chic font. The two are not the same in essence.
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I am also a calligraphy lover, when I first learned calligraphy, there was a calligraphy teacher present to guide, at that time I also asked this question, please give the teacher a style, but the teacher is not casually said what to learn first, but let me write a word first, and then recommend what font I learn according to my writing situation, he said that what style is suitable for practice depends on his own personality, he can analyze my character from the words I write, and then tell me what font to learn. So it's hard to come up with ideas for you without seeing your handwriting. Here are some for your reference:
If you have a cheerful and steady personality, it is recommended to learn the Yan Ti Duo Pagoda first, and then learn the Diligence Monument and so on; If you have a straight temperament, it is recommended to learn willow body; And you are a more gentle character to learn European style and so on, so that you can achieve twice the result with half the effort, some people also like to practice words, but the result of practicing for a long time is not effective, always think that they are not practicing the material, in fact, did not choose the right font.
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It's best not to learn together, it's very confusing. Like, it's not "yes", there is still a difference between the two. The calligraphy of later generations is to summarize the advantages of predecessors, it is difficult to say that it is good-looking, and individuals have personal opinions.
You can learn one first, learn well, learn the other, and combine the advantages of the two, which is your advantage. It's best to ask your seniors for guidance after you finish writing, and you won't be ashamed to ask, and your progress will be faster. To carefully observe the characteristics of the words on the copybook, the key is "thorough", don't worry.
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