How does Feng Qi Longxi starring Chen Kun interpret the little people moving forward for their own

Each of them has completed their tasks and will also fight for their goals, even if they are just a small person, and will never give up.

They will behave very ordinary, very calm, and never have particularly eye-catching behavior, but they have become an indispensable existence.

Chen Kun plays Chen Gong is a senior secret agent, and he has been framed by others, in the process he has been investigating the truth, and he is also a very resourceful person, skillfully coping with the temptation and framing of others, so he can only be suspected in the end.

Feng Qi Longxi Chen Kun is an undercover agent.

arrived at "The Wind Rises in Longxi".

, Chen Kun plays Chen Gong, a spy who is undercover in enemy territory.

Judging from the stills, Chen Kun also grew a beard specifically for this role, giving people a sense of vicissitudes.

In 228 AD, the Northern Expedition of the Shu army defeated the Wei State.

According to the analysis of the intelligence department of the Shu State, the false information that led to the misjudgment of the Shu army was sent by Chen Gong, a senior spy lurking in Wei.

Xun Xu, a counter-espionage expert in Shu, was ordered to infiltrate Wei to investigate Chen Gong. Chen Gong passed Xun Xu's investigation, and they found that Cao Wei, codenamed "Candle Dragon", had been lurking inside the intelligence department of Shu State.

Undercover, "Candle Dragon" not only replaced Chen Gong's intelligence, but also prepared to steal the Shu State crossbow.

The secret operation of the blueprint, the launch of "Qingping."

plan to "create trouble in Shu."

Xun Xu returned to Shu and prepared to work with Chen Gongli to find out the true body of the "Candle Dragon". Xun Xu successfully prevented Wei from stealing the secrets of the crossbow and found out the traitors hidden in the intelligence department of Shu. Chen Gong returned to Shu after his undercover career, went through many tests with Xun Xu, and finally revealed the truth behind the "Qingping Plan".

In the face of the righteousness of the family and the country, Xun Xu and Chen Gong made the right choice at an important juncture, cracked the enemy's sinister conspiracy, and maintained the stability and unity of the country.

Because this work dissipates the spy that shrouded the Three Kingdoms period. This work has been relatively dim recently, and the lines are not very good, so this work has been scored relatively low by people at present.

Many screenwriters can't explain the main features of the original work when adapting the work, and will make magic changes to the original work, so it will become such a routine.

His works feel very consistent in style, and sometimes it will be difficult to maintain good ratings, and there may be a situation of high opening and low walking.

Chen Gong. The character he plays should be one of the two important characters in the play, and it is an indispensable part of the storyline.

Chen Kun plays the male number one Chen Gong, the drama is adapted from Ma Boyong's name of the same name**, telling the story of two "little people" Chen Gong and Xun Xu who are not focused on by the troubled times.

Chen Kun plays a person named Chen Gong in this drama, he is a high-level spy lurking in Wei in Shu, and a person who came to Shu to steal secrets.

"The Wind Rises in Longxi" is okay if you watch it twice as fast as the whole process. In domestic dramas, Tematsu can be given a four-star. The audio-visual latitude only satisfies the so-called "high-end" texture that can make ordinary audiences feel technically, but in fact, it is far from high quality.

The comparison between Fuhuadao and general domestic dramas is really good, but it only reaches the texture level and is not plastic, and the utensils are like things, and the level of doing "dirty" and "real" is still very mediocre.

Editing and cinematography don't really give emotional and dramatic tension to key scenes. For example, candlelight and some natural light photography seem to be only different from the full lighting of general domestic costume drama studio shots to achieve a "high-end" look, and the role of clear characters and atmosphere shaping is not obvious. In fact, the whole drama of "Feng Qi Longxi" does not construct a whole image with rich emotional and meaningful space.

At the script level, the rhythm of the main plot advancement is not bad, but there are many shortcomings in the lines, and the portrayal of historical figures such as the prime minister. The decency of the prime minister is a resolute posture of Kong Ming as an individual after facing nothingness and passing through fantasy in the context of the collapse of etiquette and music in the late Han Dynasty, but Kong Ming's decency in the play is almost silly and sweet.

Although the script clarifies the logic behind Kong Ming's (opposite Li Yan, Yang Yi, and Guo Huai) core values, it just fails to explain the internal drive of the prime minister to "do his best and die" (the beginning of the memories and Xun Xu's past are barely a portrayal, but it is far from enough), and as a result, the prime minister looks like a preacher who talks about big truths every day, and his criticism of Li Yan and Yang Yi is like being cheap and obedient.

On the whole, "Feng Qi Longxi" is only compared with domestic costume historical dramas, and it is indeed considered "tall". But compared with the HBO historical drama "Rome", which is also macro historical facts and micro fiction, the gap between the image and text level is actually very obvious: the same in the first few episodes with the help of real historical events to set the tone, the scene of Caesar crossing the Rubicon River in "Rome" can make people feel the power of history, and Kong Ming's tears and slashing horses in "The Wind Rises in Longxi" is really dull and boring.

There is still a TV series that attracts it, but it is not particularly in place, and there is no place to attract the audience, so it is said that the characteristics are not enough.

Because the success of a drama depends not only on the starring role, but also on the cooperation of supporting roles, and it also needs to be strong in the plot.

Chen Kun's acting skills in this drama have a depressing feeling, there is no soul of the characters, and the sense of substitution is not very strong.

"Feng Qi Longxi" changed the original work, but it couldn't jump away from the real historical ending, and the main reason for the unreasonableness was that Chen Gong assisted Yang Yi and others to frame Li Yan. If you want to frame Li Yan, at least make some grudges between the two sides, but not only did it turn out, but the two of them are like father and son.

I think in this drama, what is not very reasonable is that they have made some changes to the original book, but they can't jump away from some of the developments of the whole history.

There are many unreasonable plots in this drama, first of all, in this drama, it mainly shows some of the roles of spies, but in ancient history, spies actually did not play a particularly big role, and the relationship between the characters in it has also undergone some changes.

Because every detail of his is actually easy for people to see the flaws, we were really uncomfortable as we were watching it just now, and we couldn't help but pick at his details, and couldn't help but complain.

Because some of the plots are not coherent at all, and they are not worth scrutinizing at all, there are many loopholes.

Liu Ying's operation of burning the secret decree was very unprofessional, and it was later discovered that she was not tortured.

Mainly because he has always felt that his costume style is not very good. Afraid of being ridiculed by netizens. When the director asked him to take over the play, he was a little hesitant.

Because after repeatedly studying the script, he didn't know how to better integrate with this character, didn't know how to play this role more perfectly, and didn't know how to shape this character, so he became very entangled.

is because he thinks that the character in it is both good and evil, he has always played a positive character, and he feels that such a role is a bit unbearable.