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It is a regular way to practice a hard pen according to the ancient post. From the point of view of practicality, it is recommended that Zhao Mengfu Wen Zhengming's small Kai and Xingcao.
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Lingfei Sutra, Wen Zhengming's Chibi Fu.
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It is recommended to find a simple, standardized and easy-to-start one, develop an interest, and then look at your preference to find ancient posts.
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I recommend Chu Suiliang's regular script "The Holy Order of the Wild Goose Pagoda", and the ancient post of the Qing Dynasty calligrapher Zhao Shijun and Chu Suiliang's "The Holy Order of the Wild Goose Pagoda".
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Learning hard pen calligraphy is a good choice, although the contemporary hard pen calligraphy is also very well written, but compared to the ancient classics left over the masterpiece is just pediatrics, want to really make progress in calligraphy, you must learn the ancient calligraphy, only in this way can you appreciate the real calligraphy. Beginners to practice calligraphy in ancient times, you can first choose some calligraphy that is close to the style of modern people's characters, and ink is better, so that it is easier to understand and easy to get started. For example, you can learn Wen Zhengming's Xiaokai, such as his "Qin Fu", which is widely circulated on the Internet, and the writing is also very beautiful, and the structure is not much different from modern fonts.
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The first choice is, of course, Zhao Mengfu's "Ji Di Biography", maybe in everyone's mind, Zhao Mengfu is not included in the small Kai family, in fact, with his majestic hundreds of years of skill, its small Kai is really stronger than a group of people who are civilized in Xiaokai, not a star and a half, the reason is that the penmanship is good, into the Wei and Jin dynasties, and across the calligraphy and painting seal carving literature of the very deep literacy, so the performance in the small Kai has few opponents after the Wei and Jin dynasties. This "The Legend of Ji Di" is also a masterpiece of Xiaokai in his prime.
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The existing British Museum's "Dunhuang Vimala Sutra Scroll" although this post is made by folk writers, the penmanship is pure, smart, although it is a small Kai, but the pen is strong and strong, not losing Tang Kai. It is of good help to the practice of hard pen and small letters.
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Chu Suiliang is a calligrapher of the Tang Dynasty, "The Holy Order of the Wild Goose Pagoda" is his masterpiece, it can be seen from the text, the font structure is rigorous, the strokes are full, the outside is soft and the inside is rigid, it is the work of the calligraphers of the past dynasties, and it is also more suitable for hard pen writing and copying.
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If you like to write the ancient sticker, you can also write down Wang Xizhi's "Holy Order", which is a must-have post for calligraphers to learn to write, just learn to write without calligraphy foundation, it may be a little difficult, you can go to the Internet to find some ink version of the "Holy Order" by the hands of famous artists of all generations.
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Try to learn the regular script of the Tang Dynasty, such as Zhong Shaojing's small Kai "Lingfei Jing", you can also learn the Chinese Kai of the Tang Dynasty, and you can write the Zhong Kai as a small Kai. At this time, you can also write Wang Xianzhi's small Kai "Jade Edition Thirteen Lines".
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Qing Dynasty calligrapher Zhao Shijun Linchu Suiliang "Wild Goose Pagoda Holy Order", Zhao Shijun is a famous calligrapher in the Qing Dynasty, and Weng Fanggang is known as a famous master of gold and stone. In his later years, he learned Chu Suiliang's penmanship, and the writing work can be completely messy, and it is ink, the strokes are light and heavy, and the pen has a sense of bone, which can be combined with Chu Suiliang's penmanship to write hard pen calligraphy.
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Holy Order, Lingfei Sutra, Zhao Mengfu and Wen Zhengming choose one, basically become a body, and then practice Yan Zhenqing, study Su Shi Huang Tingjian, and you will almost become a master haha
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