Ask for Dong Ziwu s details! 10

Dong Ziwu, a national first-class actor, a member of the Chinese Dramatists Association, a member of the China TV Drama Art Committee, and a member of the China Film Performance Society. The former Hebei Provincial Drama Theater was engaged in stage performances, and has been engaged in film and television performances since 1978. Participated in the filming of 19 movies and more than 60 TV series.

Dong Ziwu has been an actor for almost 30 years, and listening to him talk about his artistic experience is like watching the history of the development of film and television art, and keywords such as "production department" and "state order" will burst out from time to time. Dong Ziwu really entered the film and television industry in 1977, before that, he was already a young actor in the Hebei Provincial Drama Theater. To this day, he still clearly remembers the scene of his first encounter with film and television.

It was a hot summer, and Yan Jizhou, director of Bayi Film Studio, was choosing actors for his new film "Three Missing People". At that time, Dong Ziwu didn't know what film and television was, and he didn't understand how to act in movies. However, in the end, he still left an address for Director Yan and took the first step towards film and television.

At that time, it was generally ten months to make a movie, and the normal production cycle was seven months, so the artistic quality was very particular. Dong Ziwu played a big squad leader in the play, and it was winter when he was filming, which also involved spring scenes, but unfortunately the filming cycle was long, so he could only wait for the next spring to come. During this period of time, Dong Ziwu intervened in the air to shoot "Erquan Reflecting the Moon".

Since then, he has stayed in Beijing Film Studio for five years and appeared in ten movies. The first time he filmed a TV series was in 1983, when he played Li Guo, Li Zicheng's nephew, in "Two Heroes" directed by Chen Huaikai. Later, whether it was film, television, costume drama or fashion drama, he also mixed it up, and cooperated with a group of directors such as Zhou Xiaowen, Wang Xiaolie, Wu Ziniu, etc., just like a snowball, his works are rolling more and more, and they are getting bigger and bigger, and until now, they will continue to roll the snowball down.

Dong Ziwu believes that to be a successful actor, you need a combination of skill and opportunity. There are opportunities, but there is no skill, and opportunities are useless; There is skill, there is no opportunity, there is no platform for you to show yourself, and there is no meaning in skill. And this relationship between power and opportunity is both delicate and complex.

In modern times, due to the characteristics of commercial society, new propositions and successful ways have been put forward for actors. In the past, an actor's qualifications needed to be appraised by the state department, which was an honor, not something that could be obtained by relationships. First of all, there must be a work that has an impact, and it must be submitted for approval before it can be evaluated.

The fame of modern actors needs to be "created", and under the premise of commercial interests, various film and television companies will adopt a variety of channels to mobilize all publicity efforts to "push" a person, and the so-called "do" is also the need of the market and inevitable. But the key is that as an individual actor, you must correct your position and direction, and don't be swallowed up by flashy appearances. If "doing" is an opportunity, then it is also necessary to "do" with value and continuity, and really good actors will not be short-lived.

Dong Ziwu came from a very poor background, but he finally became a celebrity after unremitting efforts.

In addition to teaching, he has published more than 20 articles in journals such as "Journal of Central China Normal University", "Journal of Jingzhou Normal University", "Journal of Higher Correspondence Studies", "Chinese Teaching in Middle Schools", "Chinese Monthly", "Chinese Learning" and other publications, participated in the compilation of "Selected Ancient Chinese Literary Works" textbook, and edited "One Hundred Song Poems with Paintings".