Learn the flute, the lips are not deformed

LearnFlute, the lips will not be deformed.

The flute is the main high-pitched melodic instrument in modern orchestral and chamber music, and is in the form of a cylindrical long pipe with several sound holes. The early flute was ebony.

Or coconut wood, which is mostly made of metal in modern times, such as low-grade brass.

Cupronickel, common nickel-silver alloys to professional silver alloys, 9k, 14k, 18k, 20k, 24k gold and platinum flutes, etc.

The sound quality is dynamic and beautiful, the sound is gentle and melodious, and the flute is a test of the player's breath control, and it is necessary to find a suitable entry point to blow a near-perfect rhythm.

Slowly relax your lips and let the airflow pass through slowly, without too much pressure

It's the first time I've seen you so serious.

Playing the flute, pay attention to the timbre, and the method.

I want to make it to have a head piercing power, uniform and bright. It's up to you to do your work.

Breath in the mouth = (You can experience these four words, you go to the best teacher and they will teach you.) )

First of all, you don't need to deliberately make a big mouth when you blow a certain note, for example: a bright, rich tone. You don't have to, you don't have to blow a high note, you don't have to close your mouth, you have to concentrate that breath, but you still have to do that a little bit bit.

My teacher was a student of Galway, a national first-class flute, and a concertmaster of the military band (who I am and who he is I don't want to tell you) I say all this to make you believe me, You take a piece of paper and put it in front of your mouth.

Finally, I tell you your question, and you trust me. Playing the flute is more relaxed, but not completely relaxed, holding the flute, the right hand is a little forward, the left hand is a little backward, the head is a little forward, don't push too hard, you can hold a good flute position, your pressure will not be big, the problem of fingers let your teacher tell you to put it, you have to ask him the most standard, he will definitely know, even if he is not good, you have to do the best, is the first step if you want to learn the flute well Come on!

Maintain the correct mouth shape of the flute, and the mouth will not be deformed.

1. To form a good mouth shape, first of all, the neck, throat and oral cavity should be naturally relaxed, the lips should be naturally attached to the teeth, and the upper lip should be slightly forward. Then, the mouth is pouted and the "hū" sound (the vocal cords do not vibrate) to promote the natural relaxation and opening of the laryngeal cavity and mouth (including gas), and the cheeks, corners of the mouth, and upper and lower lip muscles naturally converge to the middle, directly prompting the formation of an oval "damper" (feeling circular) in the middle of the upper and lower lips.

2. Then, gently lean against the blowing hole in the middle of the lower lip, cover about 1 4 places of the blowing hole, and exhale the breath through the "damper" to inject the mouth wind downward into the blowing hole, acting on the pronunciation of the flute.

3. After clarifying the basic formation of the mouth shape, we should also pay attention to the angle of the mouth shape and the blowing hole, so that the lips and the blowing hole form a 90-degree right angle, the breath is unimpeded, and the flute is filled to minimize air leakage, and strive to make the flute sound pure and mellow. In mouth formation exercises, it is necessary to always pay attention to maintaining the natural relaxation of the larynx, mouth, and tongue, and use the state of pronouncing the "hū" sound to guide and maintain the mouth shape.

It's very simple, it's not so complicated, it's like blowing a fountain pen cap.

1. The lips are naturally closed, hold both ends of the flute with both hands, hold the mouthpiece with the left hand, hold the tail with the right hand, place the blowing hole on the lower edge of the lip, and aim at the blowing hole to blow air.

2. When the breath rushes out, only a small gap is allowed to pass the breath, and it becomes a bundle of air columns that blow obliquely under the blowing hole. It works like blowing a pen sleeve.

3. In order not to flush the lips apart when the breath rushes out, and the breath is dissipated, the cheek muscles must be hard to keep the outlet of the breath small.

4. The sound of blowing out should be pure and avoid mixed with gas.

5. Practice often in front of the mirror, and adjourn how to align the pores, so that the pronunciation position is correct and impartial, so that all the breath is turned into flute sound.

When the breath and mouth shape are in harmony, there must be fingers opening and closing the sound holes to produce different high and low sounds. Without fingers, breathing and mouth shapes would be meaningless, which shows how important fingers are to blowing. Training the fingers, so that each finger can not only move independently, but also cooperate closely, so that the finger movements are accurate, flexible, rapid and long-lasting, is an important topic for learning blowing.

Keep your fingers naturally bent and your hands and arms relaxed. Because the accuracy, flexibility, rapidity and durability of finger movements are obtained when the joints of the arm and the musculature related to them are relatively relaxed.

When opening the sound hole, the fingers should generally not be raised too high. If it is too high, the action will not be fast, which will affect the speed of playing. It should not be too low.

If it is too low, it will affect the accuracy and volume of the pronunciation, and make the pronunciation ambiguous. In general, phrases with faster tempo and shorter notes should be played at a lower level; When playing slower, longer notes or special techniques, it should be raised appropriately.

The fingers should be pressed tightly, but not too hard, and there should be a certain elasticity. When the finger is raised, it needs to be released quickly.

The movement of the fingers is not a spontaneous activity of joints and muscles, but a conscious activity (conditioned reflex) under the innervation of the cerebral cortex. Therefore, in order to expand the freedom of finger movement, it is necessary to train the finger joints and muscles regularly (through etudes, etc.).

1. The lips are naturally closed, hold both ends of the flute with both hands, hold the mouthpiece with the left hand, hold the tail with the right hand, place the blowing hole on the lower edge of the lip, and aim at the blowing hole to blow air.

2. When the breath rushes out, only a small gap is allowed to pass the breath, and it becomes a bundle of air columns that blow obliquely under the blowing hole. It works like blowing a pen sleeve.

3. In order not to flush the lips apart when the breath rushes out, and the breath is dissipated, the cheek muscles must be hard to keep the outlet of the breath small.

4. The sound of blowing out should be pure and avoid mixed with gas.

5. Practice often in front of the mirror, and adjourn how to align the pores, so that the pronunciation position is correct and impartial, so that all the breath is turned into flute sound.

The above are the 2 pieces of information I found for you.

Hope you're satisfied.

When the bamboo flute is blown over, how do the upper and lower lips and both sides of the mouth shrink?

Hello dear, when the bamboo flute is blown over, how to shrink the upper and lower lips and both sides of the mouth: the upper and lower lips are slightly split to both sides, and you can blow like a smile. The "damper" can be large or small, and the size of the so-called damper varies according to the level of the desired sound.

When blowing the bass, we need to enlarge the "damper", and when blowing the high sound, we need to reduce the "damper". The position of the "damper" should be correct, not to the left or right, but to the middle of the lips. The upper lip should be slightly more prominent than the lower lip, and the cheeks should not be deliberately bulged, but should be forcefully pulled in.

The breath that blows through the "damper" is called "mouth wind". "Mouth wind" is divided into slow and urgent, slow is soft, urgent is hard. When playing the bass, generally speaking, the "mouth tone" should be slowed down, and when playing the high notes, the "mouth tone" should be appropriately accelerated and hardened according to the needs of the pitch and strength of the music.

Summary. Hello dear, when the bamboo flute is blown over, the upper and lower lips and both sides of the mouth should be contracted by muscles. At this time, the contraction of the respiratory muscle tissue is strengthened, the pressure of the qi increases, and the "damper" shrinks accordingly (I feel that the "damper" is kept round, and the "damper" is not compressed by pulling the upper and lower lips to the sides, but the corners of the mouth are closed to the middle, which increases the pressure of the mouth to contract to the middle), and the mouth strength that controls the "damper" increases, and the exhaled airflow is rapid and powerful.

The contraction of the respiratory muscle tissue is strengthened, the pressure of the qi increases, and the "damper" shrinks accordingly (I feel that the "damper" is kept round, and the "damper" is not compressed by pulling the upper and lower lips to the sides, but the corners of the mouth are closed to the middle, which increases the pressure of the mouth around the mouth to contract to the middle), and the mouth strength of the control "damper" increases, and the exhaled airflow is rapid and powerful.

When the bamboo flute is blown over, how do the upper and lower lips and both sides of the mouth shrink?

Hello dear, when the bamboo flute is blown over, the upper and lower lips and both sides of the mouth should be contracted by muscles. At this time, the contraction of the respiratory muscle tissue is strengthened, the pressure of the qi increases, and the "damper" shrinks accordingly (I feel that the "damper" is kept round, and the "damper" is not compressed by pulling the upper and lower lips to the sides, but the corners of the mouth are closed to the middle, which increases the pressure of the mouth to contract to the middle), and the mouth strength that controls the "damper" increases, and the exhaled airflow is rapid and powerful. The contraction of the respiratory muscle tissue strengthens and lifts the sleepiness, the pressure of the qi increases, and the "damper" shrinks accordingly (I feel that I keep it round, instead of using the upper and lower lips to pull to the sides to compress the "damper", but the corners of the two mouths are closed to the middle, and the pressure of the mouth is strengthened to shrink to the middle), the mouth strength of the "damper" is increased, and the airflow of Huzhixiao is rapid and powerful.

Hello dear, when the bamboo flute is blown over, the upper and lower lips and both sides of the mouth should be contracted by muscles. At this time, the contraction force of the respiratory muscle tissue is strengthened, the pressure of the qi increases, and the "damper" shrinks accordingly (I feel that I keep it round, instead of using the upper and lower lips to pull to the sides to compress the "damper", but the corners of the mouth are closed to the middle, and the pressure and tie force around the mouth to the middle are strengthened), the mouth strength of the control "damper" increases, and the exhaled airflow is rapid and powerful.