Where is modern poetry headed? How did modern poetry develop? What are its features?

I think the pear blossom pie is still good.

When it comes to poetry, the first thing that may come to our minds is Tang poetry, as the name suggests, it refers to the poems created by poets in the Tang Dynasty, and the Tang Dynasty was also a dynasty in which poetry developed to its heyday, in the early middle and late of the Tang Dynasty. and other periods have very outstanding representatives, and poets also have very excellent works, such as Li Bai and Bai Juyi.

Du Fu, Lu You.

and so on, they are all great writers who are second to none, and they also have a very high status in the history of literature.

Tang poetry and modern poetry are both a kind of poetry, but as Tang poetry, it belongs to close poetry, which has extremely high requirements in all aspects such as battle, rhyme, and leveling, but modern poetry is obviously different from classical poetry. Modern poetry originated in the late Qing Dynasty, also known as vernacular poetry, the style is not the same as classical poetry, and there are no strict requirements in terms of rhyme and format, but there is a kind of freedom embodiment. The biggest difference between modern poetry and classical poetry is that modern poetry adopts the vernacular way, breaking the shackles of the old style of poetry, and the content can fully reflect the new trend and new ideas as a modern person, while the free style new poetry is the product of the May Fourth Cultural Movement and the mainstream of modern poetry.

The most important poetic schools in the history of the development of modern Chinese poetry are also divided into many, starting with the very beginning of the Crescent School.

From the Ten Schools of Chinese Realism and Neomodernism, to the Hazy School and Internet poetry in the 90s, to the Tagorean poetry in the early 21st century, there are very obvious changes and styles, each with its own representative works and representatives.

Among them, very famous ones are Xu Zhimo.

is the representative of the Crescent School, the representative work "Farewell to Cambridge".

Extremely romantic poetry; Dai Wangshu's "Rain Alley".

It is also famous, "I hope to meet a girl with grievances like a lilac", many people must have silently thought about such a Gu Liang with an oil-paper umbrella, as well as Lin Huiyin, a famous talented woman in my country.

is not only an architect, but also a talented woman, "You Are the April Day in the World" is also an excellent masterpiece of modern poetry.

Modern poetry is also called"Vernacular poetry"It can be traced back to the end of the Qing Dynasty at the earliest, and is a kind of poetry, compared with classical poetry, although it is written for the feeling of things, but it is generally not formal and rhythmic.

Modern poetry is free in form, rich in meaning, and focuses on the use of imagery rather than rhetoric, completely breaking through ancient poetry"Gentle and generous, mourning but not complaining"It places more emphasis on freedom and openness and straightforwardness in making statements"Between the sensible and the unfelt"of communication.

It is mainly based on ancient ancient poems, and secondly, the current poems are more educated, and they are also more regular, and the biggest feature is that there are many matching words.

It began to be used in 1953 when Ji Xian founded the "Modern Poetry Society", and the characteristics of modern poetry are: the form is free, the connotation is open, and the imagery is more important than rhetoric.

In 1953, a group of people founded the Poetry Society of Modern Poetry, which gradually evolved according to this. Mainly lyrical, there are also some freehand content, there is no very strict fixed structure, it is relatively open in form, there is no strict limit on the number of words and length, and there is no pursuit of content like **.

In 1953, someone founded the Modern Poetry Society, and finally it slowly developed. It is characterized by a relatively free form, a more open connotation, and the management of imagery is more important than rhetoric. Feeling the object, it is the reflection of the soul.

Modern poetry needs new space for expression.

Philosophical poems by Sun Dajun.

Poetry is seeking breakthroughs, and poetry is seeking new space for expression.

The more the poem is written, the narrower it becomes, the poem has been said by others that you can't repeat it, and famous poems all have their own merits.

Poets are busy exploring, and their pens are eager to produce extraordinary poems.

Great poets must have classics left in the world to be successful, and they seem to be not inferior in intelligence when they edit poetry anthologies.

The knowledge of the world is that the back wave pushes the front wave, and the wave is stronger than the wave, the small wave is like this, and the big wave is also like this, and the descendants will surpass the ancients, and the leading poet tends to be more obvious.

A poem that is understandable has a banal formula, and it is based on the response of the mind to each other.

The conventional becomes simple, and it cannot be surpassed like Tang poetry.

There is a new discovery in modern poetry, Pound's "Subway Station".

Eliot's "The Waste Land" expresses the water-like traces of poetry, which responds to social reality and the truth of people's minds, and is the two major representatives of modern poetry.

In the direction of calling for a breakthrough in poetry, there is a certain amount of space for poetry to be displayed.

There are words in the world that cannot be said directly, poetry is a good means of understanding, and poems have to be detailed and said in different articles.

In order to publish the article in the press.

Poetry can have one meaning, poetry can be one meaning after another, the former is easy to understand and the latter is difficult to understand, and what is difficult to understand is often not connected to the same meaning to the great depth, only showing the general mentality and general style, and people with the same situation can resonate.

It's hard to say, I personally don't think it's optimistic.

The best years of Chinese poetry have passed, and no one knows whether it will come again.

Judging from the current situation, the direction of development is likely to be further narrowing, and eventually become a so-called elite culture in which a small number of people entertain themselves.

Most of the ancient Chinese poetry was bound to metrical rhythms. Poetry Fu. The range of subjects is also relatively narrow. The criteria for judging are similar, and they can be evaluated within a range.

The poor development of Chinese poetry does not lie in its absorption of foreign countries, but because of its absorption, it has opened its shackles and made it more free.

On the contrary, China's current social environment determines the decline of China's current humanities. Literature and art are not valued, and it seems that only interests and money are seen. Think about it, in the 80s and 90s, it became a trend for people to write poetry at that time, and the people they talked about had to see if they liked literature, whether they could write poems and sing songs, and so on.

And now.

Modern poetry is a little shorter.

1, "Far and Near".

Gu cheng. You, look at me for a while, look at the clouds for a while.

I feel that when you look at me, you are far away, and when you look at the clouds, you are close.

2, "Accidental".

Xu Zhimo. I am a cloud in the sky, projected by chance in the heart of your waves.

You don't have to be surprised, and no sailor has to rejoice, and in an instant you have disappeared from all traces.

You and I meet on the sea of night, you have yours, I have mine, direction;

It's better for you to remember, it's better for you to forget, the lights that shine on each other at this rendezvous!

3. "Error".

Zheng Chouyu. I hit Jiangnan and walked through.

The face in the season is like the blossoming of a lotus flower.

The east wind does not come, and the catkins in March do not fly.

Your heart is like a little lonely city.

Just like the bluestone street is late.

The sound of trampling is not loud, and the spring curtain in March is not revealed.

Your heart is a little window closed.

The horse's hooves of my round sedan Ludada are beautiful mistakes.

I am not a returner, but a passerby.

4, "Alley".

Gu cheng. Alley.

It's curved and long. There are no doors.

There are no windows. I'll take an old key.

Knocking on a thick wall.

5. "Weight".

Han Han. She put the bloody head on the balance of life, so that all the survivors were lost.

Weight. 6, "Arc".

Gu cheng. Birds in the wind.

Turn quickly. The boy went to pick it up.

One cent. Grapevines due to fantasy.

And the extended filaments.

The waves retreated.

And the towering back.

7, "Feeling".

The sky is gray.

The road is gray.

The building is gray.

The rain is gray.

In a dead ash.

Walk past two orange with children.

A bright red. A pale green.

Modern Poetry:

1. "Rain Alley" is a modern poem written by the Chinese poet Dai Na Split Wangshu in 1927. The poem describes the lyrical protagonist "holding an oil-paper umbrella" and wandering alone in a long and lonely rainy alley.

2, "Everything" is a representative poem of Beidao (Zhao Zhenkai). It tells the poet's understanding of life: life is not a tragedy, nor is it a complete comedy. Joy and pain are inherently interdependent, and under certain conditions, they transform each other.

3. "This is also everything" Youla is a poem written by modern poet Shu Ting in July 1977. In this poem, the poet expresses her belief in the beauty of the future, telling her young friends that "all the present is pregnant with the future", and as long as you never give up, you can win a good life.

4. "Farewell to Kangqiao" is a popular poem by the modern poet Xu Zhimo and a representative work of the Crescent School of poetry. The whole poem takes the emotional ups and downs of parting from Kangqiao as a clue, and expresses the deep affection for Kangqiao. The language is light and soft, the form is delicate and mature, and the poet uses the technique of intermittent fiction and reality.

5. "Homesickness" is a modern poem written by the modern poet Yu Guangzhong in 1972. In the poem, the poems are written through the chronological words of "when I was a child", "when I grew up", "later" and "now", and the abstract nostalgia is concretized through the physical objects of stamps, ferry tickets, graves, and straits.