How Jiang Xue writes an account, Jiang Xue describes where the snow scene is

Liu Zongyuan wrote "Jiang Xue" in Yongzhou, Hunan. The location of Yongzhou is the place where Xiaoxiang meets, so the "river" described in "Jiang Xue" should be the Xiangjiang River, and the snow scene described should be the snow scene of Yongzhou.

"Jiang Xue" is the work of Liu Zongyuan when he was demoted to Yongzhou, and the scenery described includes thousands of mountains, thousands of paths, lonely boats, lily hats, and cold rivers and snow. The poet uses the fisherman who lives in seclusion between the mountains and rivers to express his lofty and arrogant feelings, and expresses his depression and distress of political frustration.

Jiang Xue writes about the winter scenery of Yongzhou. "Jiang Xue" is a five-character quatrain written by the Tang Dynasty poet Liu Zongyuanyu, and the poet only used 20 words to depict a quiet and cold picture.

Jiang Xue "Liu Zongyuan: Thousands of mountains and birds fly away, and thousands of people disappear. Lonely boat, fishing alone in the cold river and snow.

In the poem, the typical generalization technique is used, and the typical scenery that can best express the severe cold of the mountains and wilderness is selected to express the typical scenery of thousands of mountains and thousands of paths, and the extinction of people and birds, depicting the picture of heavy snow falling and the sky and the ground freezing; Then he sketches the image of a fisherman fishing alone in the cold river, in order to express the poet's unyielding and lonely emotions after being hit.

Jiang Xue depicts the snow scene in Yongzhou in winter.

Jiang Xue [Tang Liu Zongyuan].

Thousands of mountains and birds fly away, and thousands of people disappear.

Lonely boat, fishing alone in the cold river and snow.

Jiang Xue is a landscape poem by the Tang Dynasty poet Liu Zongyuan, describing a picture of the snow scene in the river township, which was composed in Yongzhou.

The river was gray, the mountains were dim, and the air was filled with the small molecules of cold and the whistling of the north wind, but the sound passed at once, and it continued to be quiet.

An old man, dressed in a straw-coloured hat and robe, sat in a small black boat moored on the shore. The pale gray sky was cloudless, and so was the water, except that the old man sat alone in the boat.

Snowflakes began to fall from the sky, like stars, on the mountains, on the water, on the boats.

The old man began to slowly pull out the fishing rod and slowly put it into the water, waiting for the fish to take the bait. The old man was also calm, and he was able to sit like this all the time, and practiced to the point of Zen.

Is it the peace of mind, the death of the heart, or the helplessness in loneliness. This is not a peach blossom source, there is no bird singing and flowers, and there are no village people, just such a lonely cold winter, accompanied by a meditating old man.

The old man's complex is sublimated in this scene, helplessness is no longer helpless, but strong; Loneliness is not loneliness, it is a kind of lofty artistic conception. Being so cold is both a warm end and a prelude to another.

The loneliness of the old man and the depressed winter are the desolation of another world.