Excerpt a sentence similar to the scene of return to the deep forest, look for the moss again .

The artistic conception is the same as "picking chrysanthemums under the east fence, leisurely seeing Nanshan".

Luchai [Wang Wei].

There is no one in the empty mountain, but there is a sound of people's voices. Return to the deep forest, and revisit the moss.

Brief Comment] This poem "Lu Chai" is an important representative work of Wang Wei's landscape poems, expressing the poet's pursuit and love for the ethereal realm in nature, which is also one of the joys of his seclusion in the Rim River. The main feature of the poem is that it is full of the realm of painting. Liu Chenweng, a native of the Song Dynasty, said in volume 39 of "Tang Poetry Collection":

wordless but picturesque". Qing Shen Deqian's "Tang Poetry Tailoring" volume 19 plays Liu Zhi's saying, saying: "The best thing is not in language, it is the same as Tao Gong's 'picking chrysanthemums under the east fence and leisurely seeing Nanshan'."

Wang Wei's poem is similar to Tao Yuanming's ethereal and secluded. That is to say, the merit of this poem lies in what Su Shi said when commenting on Wang Wei, "there are paintings in the poems". Although the first two sentences do not see others in the empty mountains, "the empty is the same and there is no one in sight", which writes the tranquility of the mountains and forests.

The last two sentences write that the light returns to the deep forest, and the moss is restored, which is the scene seen by the protagonist in the painting. The combination of the two is a wonderful picture of people and scenery interdependent. An important artistic technique of this poem is the contrast, which is used to highlight the central content of the poet's description, that is, the word silence, which is expressed in the first two sentences as "no one is seen" and the last two sentences as "on the moss".

In the first two lines, the poet's intention is to write that he "does not see anyone" in the mountain, and therefore the mountain is only an "empty" mountain. Then a "human voice" broke the silence of the mountains and forests, and this technique is the contrast. This is consistent with the famous sentence "Birdsong Mountain is more secluded" written by the Liang people of the Southern Dynasty, in which the sound of birds is used to contrast the tranquility of the mountain.

Similarly, in the last two sentences, the poet's purpose is to write about the dark scenery in the deep forest, that is, to highlight the "quiet" scene "on the moss". But he did not directly describe that the whole mountain forest was dark, but let a ray of light sunlight cast into the deep part of the forest, and also shine on the moss, so that the reader feels that the bright one is self-evident, and the secluded place is self-secluded, and through the comparison of the bright one, the secluded place is even more secluded. The poem reflects the poet's love for nature and his weariness with earthly officialdom.

The first thing that came to my mind was the phrase "Birdsong Mountain is more secluded". Hehe.

Picking chrysanthemums under the east fence, leisurely see the South Mountain.

It means that the golden light of the setting sun shines directly into the deep forest and shines on the moss in the dark places.

Tang Dynasty poet Wang Wei "Lu Chai", original text: The empty mountain does not see people, but hears people's voices. Return to the deep forest, and revisit the moss.

Translation: The mountains are empty and silent, and no one can be seen, only the voice of the person who speaks. The golden light of the setting sun shone directly into the deep forest and shone on the moss in the dark places.

Appreciation: This poem writes about an inaccessible empty mountain, a forest with towering ancient trees, with the intention of creating an empty and deep realm. The first sentence first describes the empty mountain head-on, focusing on the emptiness and coldness of the mountain.

Immediately after that, the second sentence of the realm suddenly appeared, and the local, temporary "sound" contrasted with the global and long-term emptiness. Clause.

3. The fourth sentence describes the empty mountain from the above and then describes the reflection of the deep forest, from sound to color.

The afterglow of the setting sun is reflected in the deep forest, and the scenery is pleasant to reflect on the moss.

If it helps you, please give a good review thanks.

Returning to the deep forest to reshine on the moss means that the golden light of the setting sun shines directly into the deep forest, and shines on the moss that has been defeated in the dark.

1. Original text: Wang Wei's "Lu Chai".

There is no one in the empty mountain, but there is a sound of people's voices. Return to the deep forest, and revisit the moss. Bad move.

2. Translation: In the quiet valley, I don't see people tremblingly, but only hear the sound of people talking.

The afterglow of the setting sun reflected in the deep forest, and shone on the moss in the dark place.

3. Appreciation: In the first sentence, the reader may think that it is more ordinary, but immediately after "no one is seen in the empty mountain", "but I hear the sound of people's words", the realm is suddenly out. The word "but smell" is quite interesting. Normally, the silent empty mountain, although "no one is seen", is not silent and dead.

The chirping of birds, the chirping of insects, the sound of the wind, the sound of gurgling water, are intertwined, and the sounds of nature are actually very colorful. At the moment, however, there was no sound, except for the occasional burst of human voices, but no human figure was visible (due to the deep mountains and dense forests).

This "human voice" seems to break the "silence", but in fact, it contrasts the overall and long-term silence with a local and temporary "sound". The sound of the empty valley is transmitted, and the emptiness of the empty valley is seen more and more; The empty mountain people speak, and the silence of the empty mountain is more and more. The human voice sounded, and the empty mountain returned to the realm of silence; And because of the sound of human voices just now, the sense of emptiness at this time is even more prominent.

Three or four sentences from the above description of the empty mountain and then describe the reflection of the deep forest, from the sound to the color, the deep forest, originally dark, the moss under the trees in the forest, more prominent in the deep forest without sunlight. Although silence and darkness are respectively appealed to hearing and sight, they often belong to the same category in people's general impression, so seclusion and silence are often related to each other.

According to common sense, when writing about the darkness of the deep forest, we should focus on depicting that it does not see the sun, but these two sentences are deliberately written to return to the scene and shine into the deep forest, reflecting on the moss. At a glance, the reader will feel that this slanting light brings a ray of light to the dark deep forest, a touch of warmth to the moss in the forest, or a little business to the entire deep forest.

However, if you take a closer look, you will feel that both the subjective intention of the author and the objective effect of the work are exactly the opposite. When a touch of afterglow shines into the dark forest, and the mottled shadows of the trees reflect on the moss under the trees, the strong contrast between a small piece of light and shadow and a large area of boundless darkness makes the darkness of the deep forest more prominent.

In particular, this "return to the scene" is not only faint, but also short-lived, and after a flash of afterglow, a long period of darkness ensues. If one or two sentences are voiced against emptiness; Then three or four sentences are to contrast the darkness with light. The whole poem seems to be mixed with a little warm color on most of the pictures with cold colors, and the result is that the cold colors give a more prominent impression.

The afterglow of the setting sun is reflected in the deep forest, and the scenery is pleasant to reflect on the moss.

From Wang Wei's [Luchai].

There is no one in the empty mountain, but there is a sound of people's voices.

Return to the deep forest, and revisit the moss.

Translation: There was no one in the empty mountain, only a burst of human voice. A touch of the sun returned to the deep forest, and shone on the moss in the forest.

This poem creates a deep and bright symbolic realm, showing the author's sudden enlightenment in the process of deep meditation. Although there is a sense of Zen in the poem, it does not resort to arguments and reasoning, but is fully permeated by the vivid depiction of natural scenery.

What you are talking about is: a sentence similar to the scene in the poem "Back to the deep forest, back to the moss" in "The Heavenly Mountains in July"!

It should be this sentence: Below the snow line of the white peaks, there is an endless verdant primeval forest, and the dense tapine is like a giant umbrella holding the sky, and the overlapping branches only leak speckled and fragmented shadows.

Or: This is the one analyzed below.

Jing + Jing Dong + Ji Bin.

Coherence is the characteristic of the poem.

Similar are: thousands of trees towering to the sky, thousands of mountains ringing rhododendrons.

The bird stays in the tree by the pool, and the monk knocks on the door under the moon.

The bamboo noise returns to the Huannu, and the lotus moves the fishing boat.

Go to the poor place of the water, and sit and watch the clouds rise.

Returning to the deep forest to reshine on the moss, the full poem is as follows:

Lu Chai [Author] Wang Wei [Dynasty] Tang.

There is no one in the empty mountain, but there is a sound of people's voices.

Return to the deep forest, and revisit the moss.

Wang Wei is a poet, painter and homemaker. This poem embodies the combination of poetry, painting, and music. The silent silence and the darkness without light are easy for ordinary people to perceive; But the silence of the sound and the darkness of the light are less noticed.

It is precisely with his unique painter and family's sensitivity to color and sound that the poet grasps the unique quiet realm shown by the sound of the empty mountain people and the moment when the deep forest returns to the light. But this sensitivity is inseparable from his meticulous observation and contemplation of nature.