What are the fingering techniques of the guzheng? What are the guzheng fingerings

The common techniques of the right hand are: supporting, splitting, picking, wiping, ticking, hooking, shaking, pinching, scraping, etc.

The right hand often uses fingering symbols and movement essentials.

The thumb is to play the string in the direction of the outside of the zither.

Thumb split: Play the string in the direction of the inside of the zither.

Picky finger pointing to the outside of the zither to play the string.

The index point is to play the string in the direction of the inside of the zither.

Tick the center point and play the string in the direction of the outside of the zither.

The hook points to the inside of the zither and plays the string.

Swing the string finger to pluck the string continuously and quickly, the thumb to continuously pluck the string, and the index finger to continuously wipe and pick.

Pinching Hook or Wipe techniques and combinations for playing harmonies. The thumb and middle finger ensemble octaves are pinches, and the thumb and index finger ensemble intervals smaller than the octave are pinches.

2. Commonly used fingering symbols and movement essentials on the left hand.

Press the tone The button refers to the controlled downward press to obtain a pitch higher than the string position.

Sliding up After playing the string with your right hand, press the string with your left hand to slide the note up.

Slide down the string with the left hand, play the string with the right hand, and press the string with the left hand to slide the note.

Kneading Slides up a string and then back.

Tribrato is also known as groaning. Gently knead the strings to make the sound tremble slightly.

Overtone. in half of the effective chord length.

One, thirds.

1. A quarter of the place (overtone point) is pressed lightly to get a clear and ethereal overtone.

Guzheng fingering has hook, support, split, pick, wipe, tick, hit, shake, pinch, etc., these are the fingering of the right hand when playing the guzheng, and the fingering of the left hand has pressing, slipping, rubbing, trembling, etc. When playing the guzheng, the left hand and the right hand should be well matched, so that the melody of the music will be more beautiful.

The fingering of the guzheng is to pluck the strings with the thumb in the direction of the outside, and the direction of the outside is the direction of the bass. The angle of the plucked string should preferably be slightly tilted, tilted downward. When playing, the joints of the thumb should not be bent at will, so that the effect of playing is not "support", but pulling the strings.

Do not bend your fingers when doing the support movement, and the main force is the base of the thumb, and keep the middle joint straight and relaxed. When doing this movement, you will also use the strength of your arms, starting with your shoulders, then your arms, and finally your thumbs.

The continuous movement of holding the strings is called a rento, and this fingering technique involves keeping the fingers off the strings. If the finger is off the string, it is another way to play, which is to bounce on the string, so that the notes are not continuous.

Guzheng Introductory Fingering** The technique is as follows:

1. The player plucks the strings with the thumb, index finger and middle finger of the right hand to control the rhythm pitch and play the melody; Use your left hand on the left side of the string column to follow the tension of the string to control the timbre change, decorate and beautify the melody, and express the style characteristics.

2. Sometimes, due to the needs of the work, the pitch is also changed by controlling the tension of the strings. In this way, two categories of basic techniques for guzheng performance are formed: right-handed techniques and left-handed techniques.

3. The common techniques of the right hand include support, splitting, picking, wiping, picking, ticking, hooking, shaking, pinching, scraping, etc., and the common techniques of the left hand are pressing, slipping, kneading, trembling, etc.

4. The left hand still has a variety of techniques such as beating, strong sound, drum sound, point string, column tone and column overtone.

1.The fingering of arpeggios is uniform, and all use fingers or fingers. The first three groups of arpeggios are referred to as in-situ, first inversion, and second inversion in descending order, and the fourth group is an octave higher in situ.

2.The right hand uses the finger when playing the original position and the second inversion, and the finger when playing the first inversion.

3.Use to when playing the original position and the first inversion of the left hand, and use the finger when playing the second inversion. Downward fingering is the same as upward fingering.

Arpeggios are made up of the first note in the scale, and short arpeggios are a group of three notes.

The short arpeggios in major are ascending (do, mi, sol), (mi, sol, do'），sol、do'、mi'），do'、mi'、sol'), downlink (sol'、mi'、do'），mi'、do'、sol）、（do'、sol、mi）、（sol、mi、do）。

The short arpeggios in minor keys are: ascending (la, do, mi), (do, mi, la), (mi, la, do'），la、do'、mi'), down (mi'、do'、la），（do'、la、mi），（la、mi、do），（mi、do、la,）。

1. The common fingering methods of the guzheng include hook, support, wipe, beating, splitting, group molding, picking, lifting, flower fingers, shaking fingers, arpeggios, overtones, pressing tones, kneading strings, large pinch, small pinch, vibrato, glissando, strumming, scratching, four points, etc., which are used more in the song is hooking, supporting, and wiping.

2. The commonly used fingering hook and wipe is the middle finger, index finger, big finger, pay attention to the need to wear false nails when playing the guzheng, after wearing the false nails of the middle finger and index finger gently pluck the strings, the thumb plucks the strings and the index finger and the middle finger pluck the strings The method is the same, the slow direction is the opposite, and the finger is plucked in the opposite direction after finding the right strings.

The fingering of the guzheng, support, liantuo and splitting, etc.

Torr. When playing, the strings are plucked outward, that is, in the direction of the bass. The angle of the plucking string should be forced diagonally downward.

And avoid bending the first and second joints of the big finger to the oblique upward force to "buckle" the string. The movement of the bracket is a natural, skillful and coordinated movement of the shoulder, arm, hand and false nails. The small joints of the fingers are not bent, and the base point of the big finger is used as the base point, and the force is naturally exerted.

Pluck the strings diagonally downward.

Tento. Continuous finger support is called continuous support, which can be used to continuously support the fingers without leaving the strings, or to bounce (fingers to play again after each note), the former has a coherent sound, and the latter has a strong sound and helps to train finger strength.

Tuo is the basic fingering method in the Zheng playing method, which is used to play the downward movement of monophonic or scale melodies, and it is also used in the fingering methods such as "heavy hook splitting support" and descending "calendar".

Chop. When playing, the big finger plucks the strings inward, which refers to plucking the strings in the direction of the high notes. The chopping action is still based on the joint connecting the big finger to the base of the palm, and the string is plucked at an angle slightly above the top. Splitting is the reverse fingering of the to. It is often used alternately with the Torr or continuously alternately.

Fingering of the Guzheng:

1. Finger shaking: Finger shaking is the main technique used to extend the sound of music in the guzheng technique. Through the technique of hand shaking to produce the first effect, the nail is continuously and quickly cleaved on a string to achieve the effect of uninterrupted music and continuous sound.

Since the sound of the guzheng and other plucked instruments does not last long, finger shaking has become one of the more important techniques in music performance.

2. Hook and wipe to:

As one of the most common fingering techniques in guzheng performance, "Hooking and Wiping" often appears in large sections in the allegro of music, so there are high requirements for the performance speed, coherence, clarity and granularity of this fingering. And there are many fingerings based on this, such as: Hook and Wipe Tuo, Wipe Tuo Tuo Hook Are you dizzy?

3. Quick finger order:

Guzheng finger sequence technique system is an innovation of Guzheng technique on the basis of inheriting the tradition, which applies the principle of inertia and symmetry in physics to Guzheng playing, fundamentally eliminates the artistic defects caused by technical obstacles, so that it can more completely express the best image, making it possible to achieve difficult techniques that were out of reach in the past, especially in improving the performance speed.

In the process of practicing fast techniques, it is necessary to master a key point of relaxation, and only by fully relaxing the muscles of the shoulder, arm, elbow, and wrist can all the strength be concentrated on the fingertips. If there is tension in any part of the body, the force will weaken as it reaches the fingertips, and at the same time limit the flexibility of the fingers. It's as if a clear spring comes down from above and is suddenly cut off halfway.

1. Split-thumbs up to play the strings outside the width of the pie yard.

2. Wipe-index finger to play the string mold sail inward.

3. Pick and index finger and play the string outward.

4. Hook-middle finger to play the string inward.

5. Tick-center pointing outward to play the string.

6. Mention - ring pointing inward to play the strings.

7. Continuous strumming of the string with the thumb outward.

8. Continuously play the string with the index finger outward.

9. Pinch - thumb outward, middle finger inward play two strings at the same time.

10. Pinch - thumb outward, index finger inward play two strings at the same time.

11. Double Hold - Thumb outward at the same time to play the adjacent two strings.

12. Double wipe - index finger at the same time to play the adjacent two strings.

13. Octave double support - the thumb finger plays the adjacent two strings inward, while the middle finger plays the other note in the lower octave, and the three notes are played at the same time.

14. Finger shake - thumb continuous support.

15. Arpeggios - The left or right hand plays different notes in order with three or four fingers.

16. Overtone - the index finger of the left hand touches the string lightly at the string 1 2, and the right hand plays the string to pronounce.

17. Flower finger - thumb quickly connect several strings.

18. Scraping to the dust - from bass to treble on the zither strings.

19. Downward scratching - the stroke from high to low on the string of the zither.