Where did imitating JJ Lin start? What is resonance? What are the features?

I think everyone's timbre is different, but when it comes to imitation, it feels like it's very good, I'm JM, I like all JJ songs, I think you have to imitate his voice, the use of qi should be free, and I don't know how to tell you, it's the tip of the throat is compared to the crack of the door, the two doors are half-closed and half-closed, that feeling, it's okay, but you have to be sure that your vocal range must be very wide.

JJ's voice is characteristic, more generous, magnetic and penetrating, and the end of each sentence is a little hoarse. It is not so easy to imitate his voice, it requires a solid foundation and talent. Wu Zongxian once described his voice as "this voice is only because it exists in the sky, and it is rare to hear it in the world."

Many of his songs have a conversion of true and false sounds, which requires a lot of breath. And the melody of each of his songs is very full of charm, and he must sing every tune in place. JJ said that his method of practicing his voice is to learn how fast and slow the dog is to breathe and exercise his breath.

However, everyone's voice has its own characteristics, and there is no need to deliberately imitate it. Maybe singing in your own voice can also be nice. JJ's song "The Follower" tells us to "die of imitation in creativity, what's the use."

It has always been imitated, never surpassed.

"Resonance of the Soul" is the song in Lin Junjie's ninth jujube leather music ** "Won't Learn Lost n Found", Asian pop king Lin Junjie and world pianist Lang Lang cross-border cooperation repertoire, the perfect combination of classical and pop, a very amazing work. The accompaniment of the song is adapted from the twenty-fourth number of the Paganini Etudes.

Lin Junjie and Lang Lang worked together to act, and the two of them became acquainted because they liked Liszt, and they were very good friends in private. Lin Junjie revealed: "I have been learning classical ** since I was a child, and when I was a child, I listened to classical ** every day to sleep and get up.

Lang Lang usually listens to popular **, and we talk a lot when we are together. When I traveled to Europe, I watched his recitals in Vienna and had dinner together. Since there was such a tacit understanding, I had to cooperate, so I decided to make a meaningful work that could be stayed.

Lin Junjie is very satisfied with this cooperation with Lang Lang: "He gave me a lot of space to share my ideas. At the same time, he also gave me a lot of surprises, such as the piano solo at the end of the song.

Lang Lang didn't just listen to me completely, but put something into his own and have a resonance. Lin Junjie said with anticipation: lack of socks "If one day, I can let Lang Lang sing, I am willing to accompany him."

> it can be said that it expresses the perfect chapter of the combination of classical and pop, the song opens the prologue with a compact melody to reveal the rock, the lyrics will blend the classical and the modern, and the atmosphere fills in the symphony of time and space, wandering history, reincarnation, Renaissance, natural selection, echoing the eternal irreplaceability of **, the dream travels through the millennium, and no matter how far away it can be responded to and resonated.

It is the resonance of consciousness and heart.

I want to be together but can't be together.