The grass is ruthless, and the expression effect outside the slanting sun

Su curtain covers the blue clouds, yellow leaves, autumn colors, and cold smoke on the waves. The mountains reflect the slanting sun and the sky receives water, and the grass is ruthless, and it is outside the slanting sun. The soul of the dark country, chasing travel thoughts, night and night, good dreams leave people to sleep. Mingyue Lou is high and recess alone, and the wine enters the bowels of sorrow, turning into lovesick tears.

The steps of appreciation should be remembered, the college entrance examination is required.

1.Translation: Fangcao Meng doesn't understand my meaning, farther away than the distant sunset.

3.Summary (special roll call): The poet uses the scenery to express lyricism, allegorical feelings, and sends homesickness to the ruthless herbs, expressing his loneliness and extreme homesickness in a foreign land more intensely.

Write out the above points to be a complete answer, there should not be many deductions, I haven't done ancient poetry appreciation for a long time

The grass is incomprehensible, farther away than the distant sunset. Here "Fangcao" refers to his hometown, "ruthless", and "more" writes the poet's homesickness, but he is lonely and has nothing to comfort himself. The poet uses the scenery to express lyricism, allegorical feelings, and sends homesickness to the ruthless herbs, expressing his loneliness and extreme homesickness in a foreign land more intensely.

This sentence is a sentence from the Tang Dynasty poet Yang Jiong's "Fu of Lindongting Lake" ("The mountains reflect the slanting sun, the sky catches the water, and the Fangtong round song grass is ruthless and more oblique. The following rhetorical devices are used:

1.Metaphor: "The mountain reflects the sunset" as a metaphor for the reflection of the sunset; "Fangcao has no situation" is a metaphor for the impermanence of the world and the ruthlessness of life and death.

2.Battle: In the sentence, there is a very symmetrical structural relationship between the previous sentence "the mountain reflects the slanting sun and the sky catches the water" and the second sentence "the grass is ruthless and more oblique", forming a kind of beauty of the sentence battle.

3.Lyricism: Expressing one's emotions through the depiction of beautiful natural scenery, which is very common in ancient poetry.

Here, by describing the scenes of the sky, mountains and rivers, and fragrant grass, Yang Jiong's deep understanding of the impermanence of life is displayed, and a kind of idealism in pursuit of the "Great Road" is expressed.

These rhetorical devices make this sentence concise, far-reaching, and infectious, and achieve the artistic effect of attaching equal importance to beauty and philosophy.

The mountains reflect the slanting sun, the sky receives the water, the grass is ruthless, and the rhetoric of (anthropomorphism) is used outside the slanting sun.

This sentence uses the rhetorical device of anthropomorphism, and "Fangcao ruthless" can best reflect the anthropomorphism.

The meaning of the phrase "the mountains reflect the slanting sun and the sky is connected to the water, the grass is ruthless, and it is even outside the slanting sun" means: the slanting sun reflects the mountains, the blue sky and the white water are connected together, and the colors are the same. The turquoise spring grass is relentlessly and unintentionally, stretching into the distance, stretching until the sky beyond the setting sun.

This poem is from the Northern Song Dynasty poet Fan Zhongyan's "Su Curtain Cover".

The original text is as follows:

The blue clouds, the yellow leaves, the autumn colors are waves, and the waves are cold and smoky. The mountains reflect the slanting sun and the sky receives water, and the grass is ruthless, and it is outside the slanting sun.

The soul of the dark country, chasing travel thoughts, night and night, good dreams leave people to sleep. Mingyue Lou is high and recess alone, and the wine enters the bowels of sorrow, turning into lovesick tears.

Full text appreciation: 1. This is a poem describing the nostalgia of detention and travel. The whole word is lyrical and the scene is blended. "The scene that is difficult to write about is as it is at present, and there are endless opinions beyond words. (Ouyang Xiu's "61 Poems").

2. This word expresses the feelings of lovesickness with low and tactful, Shen Xiong and clear brushstrokes. The upper part of the word writes the scene, the scene contains affection, writes the beautiful and far-reaching autumn scene, and darkens the homesickness; The next film is lyrical, and in the scene, it directly expresses homesickness. The whole word is big and vibrant, and the artistic conception is profound.

The mountains reflect the slanting sun and the sky receives water. The grass is ruthless, and it is even more outside the sun.

Where the water and the sky meet, the slanting sun shines on the distant mountains, but the herbs (alluding to hometowns) that do not understand the pain of homesickness are farther away beyond the slanting sun. The remoteness of the hometown sets off the homesickness.

The blue clouds, the yellow leaves, the autumn colors are waves, and the waves are cold and smoky. The mountains reflect the slanting sun and the sky receives water, and the grass is ruthless, and it is outside the slanting sun.

The soul of the dark country, chasing travel thoughts, night and night, good dreams leave people to sleep. Mingyue Lou is high and recess alone, and the wine enters the bowels of sorrow, turning into lovesick tears.

This sentence writes love with scenery, and it is about nostalgia for detaining travel.

It shows a melancholy feeling of the author.

The description of the first paragraph attracts the reader's attention, sets off the atmosphere, and sets the emotional tone. The second paragraph sets the stage for what follows.

Sets the stage for the author's later narrative to be premised.