The original text of the 78th chapter of Fat Yan Zhai Re evaluation of the Stone Record .

Extraction code: xgrn Fat Yan Zhai Re-evaluation of Stone Records (2007 book published by Tianjin Ancient Books Publishing House). It was in the early twenties of this century that "The Story of the Stone" (also known as "Dream of the Red Chamber", hereinafter referred to as "Dream of the Red Chamber") entered the study of early banknotes.

Introduction:

The establishment of the status of classical masterpieces in the history of Chinese literature is, first of all, of course, due to the unique charm of these masterpieces themselves, but it also has a great relationship with the fact that after these ** were published, a large number of discerning ** critics tried their best to criticize and comment. Names such as Li Zhuowu, Jin Shengsi, Mao Zonggang, and Yan Zhai are closely related to "Journey to the West", "Romance of the Three Kingdoms", "Water Margin", and "Dream of Red Mansions" in people's minds. They not only created a new situation in the history of Chinese classical criticism, but also enabled more readers to have a deeper understanding of the essence and charm of these classical masterpieces through their criticism.

The name Fat Yan Zhai is inseparable from "Dream of Red Mansions", and it can be seen from his comments that Fat Yan Zhai and Cao Xueqin have a close relationship, but what their relationship is, there are different opinions. Some people think that they are the same person, some think that Yan Zhai is the prototype of Shi Xiangyun in the book, and some people think that they are just ordinary relatives and friends. No matter who Yan Zhai is, his criticism of "Dream of Red Mansions" is indeed the icing on the cake of the already wonderful Grand View Garden, which can make readers more fascinated by "Dream of Red Mansions"; It also allows future generations to have more speculation and imagination about the fate of the characters in the eighty chapters later.

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Yenching University Library Collection, Gengchen Ben Fat Yan Zhai Re-evaluation of Stone Records, Traditional, Vertical.

Douban score:

Publisher: Tianjin Ancient Books Publishing House.

Year of publication: 2007-3

Pages: 872

Brief introduction: The text is Gengchen, six.

Fourth, six or seven chapters are the Mengfu version, with the addition of the first book, and the last forty chapters of the appendix are the Cheng Jia.

The same or similar order of selection of criticism: Jiaxu, Gengchen, Yimao, Mengfu, Qixu, Russian-Tibetan, Jing.

The comments are sandwiched in the text, indicating the version and the original position.

About author:Cao Xueqin,(?) 1763, 1764) Qing ** family.

The name is stained, the word Mengruan, the number Xueqin, Qinpu, Qinxi. For the Manchurian White Flag "coating" people. Since the great-grandfather, three generations of Jiangning weaving, his ancestor Cao Yin is especially trusted by Emperor Kangxi.

In the early years of the Yongzheng Dynasty, under the implication of the internal political struggle of the statistical class, the Qin family suffered a major blow, his father was dismissed, his property was confiscated, and he moved to Beijing with his family. In his early years, he experienced a prosperous life in a feudal big bureaucratic landlord family, and later due to the decline of his family, he tended to be difficult. In his later years, he lived in the western suburbs of Beijing, died of poverty and illness, and was less than 50 years old.

He has a haughty temperament and is an alcoholic and talkative. He has profound cultural accomplishment and outstanding artistic talent. He lived in the last days of feudalism when capitalist production had sprouted in China, and in the later period, he had the opportunity to come into contact with the lower classes, so he had a more concrete feeling of the social class struggle and ideological struggle at that time, and saw the decay of the ruling class and the internal disintegration.

For ten years, he was engaged in the creation of "The Story of Stones" (i.e., "Dream of Red Mansions"). Through the description of the history of the rise and fall of a tall aristocratic bureaucratic family, the book has created many typical characters, profoundly dissected and criticized the dark corruption of the society at that time, and enthusiastically praised young men and women with heterodox ideas, which has become a great realist work in China's classical **. But it also reflects the author's fantasy of "mending the sky" for the feudal system and his pessimism about not finding a way out.

It is said that he added and deleted five times, but died before the book was completed; The current edition is one hundred and twenty chapters, and the last forty chapters are generally considered to be continued by Gao E. He can also write poems and be good at painting stones, but his works are rarely circulated.

Fat Yan Zhai re-commented on the stone in the Fat Yan Zhai actually commented: 4 times.

Dream of the Red Chamber is a masterpiece of classical Chinese literature, and its essence has been studied since its inception.

There are many versions of Dream of Red Mansions, but the reliable version is precious, and lovers and researchers of red studies are deeply aware of this.

The extant version of Dream of Red Mansions is roughly divided into two systems, one is the fat commentary that only circulates the first 80 chapters and retains the comments of Yan Zhai, and the other is the Cheng Gao version that has been edited and supplemented by Wei Yuan and Gao E, deleting all the comments of Yan Zhai and continuing to complete the 120 chapters. The so-called lipid commentary is the collective name of all the biographical manuscripts of the "Stone Records" with lipid criticism. These manuscripts retain a large number of vermilion criticisms, and some of the important manuscripts are inscribed with the words "Fat Yan Zhai Re-evaluation of the Stone Records", and people refer to these early manuscripts of the "Stone Records" as the lipid commentary or the fat criticism.

In the "Fat Yan Zhai Re-evaluation of the Stone Record", it is guessed that the stuffy Yan Zhai actually commented on () Sui Tang Bend.

a.Once. b.Twice.

c.Three or times.

d.Four times. Correct answer: d