Can I ask for advice on this gouache painting in the art test?

The second one is definitely a little better than the first.

My advice: For this type of question, candidates should prepare their tools in advance. Before coloring, consider the steps of painting and the connection between the monochrome tools and the color materials in the sketch stage, depending on the tool materials used, watercolor starts with light colors, and gouache starts with dark colors.

Including the near and far tones of the painting, the depth and shade should also be noted.

<> the boundary between light and dark is not picked out, and the art exam will be deducted. Here's how I see it

If you take the unified examination, it is better to use the tone of the first one The dark part should be deepened, otherwise it will turn gray The boundary line between light and dark in the clay pot is not much in addition to the color, you can try to add a little lake blue The bright part is affected by the yellow lining Add a little yellow of different colors There is also the color of the light source Don't add too much purple.

The next one is better than the top, pay attention to the so-called space and each other""Echo relationship" is to have a harmonious atmosphere of communication like several people, not cold, scattered and isolated, the first one is not advisable. The color relationship is not a big problem. The object you want to represent should be placed in the middle as much as possible, but at the dividing point.

Finally, use the pen to be quiet, relaxed, handwriting is the heart!

I feel that the lining painting is OK, but the shadow is not heavy enough to float, and the dark part is not heavy enough, it is best to grasp the shape well, everything is still subject to the shape, I feel that this can still be passed, don't be nervous during the exam, draw the shape accurately, deal with the light and shade, express it with color, don't use too white in the bright part, so you can still pass.

In the color test, if there is no restriction on the material, candidates can choose whether to use gouache or watercolor. From the point of view of the convenience of practical operation and the needs of the examination, it is recommended to choose gouache, because gouache paint is more convenient, watercolor has higher requirements for paper, and it may not be provided during the examination, and the difficulty of painting gouache is easier to master than watercolor, and the technique is relatively monotonous, with strong coverage, and you can also modify the wrong place of sock painting.

Color still lifes, human heads, plaster casts.

The content of the exercise is roughly the same as that of the sketch subject), but it is important to emphasize that the practice color of the interlining should be rich.

Because the color of the interlining in the sketch still life only needs black, white and gray levels, and in the color practice, there are different hue exercises, which must not be simplified.

For color and landscape practice, you can copy the good works first, and you can sketch on the spot if you have the conditions; You can also select some landscape photographs and recreate them.

1. Do more composition exercises, the vast majority of color exams use the form of silent writing, which provides candidates with the opportunity to exert their subjective initiative, and a good composition is the premise of getting a high score. The most typical compositions are S-shape, shape, shape, etc., find a composition that suits you for analysis, research, practice, and show your personality in the exam.

2. The grasp of the color tone must be accurate and in place, practice drawing small color drafts more, and record and sort out the tones you have practiced in the training, which ones have not been practiced. For example, a school requires candidates to draw a cold-toned painting in the proposition silent color test, and the first reaction of most candidates in Daqing Bi is to paint a blue interlining, maybe there are more blue interlinings usually painted.

3. To master certain color mixing skills, the whole picture should not be too dry or too wet, moderate is the best. The color of the picture is too dry, like the effect of oil painting color accumulation, but the color is easy to peel off and crack, which affects the test results. If the pen is too wet and the color technique of watercolor is pursued too much, the picture will be mottled, uneven, and the shaping power will be insufficient, and it will not be able to play an ideal state.

It is necessary to learn to deal with the bright side with a thick pen, and the dark side is thin and transparent, and you will receive the best picture effect with a degree of virtual reality and rich layers.

4. Pay attention to the depiction of the details of the object, although it cannot be compared with the sketch still life, but the most basic detail depiction still needs to be there, which is also the scoring point of the high-score test paper. For example: deal with the depression of the apple, shape the mouth of the clay pot, the virtual reality of the highlight point, and the depiction of the thickness of the plate.

5. The integrity of the picture refers to the overall tone and the connection between objects. The large color blocks of the picture should be arranged for the overall needs, the projection relationship between the objects should also be connected to each other, the foil should play a role in setting off the main object, and the expression technique of "one static lining and one movement" between the object and the environment can be reflected in some conventional judgmental pictures. The whole picture should reflect the unity of the relationship with the part, the relationship between color and sketch, and the relationship between form and god.

To paint gouache, you must use gouache paper. Other papers are relatively thin and should not be colored, and the effect is not very good. Gouache paper is a type of paper that is specially used to paint gouache paintings, and the paper absorbs water and is relatively thick.

The surface of the gouache paper has dot-shaped pits, and the concave side of the dots is the front. Gouache paper comes in different colors to serve as a background.

That is to say, the meaning of less water and more powder, this kind of painting method mostly uses squeezing out the water contained in the pen tip, adding no water or less water when toning, so that the pigment becomes a kind of paste, first deep and then shallow, from the large surface to the details, covering and deepening over and over again, the more fully painted, and with the progress from deep to shallow, constantly transfer more white powder to brighten the picture. The dry painting method is more astringent and dry, but it is more specific and strong, which is convenient for expressing definite and clear shapes and colors, such as the concave and convex parts of the object, the bright part of the main object in the painting and the wonderful details depicted. This method of painting attaches great importance to the brush, and strives to observe accurately, and the next stroke is certain, and each stroke represents a certain relationship between shape and color.

The dry painting method also has its disadvantages, too many uses of this method in the picture, coupled with improper use of skills, will cause the picture to be dry and rigid. The cautious but dry painting method has little color change after drying, which is more effective for practicing color and is easy to master.

This question. It's really bad.

So much. Sketching.

The main thing is light and dark (tone), followed by the important thing is the shaping of the volume, and then there is the need to pay attention.

Before and after and virtual and real.

Gouache. The main thing is the style problem, there is not much difference in the scoring standards of the national examination of pixel drawing, but the colors are not the same, the style of the three places of the central United States, the United States, the United States, the United States, the United States, the

Sketching, in addition to the basic proportions and lines, I think the more important thing I think should be the overall use of the line of the sparse, the overall momentum of the appropriate light and shade, I do not recommend drawing white drawing, there are light and shade paintings can enrich the painting, and secondly, you can cover up the lack of your line, especially the interspersed line

Okay, that's basically it, I don't know.

Did it work for you?

It's not about how you draw to get more points and draw your own style. (But it's not the kind of opportunistic shortcuts, we still have to grasp the basics first).

If you know it's your painting at a glance, then you'll benefit.

Scores are important, but if you really have a good foundation, your score can't be low!

I remember that I was a beginner in the first year of Zhejiang Provincial Art Exam, and I took the sketch exam 90, color 68, and the second year sketch 93 and color 86. In the second year, I thought that I could draw less sketches, otherwise, the teacher also asked me to draw geometric shapes for 2 months, and the reason why the color was poor was that my color sense was not good, and the shape was fine. If you have a sense of color, I recommend you read more books!

Sketching, although fast, but not fast!!

You have to draw more, insist on 50 sheets a day, sketch plaster, and the characters can be!

First of all, we have to consider the integrity and fullness of the composition. Secondly, it is necessary to consider whether the shape and proportion of the object are accurate, and grasp the hierarchical relationship and sparse relationship between the layers. If the color tone is specified, we should also pay attention to the tone of the picture, and when we are, we cannot blindly emphasize the color tone and ignore the inherent color of the object, the color of the light source and the environmental color and their interrelationship, of course, the integrity of the color also needs to be paid attention to.

Once the composition and tone of the picture have been decided, it is necessary to consider how to shape it. The use of color to shape the body often leads to the phenomenon of only color relationship and ignoring the sketch relationship, or only sketching relationship and ignoring color relationship. Because there is no specific object to refer to, it is easy to grasp it poorly and conceptualize.

This requires candidates to grasp the relationship between light and dark while considering the relationship between colors and sketches, and grasp the relationship between light and dark based on their previous painting experience and grasp and understanding of the shape and structure of objects.

Whether it is sketching or dictation, in the process of painting, it is also necessary to pay attention to the personality factors of the object, such as hue, purity, brightness, cold and warm, etc., so as to paint the object rich and varied. Express your feelings about objects, don't simply pursue the truth and similarity of objective colors, so that it is easy to be limited to the inherent colors, and the colors will inevitably be monotonous.

When shaping specific objects in depth, we strive to use accurate brushes and colors, and the color levels should be connected naturally, and the performance of texture should also be sufficient. Specular light is an important factor in expressing the texture of an object, and it should not be too simple and casual so as not to damage the structure. The interlining cloth mainly plays the role of foil and color adjustment in the picture, and the performance can be processed according to the needs of the picture, some places can be fully expressed, and some places only need to be brushed aside, and the secondary objects in the picture can simply explain the shape and color, and must not be exhaustive, and they are depicted very carefully everywhere, resulting in no distinction between primary and secondary, rigid, no hierarchy and sense of space, and it is easy to destroy the overall effect of the picture.

When the picture is basically completed, it is necessary to pay attention to checking from several aspects such as color, sketch, cold and warm, and space. If the color of the picture is monotonous, it may be that the color relationship is well handled; If the picture is too gray, it may be that the sketch relationship is not handled well; If the picture is too hot, it may be that the relationship between cold and warm colors has not been handled well; If the picture is too flat, it may be that the relationship between virtual reality and space has not been handled well. These "ifs" and "maybes" are the most likely and overlooked problems in the daily training of candidates, and if these problems are solved well, of course, they will get a high score!

Don't stick to the way you draw, and control the harmony between colors.

As long as the painting is smooth and complete, and there is no half-ass, it is a good painting.

Beginners should find their own unique method, and the methods of others can only be borrowed after all.

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