The sentence in The Story of the Drunkard Pavilion that points out the main theme of the whole tex

The drunkard's intention is not in the wine, but in the mountains and rivers.

The Legend of the Drunken Man's Pavilion is an essay written by the Song Dynasty writer Ouyang Xiu. In the fifth year of Song Renzong's Qingli (1045), Fan Zhongyan, the governor of the political affairs, and others were slandered and resigned, and Ouyang Xiu wrote a letter to defend them, and was demoted to Chuzhou as the governor for two years. After taking office, he was depressed in his heart, but he was still able to play the style of "being lenient and simple without disturbing" and achieved some political achievements.

The Legend of the Drunkard Pavilion was written during this period. The article describes the deep and beautiful natural scenery of the four seasons in Chuzhou, the peaceful and quiet life of the people of Chuzhou, especially the fun of the author in the mountains and forests with the people to enjoy the feast and drink.

The whole text runs through the word "music", which contains more complex and tortuous content. One hints at the feelings of a feudal local governor who can "enjoy with the people", and the other hides unspeakable hardships behind the love landscape. At the age of forty, he called himself a "drunkard", and he often traveled, coupled with his various performances of "drinking less and getting drunk" and "being depressed", all show that Ouyang Xiu is using the joy of mountains and rivers to relieve the boredom of living in the house.

The author is drunk in two places: one is intoxicated by the beautiful scenery of the mountains and rivers, and the other is intoxicated with the joy of the people.

The sentence in the text that points out the main theme of the whole text is: drunk can be happy. It's too much fun to keep it. View the original post

Wait a minute. The Drunkard Pavilion points out the main sentence: The drunkard's meaning is not in the wine, but in the mountains and rivers.

This sentence. The central content of the article is to have fun with the people, to be drunk and to have fun, and to wake up and write about it. This sentence is in line with the joy of the people.

The central sentence is: The drunkard's meaning is not in the wine, but in the mountains and rivers. It means that the drunkard's interest is not in drinking, but in enjoying the beautiful scenery between the mountains and rivers.

The central sentence focuses on the main content. People know that they are too happy to swim, but they don't know that they are too happy to be too guarded. These two sentences are not subject sentences.

I hope mine is helpful to you.

The central sentence is "The drunkard's intention is not in the wine, but in the mountains and rivers", writing the beautiful scenery and the joy of the drunkard's pavilion.

The main sentence is "drunk can have fun with it, and those who wake up can speak with the text, too shou", expressedOuyang XiuThe idea of rejoicing with the people.

Ouyang Xiu, a politician and writer in the Northern Song Dynasty, and one of the eight masters of the Tang and Song dynasties.

Ouyang Xiu (August 1, 1007, September 22, 1072), the word Yongshu, the number of drunkards, the evening number 61 layman.

Han nationality, born in Mianzhou (now Mianyang, Sichuan), born in Yongfeng, Luling, Jizhou (now Yongfeng County, Ji'an City, Jiangxi Province), was a politician and writer in the Northern Song Dynasty.

Ouyang Xiu Yu Song Renzong.

In the eighth year of Tiansheng (1030), he was a Jinshi and the first, and he went through the three dynasties of Renzong, Yingzong, and Shenzong, and was an official to the bachelor of Hanlin, the deputy envoy of the privy council, and the governor of the political affairs. After the death of the orange object, he was given to the Taishi and the Duke of Chu, and was nicknamed "Wenzhong", so he was called Ouyang Wenzhong.

Ouyang Xiu was the first literary leader in the literary history of the Song Dynasty to create a generation of literary style, along with Han Yu, Liu Zongyuan, and Su Shi.

Su Xun, Su Zhe, Wang Anshi.

Zeng Gong was collectively known as the "Eight Masters of the Tang and Song Dynasties", and together with Han Yu, Liu Zongyuan, and Su Shi, he was collectively called the "Four Masters of Ancient Articles" by later generations. He led the Northern Song Dynasty Poetry and Literature Reform Movement, inheriting and developing Han Yu's ancient literary theory.

The high achievement of his prose creation is complemented by his correct theory of ancient literature, thus creating a generation of literary style. While Ouyang Xiu changed the style of writing, he also innovated the style of poetry and words. In terms of historiography, he also has a high achievement, and he has majored in the "New Tang Dynasty Book".

He also wrote the "History of the New Five Dynasties".

There is "Ouyang Wenzhong Collection" handed down. Car liquid.

Central sentence: The drunkard's meaning is not in the wine, but in the mountains and rivers.

Theme sentence: Drunk can be happy.

The main thread running through the whole text of "The Story of the Drunkard Pavilion" is the word "music". Drunkenness and music are unified, "drunk" is the appearance, "music" is the substance, and writing drunk is precisely for writing music. The composition of the scene in the text is very heavy, and the word drunk is mentioned many times, which is not surprising.

Because it is a pavilion, it should be written about the scenery of the pavilion; And because of the name of the pavilion "drunkard", he should write the meaning of the name, which is all necessary to set off. The article began to write Wanglang, and the words "mountain walking" and "smelling the sound of water" all implied the word "music". After breaking the inscription sentence "The drunkard's intention is not in the wine, but between the mountains and rivers", he made up another stroke, and he borrowed the "Joy of Mountains and Rivers" to understand the main line of the whole text.

The following is a little bit of "the joy of mountains and rivers", writing the scenery of the middle and late dynasties and the four seasons, and pointing out that "the joy is endless" makes the reader feel like a good situation. But this kind of "fun" is something that everyone can experience, and it is not surprising. When it comes to "Churen Tour", "Taishou Yan" and "Guests", the connotation of "music" deepens, because it is not only Taishou and guests who enjoy the "joy of mountains and rivers", but also Churen - people of a state, everyone can indulge in the landscape, which is extraordinary.

The article ends this happy scene with "too drunk", which also has a deep meaning, indicating that the "meaning of the drunkard" does not stop, but also lies in the people of a state. At the end of the whole text, the sentence "drunk can be with fun" is used to unify "drunk" and "happy", and the finishing touch outlines the theme of an article.

Captured the characteristics of the scenery at four o'clock:

The wild fragrance is fragrant, the beautiful wood is beautiful and prosperous, the wind and frost are noble, and the water falls and the stone comes out.

Drunk can have fun with it, and those who wake up can speak to the text are too guarded.

The drunkard's intention is not in the wine, but in the joy of the landscape.

Birds know the joy of mountains and forests, but do not know the joy of people; People know that they are too happy to swim, but they don't know that they are too happy to be too guarded.