For example, appreciating Luo Zhongli s Father , from which the image characteristics, historical b

The biggest failure was the ballpoint pen, but it's a pity.

Luo Zhongli's "Father" truly portrays the image of working people as industrious and simple.

In the painting "Father", the painter uses thick oil paint, subtle and delicate brushstrokes to create a picture of a sincere and simple father, even if there is no dazzling gorgeous color, there is no agitated and rippling grand scene, but the painter Jianshuyun is still depicted rigorously and simple, fine but not greasy, plump and moist.

The background uses the golden color of the land to enhance the sense of space in the picture, reflecting the simple beauty of the farmer and the noble beauty of the inside. The color of this painting is very solemn, vivid and moving, and it is a reverence and praise for those hard-working and simple laborers in life.

Luo Lizhong's representative paintings:

1. "Harvest": Created in 1999, it belongs to Luo Zhongli's second artistic period, that is, a representative work that has shifted from early realism to expressionism. This painting has a strong expressionist characteristic, the picture of three peasants preoccupied with the wheat, strong figures, thick hands and feet, tanned and red, all vividly reflect the image characteristics of the laborers.

2. "Crossing the River": The "Crossing the River" series is a theme that Luo Zhongli likes to depict repeatedly, and he has discovered infinite fun in this ordinary scene. In a series of "Crossing the River", the narrative of the story is often from different angles, including the returnee in the twilight, the friend who has formed a friendship, and the flirtatious young man, all emphasizing the importance of mutual support between people through the concept of crossing together.

3. "Spring Silkworm": This painting was conceived by Luo Zhongli from the perspective of his mother, with white hair and sculptural arms, showing a hard-working mother. Although in his later works, Luo Zhongli's painting style is no longer realistic, and his style has changed back and forth, it cannot be denied that his works have always started from the local culture.

Wrong. The reasons are:

This painting draws on the photorealism technique in Western art, and uses a super-large picture of a portrait of a leader to depict a weathered old peasant, giving people a super visual shock.

The success of this painting is not only because it adopts Western painting techniques, but more importantly, it contains a Chinese heart that thousands of Chinese have, and contains a national spirit that has been shared by generations of Chinese.

The old farmer in the painting is dark, with sweat on the bridge of his nose and forehead. The wrinkles on the face are like the Yangtze River, like the Yellow Tuan Stupid River; Like the streams and streams of the hills in the south of the Yangtze River, like the ravines and ravines of the Loess Plateau; Those big rough hands, like dragon claws, like tiger claws; It looks like the iron teeth on the plow rake, and the steel teeth on the excavator.

The deep wrinkles record the history of his father Qi Ze's weathered history; Those big rough hands recorded my father's brilliant achievements in opening up the world!

"Father" is an essay written by Luo Zhongli, which mainly tells the author's thoughts and memories of his father. In the article, Luo Zhongli's deep affection and perception of his father make us feel more deeply the importance of our father in our lives, and also make us cherish our relatives more. First of all, the article embodies the greatness of fatherly love.

In the article, the author affectionately depicts his unknown father, Xun Rang, who silently pays for his family in life. He endured all this in silence, both physically and mentally, unbeknownst to his family. The era depicted in the article was very scarce and people's lives were very difficult, but my father always stuck to his responsibilities and the warmth of his family.

Such a father is not the kind of person who would express his love for his family, but his sacrifice and dedication have left a deep imprint on everyone's heart.

Secondly, the mu staring game in the article also reflects the ruthlessness of time. As the years went by, my father's age grew day by day, and his spirit gradually wore out. For an old man, his physical and mental state will gradually deteriorate, but his love and care will never change.

Luo Zhongli felt the ruthlessness of the chaotic years and the shortness of life from his father, which also made us cherish our relatives more and express our gratitude and love in a timely manner.

Finally, the article also reflects the meaning of life. In the journey of life, we will encounter many problems and setbacks. But the appearance of my father gave us spiritual support and encouragement, and his presence gave us more courage and confidence in life.

Therefore, we should not only cherish our relatives, but also inherit the spirit and thoughts of our parents, so that human civilization can gain more powerful strength in the continuous inheritance.

In short, the essay "Father" presents the greatness of father's love, the ruthlessness of time and the meaning of life, which makes us feel deep warmth and care in the process of thinking about life. We should cherish our parents and relatives, be grateful for their dedication and dedication, and let us take care of this precious emotion together.

Luo Zhongli's oil painting father depicts a typical image of an old Chinese peasant, who is the country's food and clothing, hence the name of the oil painting. From the wrinkles on the picture, the bitter mole next to the nose, and the curly ears to show the tame of the character. Good nature.

The painting uses multiple layers, saturated and thick colors, creating the effect of chapped cheeks and heavy layers of soil, representing the weather-beaten faces of Chinese peasants. The whole oil painting uses hyper-realistic expression, emphasizing the real appearance and full of human care. The father's weight of life and the hope of life are vividly portrayed.

Luo Zhongli, born in 1948, is a native of Chongqing. He graduated from the Oil Painting Department of Sichuan Academy of Fine Arts in 1982 and worked in Belgium from 1983 to 1986.

Trained at the Training Department of the Academy of Fine Arts in Antwerp. The work "Father" won the first prize of the "Second National Youth Art Exhibition". Worked in New York, Chicago.

He has held solo exhibitions in Boston, Brussels, Sydney, Beijing, Taiwan and other places. Taiwan's "Mountain Art Culture and Education Association" has set up the "Luo Zhongli Oil Painting Scholarship". He is currently the president of the Sichuan Academy of Fine Arts and the vice chairman of the Chinese Artists Association.

His works have been exhibited at the National Art Museum of China, Shanghai Art Museum, Taiwan, China.

Mountain Art Museum, Harvard University, USA.

The Oklahoma State Museum of Art, the Singapore Art Museum, the National History Museum of Belgium and other art institutions and private collections at home and abroad.