An introduction to a scene before the destruction of the Old Summer Palace

Bitong Academy] Bitong Academy, built in the ninth year of Qianlong, 1744 AD. Located in the northeast corner of Houhu Lake, it is a study. 【Upper and lower skylight】 Located in the northwest of Houhu Lake, it is a two-storey building, and you can enjoy the lake light and water color when you climb the stairs.

Xinghua Spring Museum] Xinghua Spring Museum is located in the west of the upper and lower Tianguang, the east and west sides of the building face the lake, there is Xinghua Village in the west courtyard, and there is a vegetable garden in front of the museum.

Tantan Dangdang] Tantan Dangdang is close to the west bank of Houhu Lake, which is a special fish farming area in the Old Summer Palace, with pavilions built around and a large pond dug in the middle.

Wanfang Anhe】 Wanfang Anhe is located in the west of Xinghuachun Hall, and there are 33 large palace buildings built on the water.

The mountain high water long building] The mountain high water long building is located in the west of Tantan Dangdang, which is a west-facing two-story building, with 9 rooms up and down; The front ring creek is surrounded by a gang behind the gang, the middle terrain is flat, it is a place to specially set up a banquet to entertain foreign feudal domains, and also often holds martial arts competitions and archery competitions.

The regret for the loss of the culture of the motherland rises to the deplorment of the immeasurable loss in the history of world culture, and the hatred of the foreign powers for the theft and destruction of artistic treasures!

I am proud of the 5,000-year-old history of our country, with its many splendid cultures, and yet the destruction of many artistic treasures is nothing but regret and hatred for the barbarism of the invaders.

Old Summer Palace. The Destruction of the Old Summer Palace reproduces the splendor of the Old Summer Palace from three aspects: the star-like garden layout, the landscape of different styles, and the preciousness of the collection of cultural relics.

1. Garden layout: It is composed of the Old Summer Palace, the Wanchun Garden and the Changchun Garden, so it is also called the Three Gardens of the Old Summer Palace. In addition, there are many small gardens, distributed on the east, west and south sides of the Old Summer Palace. Stars and moons surround the Old Summer Palace.

2. Landscapes of different styles: In the Old Summer Palace, there are splendid palaces and exquisite pavilions; There are "buying and selling streets" that symbolize a lively market, and there are also "buying and selling streets" that symbolize idyllic scenery.

The wilderness of the mountain countryside.

3. The preciousness of the collection of cultural relics: The Old Summer Palace is not only magnificent in architecture, but also collects the most precious historical relics. Since the pre-Qin era.

The bronze ritual vessels, down to the Tang, Song, Yuan, Ming and Qing dynasties of celebrity calligraphy and painting and a variety of rare treasures.

Extended Information: The Destruction of the Old Summer Palace" This intensive reading text tells about the glorious landscape of the Old Summer Palace in the past and the scene of its destruction by the wanton trampling of the invaders, expressing the author's infinite love for the splendid culture of the motherland and hatred for the banditry of the invaders, and inspiring people to not forget the national shame and rejuvenate the sense of responsibility and mission of China. The language is concise, the structure is rigorous, and the ideas are ingenious.

The first paragraph of the text summarizes the destruction of the Old Summer Palace as an incalculable loss in the cultural history of China and the world. The second to fourth natural sections give a detailed introduction to the layout and architectural style of the Old Summer Palace.

and the preciousness of the collection of cultural relics, which reproduces the grandeur of the Old Summer Palace. The fifth natural paragraph uses concise and accurate language to introduce the destruction of the Old Summer Palace. Echoing the beginning of the article, the author's regret and anger leap onto the page.

The fourth natural paragraph of "The Destruction of the Old Summer Palace" introduces the Old Summer Palace as the largest museum and art gallery in the world at that time.

The Destruction of the Old Summer Palace" uses the glorious grandeur of the Old Summer Palace in the past to let readers remember the history of humiliation, enhance the reader's sense of national mission, and stimulate the feelings of love for the splendid culture of the motherland.

This sentence plays a role in the text.

The first clause is a summary of the previous part of the text, and the latter clause is the sum of the lower part of the textWe generally call this kind of sentence a transition sentence.

It describes the glorious landscape of the Old Summer Palace in the past and the scene of being trampled and destroyed by the invaders, expressing the author's infinite love for the splendid culture of the motherland, his incomparable hatred for the barbaric acts of the invaders, and inspiring people to not forget the national shame and rejuvenate China's sense of responsibility and mission.

The glory of the past, and the regret of being destroyed.

The former glory and how the British and French forces burned the Old Summer Palace.

The text "The Destruction of the Old Summer Palace" describes the Old Summer Palace from three aspects: scenery, collections, and destruction, of which the first view is the most detailed.

The language of the texts is concise, the structure is rigorous, and the ideas are quite ingenious. The title is "The Destruction of the Old Summer Palace", but it devotes a lot of space to write about its glorious past, destroying beautiful things, which is really a tragedy, and can arouse the reader's heartache and hatred.

It clarifies that the destruction of the Old Summer Palace is an immeasurable loss in the cultural history of China and even the world, and the end of the article mentions that "the treasure of China's garden art and the essence of architectural art have been reduced to ashes", echoing from beginning to end, and the author's regret and anger leap onto the page.

The text on the destruction of the Old Summer Palace describes the Old Summer Palace from three aspects: scenery, collection, and destruction, of which the first aspect is the most detailed.