I wrote my own ancient poems for the Spring Festival, how to write poems for the Spring Festival

Welcome the Spring and New Year, and drink with you.

The New Year has a new atmosphere, and fireworks are flying in the New Year.

Appreciation: This poem writes the scene of the Spring Festival, and a Kanzi dominates the full text, except for the night Tang Dynasty] Bai Juyi.

The sick eye sleeps less, and the old heart feels more and is in spring.

After the fire was over, there were sixty people.

Except for the night Tang] Cao Song.

The residue is exhausted, and the east wind should be gradually heard.

A few nights, two years old want to be divided.

When the fire is dark, the spring blooms at the place.

The Ming Dynasty held the wine and wished Yaojun first.

New Year's Eve Tang] Luo Yin.

The official calendar is coming to an end, and the village mash is self-leaning.

Tired of the cold and warm law, afraid of the old and cherishing the disabled.

The years have passed, and Kou Rong is still unsettled.

Children are ignorant and sing for the dawn.

Except for the night Tang] Shang Yan.

Nine winters and thirty nights, cold and warm separated.

After sitting on the fourth watch, the body will be one year old.

The fish lamp is extended to wax the fire, and the beast is carbonized into spring ash.

The Green Emperor should be old today, and he will see the new a few times.

Make the intent clearer and more readable.

Except for the night Tang] Bai Juyi.

The sick eye sleeps less, and the old heart feels more and is in spring.

After the fire was over, there were sixty people.

Except for the night Tang] Cao Song.

The residue is exhausted, and the east wind should be gradually heard.

A few nights, two years old want to be divided.

When the fire is dark, the spring blooms at the place.

The Ming Dynasty held the wine and wished Yaojun first.

New Year's Eve Tang] Luo Yin.

The official calendar is coming to an end, and the village mash is self-leaning.

Tired of the cold and warm law, afraid of the old and cherishing the disabled.

The years have passed, and Kou Rong is still unsettled.

Children are ignorant and sing for the dawn.

Except for the night Tang] Shang Yan.

Nine winters and thirty nights, cold and warm separated.

After sitting on the fourth watch, the body will be one year old.

The fish lamp is extended to wax the fire, and the beast is carbonized into spring ash.

The Green Emperor should be old today, and he will see the new a few times.

1. In the sound of firecrackers, the spring breeze sends warmth into Tusu. - Wang Anshi of the Song Dynasty, "Yuan Ri".

Translation: The old year has passed in the sound of firecrackers, and I drink Tusu wine happily in the warm spring breeze.

Theme: This poem describes the moving scene of the excitement, joy and renewal of the new year, and expresses the author's thoughts and feelings of reforming politics.

2. Toast each other's Tusu wine, and taste victory tea at the table. ——Modern Dong Biwu "New Year's Day Mouth Occupies Liu Yazi Huairen Rhyme".

Translation: Everyone toasted to each other and expressed their New Year's wishes, and after the banquet was over, everyone was still unsatisfied, and they tasted the victory tea together and talked about current affairs.

Theme: This poem embodies the poet's great revolutionary pride and firm belief in the victory of the Anti-Japanese War, and expresses the poet's patriotic feelings of loyalty to the country and his deep feelings of nostalgia for Yan'an, the holy land of the revolution.

3. The sheng song is staggered and the feast is opened, and the new year is happy. ——Zhao Changqing of the Song Dynasty, "Exploring the Spring Order, Sheng's Song and Mistaken Chinese Feast".

Theme: This poem uses a harmonious scene in the family during the New Year, reflecting the harmony between heaven and earth brought about by the east wind of the New Year and the New Year.

4. Half a lamp Tu Su has not been raised, and the grass in front of the lamp is written with peach charms. - Song Dynasty Lu You "Removing the Night Snow".

Translation: Before the glass containing half a cup of Tusu wine was raised to celebrate the New Year, I wrote the peach symbol to welcome the spring in cursive script with the light on.

Theme: Jeonju Regret refers to the poem depicting the poet writing peach charms on Chinese New Year's Eve to celebrate the New Year, expressing the poet's joy and anticipation for the approaching New Year.

Spring Festival in **wild acacia?

The Spring Festival is here to celebrate friends!

In the reunion on Chinese New Year's Eve, in the lantern festival of the Lantern Festival, in the blessing of Wishing you prosperity, in the red envelopes full of love.

Is the Spring Festival in **? , the Spring Festival is there!

In the smiling faces, in the fireworks, in the beautiful scenery of the Spring Festival couplets of the New Year's paintings, and in the joy of the lion dance and dragon lanterns.

The Spring Festival is here, the Spring Festival is there, in the spring tide inside and outside the Great Wall, in the spring breeze of the land of China!

Wrote ancient poems for the Spring Festival

"Except the Night" (Tang) comes to the hooves

It's about solidarity has become empty, and thousands of miles of lovesickness overnight.

After the sound of the rooster is gone, it will be haggard and see the spring breeze.

"Yuan Ri" (Song) Wang Anshi

In the sound of firecrackers, the spring breeze sends warmth into Tusu;

Thousands of households always replace the new peach with the old one.

"Yuan Ri Yulou Chun" (Song) Mao Peng

A year drips out of the lotus drain, Bijing Tusu freezes wine.

Xiaohan is still deceiving, and the spring is slender and comes to the willow first.

The beauty re-persuaded a thousand longevity to talk about the closing celebration, and the cypress leaves and pepper flowers were fragrant and cui sleeves.

I don't know each other well in the depths of the drunken country, and I only have the same old relationship with Dongjun.

"Except the Night" (Southern Song Dynasty) Wen Tianxiang

The universe is empty, and the years go to the hall;

The end of the road is stormy, and the poor side is full of snow and frost.

Life is exhausted with the years, and the body is forgotten with the world;

There is no resurrection of Su Meng, and the night is not young.

"New Year's Greetings" (Ming Zhiwu) Wen Zhengming

Don't ask for a meeting, but an encyclus, and the famous paper is full of books.

I also threw a few papers with others, and the world is not too simple.

"Has been unitary Xinzheng" (Ming) Ye Hao

Heaven and earth are full of wind and frost, and the weather is harmonious;

New years are added, and spring is full of old mountains and rivers.

The plum willow is fragrant, and the pine fence is old;

Tu Sucheng was drunk and laughed at Baiyunwo.

Characteristics of ancient poetry

Rhythmic poems, including rhythmic poems and quatrains, are called near-style poems or modern poems, the ancients called it so, and we now call it so, although it is actually very ancient, it has started in the Qiliang period of the Northern and Southern Dynasties, and matured in the early Tang Dynasty. The poems before the Tang Dynasty, except for the so-called "Qiliang style", were called ancient styles. Poems that do not fit into the body after the Tang Dynasty are also called ancient styles.

There are differences between archaic and proximal forms in syntax, rhyme, and flatness:

Syntax: The number of words in each sentence in the ancient style is indefinite, with four words, five words, six words, seven words and even miscellaneous words (uneven sentences), each of which is written. The number of sentences is also uncertain, ranging from two sentences to a few.

Ten or a few hundred sentences. There are only two kinds of five words and seven words, and the rhythm poem is stipulated as eight sentences, the quatrain is specified as four sentences, and the more than eight sentences are arranged for the rhythm, which is also called the long law.

Rhyme: Each song in ancient style can use one rhyme, or two or more rhymes, and it is allowed to change rhyme; Each song can only use one rhyme, even if it is dozens of sentences long, it cannot be changed. Archaic can rhyme with even-numbered sentences, or with odd-numbered sentences and even-numbered sentences.

The close body only rhymes in even-numbered sentences, except for the first sentence which may or may not rhyme (it rhymes if it ends with a flat voice, and does not rhyme if it ends with a voice). Five words do not rhyme, seven words rhyme), and the rest of the odd sentences do not contain the ability to rhyme; The ancient style can be used in flat rhyme, but also in the sound rhyme; Near-body generally only uses flat rhyme.

Pingqian: The biggest difference between the ancient and the near body is that the ancient style does not talk about the plain, while the near body pays attention to the flat. After the Tang Dynasty, the ancient style also paid attention to the plain, but it was not a rule, so it could be ignored.

Ancient style poems are basically unregulated, so the following is only about close style poems.

In the sound of firecrackers, the spring breeze sends warmth into Tusu, and thousands of households always replace the new peach with the old one.

The ancient poems about the Spring Festival are as follows:

1, "Yuan Ri" Song Wang Anshi.

In the sound of firecrackers, the spring breeze sends warmth into Tusu; Thousands of households always replace the new peach with the old one.

2, "Yuan Ri Yulou Spring" Song Mao Peng.

A year of dripping lotus drainage, Bijing Tu Su Shen frozen wine. Xiaohan is still deceiving, and the spring is slender and comes to the willow first. The beauty re-advises thousands of longevity, cypress leaves and pepper flowers are fragrant and cui sleeves. I don't know each other well in the depths of the drunken country, and I only have the same old relationship with Dongjun.

3, "New Year's Greetings" Ming Wen Zhengming.

Don't ask for a meeting, but an encyclus, and the famous paper is full of books. I also threw a few papers with others, and the world is not too simple.

4, "Tian Jia Yuan Ri" Tang Meng Haoran.

Last night I went back to the north, and now I am in the east; I am strong in my years, and I am still worried about farming. The mulberry field ploughs the father, and the hoe follows the shepherd boy; The Tian family accounts for the climate, and it is said that this year is abundant.

5, "New Year's Eve Party Lecheng Zhang Shaofu Mansion" Tang Meng Haoran.

In the past, the family was good, and they knew each other seamlessly. Continue to urge the painting of candles, and keep the year and receive a long feast. The old song plum blossom sings, and the new Zhengbai wine is passed on. The guest is happy everywhere, and he does not see the year.

6, "Except the Night" Tang Bai Juyi.

The sick eye sleeps less, and the old heart feels more and is in spring. After the fire was over, there were sixty people.

7, "Except the Night" Tang Cao Song.

The residue is exhausted, and the east wind should be gradually heard. A few nights, two years old want to be divided. When the fire is dark, the spring blooms at the place. The Ming Dynasty held the wine and wished Yaojun first.

8, "New Year's Eve" Don Luo Yin.

The official calendar is coming to an end, and the village mash is self-leaning. Tired of the cold and warm law, afraid of the old and cherishing the disabled. The years have passed, and Kou Rong is still unsettled. Children are ignorant and sing for the dawn.

9, "Except the Night" Tang Shangyan.

Nine winters and thirty nights, cold and warm separated. After sitting on the fourth watch, the body will be one year old. The fish lamp is extended to wax the fire, and the beast is carbonized into spring ash. The Qingdi should be old now, and he will bring Huai Xin to see a few times.