Can the spit be understood as a compliment in cross talk?

Spit is wordy, such as a large group of girls gossiping together.

Tease, a quyi noun, is an actor who constantly tells jokes to make people laugh during a stand-up comedy performance, that is, the "protagonist" in cross talk.

Praise, a noun in quyi, an actor who cooperates with "teasing" to narrate the storyline during a counterpart or group comedy performance.

In traditional cross talk, there should be far more jokes than jokes to make jokes. In the stand-up comedy, through the foil and foreshadowing of teasing, the teasing and the teasing cooperate, so that the narrative gradually forms a burden and produces jokes.

Characteristics of cross talk

Cross talk, a kind of folk rap music. It takes the form of speaking, learning, teasing and singing, highlighting its characteristics. It is mainly performed orally, and the main Tao has folding fans, handkerchiefs, and waking wood.

The performance forms include stand-up comedy, stand-up comedy, group comedy, etc., which is rooted in the folk, originated from life, and is popular with the masses.

Traditional cross talk is divided into two roles, praise and teasing, two people sing and harmonize, praising each other, and talking about something that is not funny vividly.

Tease and tease refer to the division of labor between actors in cross talk performances.

Tease is an actor who constantly utters jokes to make people laugh during a stand-up comedy performance, which is the main narrator of the storyline, that is, in cross talk"Protagonist"。In traditional cross talk, there should be far more jokes than jokes to make jokes.

Cooperate with the counterpart or group comedy performance"Tease"The actor who narrates the plot of the story is now commonly referred to as"B"to add fuel to the situation or turn the tide for those who create contradictions, so as to achieve the resolution of contradictions.

In the early days of the development of stand-up comedy, it was often the teachers and elders who were teasing. And those who tease are often apprentices or juniors.

The development and change of teasing and teasing

In recent years, the relationship between teasing and tease has changed a lot. It is true that the times are different, the audience's appreciation level and aesthetic taste have been greatly improved, and the requirements for cross talk are also higher, and the requirements for praise are as high as those for teasing. If you take two more sentences to complete the task, the audience can really knock you down.

In today's fierce competition in various art categories, most of their works give full play to the ingenuity of both praise and teasing, and the "son and mother" cross talk of two people. After the unremitting efforts of some compassionate cross talk actors, the relationship and role between praise and teasing, which were distorted in the past, have gradually been corrected and received due attention.

In cross talk, teasing is the main role, and the one who speaks the most on stage is also teasing; The main job of teasing is to be responsible for echoing and teasing, and constantly picking up funny stalks, which is more important than teasing, because most of the lines are funny.

In fact, it's very simple to tell whether to be funny or funny, it depends on who has more words! Those who talk a lot are funny, and the teacher who echoes them is funny. Tease is responsible for provoking the topic, and tease is responsible for guiding the topic.

As for which of these two is more important, I think both are important. Except for stand-up comedy, cross talk is not called cross talk if there is no one who is not teasing and teasing.

Funny self-talk, funny talk has nothing, can you imagine such cross talk?

In cross talk, teasing is generally the one who has less words, and teasing is the person who takes the initiative to throw topics and burdens, which is more important in comparison, because teasing controls the rhythm of the entire cross talk.

One is to laugh, the other is to laugh, I think it's more important to laugh.

Beginners are mostly comics, one is to experience stage experience, and the other is that beginners are not able to control the position of teasing.

Tease is a flower, Haunt is a green leaf, all are indispensable.

Whoa. It is a term in cross talk. In cross talk, there are teasing and teasing. Unlike the former, the joke should be a supporting character type of person and object, that is, after teasing a joke, the joke is given to a comment or step to continue to make a joke.

is not the same as traditional cross talk, and the praise in the new cross talk may also be able to give jokes. The most extensive example of physiognomy is the term Feng Gong.

The masquerade of the performance. Feng Gong's masquerade performances often tell jokes, and some of them are really more jokes than jokes. Hence the creation of new art forms.

Something else worth mentioning is that Feng Gong's other art form of cross talk, pan-cross talk, is not within the genre of the term "praise".

We score into two situations, one is traditional cross talk, and the other is modern cross talk! If it is according to the performance form of traditional cross talk, it must be more funny than funny! But if it is according to the performance form of modern cross talk, it is difficult to say who is more popular!

The rules of traditional cross talk, "one head sinks"!

As we all know, as long as it involves traditional Chinese culture, the first thing to talk about must be the rules! So in traditional cross talk, what is the rule of "sinking head"? To put it simply, there are more teasing words than teasing!

The general direction of the performance of the whole show is all controlled by the teaser, and the main job of the comic is to hold the teaser! A comedic actor who can hold the rhythm of a comedic actor's performance is a real good comedy actor! Now in the cross talk circle, the most famous is Teacher Yu Qian!

Although it has always been said in the traditional cross talk world, "three points of teasing, seven points of praise", but in fact, in the old era, when it was really time to divide the money, the majority of the head belonged to the teaser, and the actors generally took very little, the main reason is "less workload" and "low attention"! Of course, in this era, although the "workload and attention" of praise are still similar to the situation in the past, but when it comes to "sharing money", it may be different from the old era!

Modern cross talk pays attention to "son and mother"!

The biggest difference between modern cross talk and traditional cross talk is that in the performance process, there is not much teasing, and the performance content of the two actors is similar! And the form of the performance is no longer formal to the traditional gown and "table leg block"! On the basis of traditional cross talk, they have added a lot of new era elements, so that the effect of the show can be more liked by the public!

Of course, modern cross talk also has its shortcomings, if the actor's acting skills are not solid enough, the cross talk show can easily become a sketch show!

In modern cross talk, in the two more famous early combinations like Feng Gong Niuqun and Qizhi Dabing, they are all actors who "stand in the position of praise", and they are more famous! Feng Gong has appeared on the Spring Festival Gala countless times in a row because of his fame! And although the soldiers only went to the Spring Festival Gala, they were also very prosperous in Hunan!

It's just that these two people gradually faded out of the stage of cross talk because of "politics"!

I have to talk about the results, if we talk about the common teasing, then Liu Wei Feng Gong (Liu Wei was more popular back then), Niu Qun Feng Gong, Huang Tieliang Yin Xiaosheng, these three pairs of teasing are indistinguishable, this is already rare, I feel that there is no such thing as teasing and being popular, and the words of the family.

Under the "leadership" of Guo Degang, traditional cross talk has occupied the performance stage of the entire cross talk industry! However, modern cross talk has slowly begun to disappear from the audience's sight because it has not been well developed! Therefore, the basic situation now is that the funny ones are more popular than the funny ones!

There is more than one case, let's say a more obvious one, Zhao Weizhou and Yang Shaohua, don't look at the dog saint's great ability, it is not as hot as Old Man Yang.

Mr. Li Wenhua is very good, many times higher than the funny!

Although I am very sorry for Mr. Jin, I feel that Zhu Hesong is indeed hotter than him (one accidentally told the truth).

It is still the traditional cross talk with connotation, it is durable to listen, and the new cross talk is purely funny, and after there is no impression, there is no way to talk about who is more popular than whom.

Yang Shaohua, as an outstanding representative of teasing, is more interesting than teasing.

Guo Donglin and Feng Gong, although they had little cooperation, Feng Gong was a compliment at that time.

There are really not many people who are more popular than teasing, although some of the people in Deyun Club are very talented, and there are many people who like them, but if you go to Weibo, there are many more fans of the funny than the funny, because even if the actor is talented, there are not many opportunities for them to show on the stage, after all, no matter what you say, the funny is still dominant. Personally, I like Zhou Jiuliang very much, but he just doesn't have Meng Hetang's fire! Rather depressed.

Three points to tease and seven points to praise this sentence is definitely a compliment