Singing vocal skills, singing vocal techniques

Updated on amusement 2024-02-26
4 answers
  1. Anonymous users2024-02-06

    How to sing correctly?

  2. Anonymous users2024-02-05

    1. Understand and use breath to make sounds. The first step in vocal practice must be to have an understanding of breath vocalization, and there must be a concept that there is a distinction between the vocal system of speaking and singing. To put it simply, when speaking normally, the strength of the chest and abdomen is relatively rare, and the voice is mainly produced by the vibration of the larynx; When singing, the main force is in the chest and abdomen.

    For example, if you try to make a "one" and elongate the sound, do you feel that there is no vibration from the neck down, mainly in the throat? This is typical laryngeal vocalization. Try to make a "ha" and elongate the sound again, do you feel the vibration move down to the chest cavity or even the dantian position?

    This is what it feels like to exert force in the chest and abdomen. At this time, if you combine the two and try to make the "one" sound with the force of "ha", will it feel more saturated, more powerful, and more resonant than the original throat sound? Quite simply, because you use the right way to make a sound, use the strength of your chest and abdomen to push the breath through the vocal cords to make a sound, and the part where the breath passes through is equivalent to a resonance box, just like the effect of a speaker.

    Usually try to haqi a lot, cultivate the feeling of exerting strength in the chest and abdomen, and slowly you will master the trick.

    2. Stabilize the larynx. Do you have friends who can sing and float, and the sound they make seems to be accurate or not, and the time is on time? It is caused by laryngeal instability, which is especially common when the tone is elongated.

    Secondly, this phenomenon will also occur when the distribution of breath is not reasonable, the breath in the front is too urgent, and the breath in the back is insufficient, and they desperately want to continue the sound by squeezing the throat, which leads to changes in the height of the larynx.

    How to overcome this phenomenon? First of all, you must open your throat and not hold it, otherwise you will be easily tired and weak. Secondly, try to reduce the elongation of the note at the beginning of the practice, and change the end of the song to a crescendo method, which can be completed with the small technique of slow pulling of the microphone.

    Finally, it is necessary to strengthen the training of basic skills at ordinary times, and you can practice stability through vowel lengthening at home, "a, e, i, o, u" I believe everyone has learned it in elementary school, so that you can practice the corresponding vocal sense of all mouth shapes.

    3. Use empathy. This is a difficult course for beginners, but it does have the icing on the cake when used well, making the sound more penetrating and more impressive. If you don't have professional training, you can only understand it on your own.

    Xiaomo will give you a little trick to share with you, that is, to find songs from singers of various singing types to listen to, just sing along while listening, Xiaobai learns this the fastest, it is easy to even learn the singer's vocal characteristics and resonance, but after learning, I don't know which part I rely on to resonate, and there is a disadvantage that the technique of using force may be a little different.

  3. Anonymous users2024-02-04

    1. Every singer must fully understand and use the method of breath vocalization and breath control (that is, the breathing method of the diaphragm), because in the whole vocal function series, singing breathing is the most important part and the foundation of the entire singing architecture, so the importance of breathing must be clear and pay attention to the basic skills of singing and breathing.

    2. Open the throat and stabilize the larynx, is the core of the basic skills of singing, which is one of the keys to the smooth development of the singer's vocal skills, many singers' voice problems, mostly due to the throat is not open when singing, caused by instability, and the correct laryngeal position is the key to coordinate the movement of the respiratory organs and obtain a stable and smooth sound effect.

    3. The correct vocalization should be combined with the correct articulation and pronunciation. Through the practice of combining words and voices, the flexible movement ability of the lips, teeth and tongue can be improved, so that they can express the song and emotions and content more perfectly and vividly.

    4. When singing and vocalizing, we should also pay attention to the training of pitch and rhythm, and gradually master the comprehensive singing and vocal skills such as lian, pause, strong and weak through vocal exercises, so as to enrich the means of expression of songs and enhance the ability to sing songs.

    5. In every practice, we must maintain a correct singing posture, which is the premise of entering a good singing state.

    6. Before practicing voice and singing, we must get rid of all distracting thoughts, stabilize our emotions, have a very good psychological state, have a good desire to sing, and enter the singing state with confidence and relaxation, otherwise we will not be able to sing well.

    7. From the beginning of vocal practice, it is necessary to combine it with **, that is, to practice vocal and have a good sense of musicality. On the one hand, intervals and scales are the first and middle answering exercises in terms of muscle, pitch, breath, resonance, etc., and at the same time, they are all part of the music. In the process of singing and vocalizing, breathing, resonance, pronunciation, and expression are all indispensable, they are interconnected, mutually reinforcing, and mutually reinforcing, and this is the meaning of "holistic singing" that we require.

  4. Anonymous users2024-02-03

    1. Singing skills and vocal methods are a very important part of singing. Mastery of breathing techniques, regulation of the larynx and vocal cords, and the use of resonance organs are key. The purpose of singing vocal practice is to gradually improve the physiological function of singing vocalization, regulate the cooperative movement of various singing organs, develop a good singing state, and make the technique of singing vocalization a powerful means of singing performance through regular and step-by-step vocal exercises.

    2. Singing skills and vocal methods include voice, emotion, body posture, etc., it should be noted that when singing, the body should be naturally upright and relaxed, and the mouth should be open and loose, and remember not to clench your teeth. In addition, we should also pay attention to the training of sound search and rhythm, and constantly improve our singing level through vocal practice.

    Expand your knowledge: 3. Singing skills and techniques include exercises such as controlled breathing, laryngeal and vocal cord training, use of resonance organs, correct posture and sit-ups. Controlling breathing is the basic skill of singing, and it is necessary to maintain the correct singing posture such as straight waist, loose chest and shoulders, free head, and distant eyes, so as to have breath support.

    The training of the larynx and vocal cords needs to be based on correct breathing, and the posture and leakage rely on breathing to keep the laryngeal cavity stable, relaxed, and open, so that the various cartilages and muscles in the laryngeal cavity can work in harmony and freely. The use of resonance organs includes three major resonance cavities: thoracic, oral cavity and nasal cavity, and the proportion of these resonance cavities should be used according to the different sound quotients. Proper posture is important, standing up straight, evenly on the supporting strength of the legs, and the position of the head is more important than the position of the body.

    Sit-ups can make you more explosive when singing. When singing, try to avoid using those muscles that are not related to singing, and try not to involve other muscles when controlling breathing.

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