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In "Former Chibi Fu", Su Shi focuses on describing the two beautiful images of water and moon in the face of various objects that can enter the poetic realm, such as the mountains and rivers of Chibi, the wind and the moon, the flat boats and fishing songs of the host and guest. The water is the water of the Yangtze River in July, and the month is the Mid-Autumn Festival in August. At that time, the water "the breeze is coming, the water waves are not prosperous", "the white dew crosses the river, and the water shines to the sky"; At that time, "the moon came out of the east mountain, hovering among the bullfights".
The water is boundless and graceful, and the moonlight is rich and lovely, and it shines with the water. If the water is endless, the moon is endless. I don't know where the water is and where the moon is, but I feel that I am in a "clear sky" that is unhindered.
Thousands of pores, all stretched; All kinds of vulgar worries are thrown away together. As a result, it led to "the vast and vast like Feng Xuan resisting the wind, and I don't know where it stops; fluttering like a legacy of independence, feathering and ascending to immortals". This is the reappearance of the spiritual getaway that has been lost for a long time since the Zhuangzi.
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Su Shi has a special affection for moonlight, and he describes talking about moonlight in many poems, such as the famous "Water Tune Song Head" that writes that moonlight "turns to Zhu Ge, low Qihu, and shines sleeplessly." ”;Song of the Cave Immortals" "The embroidered curtain opens, and a little bright moon peeps at people." ”;"The lack of the moon hangs the dredging tongs, and the leakage of the initial tranquility of the people."
Who sees a lonely person walking alone? Ethereal Lonely Shadow. ”
The lack of moon hanging dredging paulownia, the leakage of the initial quiet of the person seems to be not, thinking about it again and again, I think the common is white drawing. The court is like stagnant water and empty light, and the same is true of the article "Inheriting the Night Tour of the Heavenly Temple" "Algae in the water, thorns are crossed, and the shadow of the bamboo and cypress is also covered" Dongpo outlines the characteristics of the moonlight with the most concise and economical text thick lines. Without rendering, unfurnished.
It does not write the background, only highlights the subject.
It does not seek to be detailed, but only to convey the spirit.
It's not gorgeous, it's unpretentious.
These are the main characteristics of white depictions of people, objects, and landscapes.
As a method of expression, "white drawing" refers to the use of the most concise brush and ink, without contrast, to depict a vivid and vivid image. The white drawing technique uses minimalist and provincial language to describe the characteristics of the scenery and reflect the feelings of the author.
A few words, a few strokes, not only the beauty of the moonlight at the bottom of the pen; And between the lines, it reveals the deep affection contained in the author's heart.
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The head of the song is in the state of the water.
Su shi. When will Mingyue read it, and ask Qingtian for wine.
I don't know what year it is in the heavenly palace.
I want to go back by the wind, but I am afraid of Qionglou Yuyu, the height is unbearable, and I dance to find out the shadow, how it seems to be in the world.
Turn Zhu Pavilion, low Qihu, shine sleeplessly.
There should be no hatred, and nothing will be done to say goodbye.
People have joys and sorrows, and the moon cherry blossoms are cloudy and sunny, and this matter is difficult to complete.
I hope that people will last a long time, and they will be together for thousands of miles.