Feng Zhi s sonnet We listened to the torrential rain in the wind appreciation

Another solution: There are many bumps in the road of life, and there are thousands of white stones. Being alive is a gust of wind that passes by in the blink of an eye. In this world, the most experienced is wave after wave of rainstorms.

If you ask me about the origin of life, I don't know, but in the mud by the river, you may be able to unearth exquisite porcelain. There is always a reason for everything, just as we meet, we know each other, and we part.

We are so close and yet so far away, two ancient trees, close to each other, but unable to enter each other. But together, we held up such a big clear sky for the people under the tree. Do we cling to each other's bodies, fearful of separation, or do we attain eternal life together?

The self-evident secret of life will only be known when the wind and rain stop and everything is over.

Feng Zhi (1905-1993), formerly known as Feng Chengzhi, was in Zhuo County, Hebei Province.

Person. In 1921, he was admitted to Peking University, and after 1923, he was influenced by the New Culture Movement.

The influence began to publish new poems. In April 1927, he published his first collection of poems, Songs of Yesterday

In August 1929, he published his second collection of poems, Journey to the North and Others, recording his teaching life in Harbin after graduating from university. In 1930, he went to Germany to study, during which he was influenced by the German poet Rilke. Five years later, he received a doctorate in philosophy and returned to wartime Kunming to teach at Southwest Associated University.

He is a professor in the Department of Foreign Languages. In 1941, he created a set that was later collected as the Sonnets

's poems, which had a great impact. Feng Zhi's ** and prose are also very good, ** representative works include "Cicada and Late Autumn" in the twenties, "Zhongni's Funeral", and "Wu Zixu" in the forties

Wait; The prose includes 1943 compilation of "Shanshui" collection of 14 lines and 27 poems.

This sonnet wrote about "copper furnace" and "porcelain pot", and I thought of a story told by Dong Qiao - Song Qingling gave people a cloisonne box, and attached an English letter, saying that the box could hold tea or candy. Dong Qiao commented on this: The cloisonne box is the cloisonne box, and it is okay not to install anything.

Song is recommending the box as a utensil, Dong is interested in the artistic value of the box itself, and in Feng Zhi's poems, these "copper furnaces" and "porcelain pots" similar to cloisonné boxes are about to break free from the prescriptiveness imposed on them—shape, use, meaning, etc.—to disassemble and restore them, and it feels as if a dog that has been raised for a long time has suddenly regained its wildness and is running towards the wilderness, and everything has become strange. Therefore, although the poet is in it, he is psychologically "thousands of miles away" from them.

What I can't be sure of is that "the copper furnace is yearning for the mine seedlings in the deep mountains" and "the porcelain pot is yearning for the clay by the river" is a kind of defection? A kind of breaking free from the fence? A return to the original?

Or, the homing of birds in the wind and rain. In any case, it reminds the poet of his own suffering, and then thinks that the object also has the hope of finding its own belonging, thus reinforcing his sense of loneliness and wandering. This poem is most suitable for middle-aged people to read, because it shows the turbulent mentality of middle-aged people who want to succeed, doubt and hope, think before and after, and know that it is easy to do.

This poem, and even the entire "Sonnets", is like this, and there is a very dynamic sense of calm narration.