One of my favorite writers, Cao Wenxuan, is 500 words, and he doesn t write too well

I am a big fan of Mr. Cao Wenxuan, and I have read almost every one of his books. There are no difficult and awkward truths in the book, on the contrary, every time I read an article, I feel that it is a heart-to-heart communication between the reader and the author, which makes people hearty, but without losing a trace of touch. Personally, I like Cao Wenxuan's article very much, every time I read his article, I can always feel something from it, the article is not a vernacular, but presented in front of everyone with the most sincere emotion, after reading it, the happiness continues, but it is touching.

In my opinion, Mr. Cao Wenxuan's article can be divided into two aspects: one is to record children's stories with child-like innocence language; The second is to use his adult and scholar-like tone to arouse everyone's deep thinking about the problem. I really admire being able to write such an article.

I remember the first time I read Mr. Cao Wenxuan's book "The Grass House", and the first time I read it, I was infected by many characters in it. For example, Sangsang is naughty and innocent, lively and active, but in the end, he finally realized the preciousness and beauty of life; After experiencing the depravity of family conditions and the double blow of personality and spirit, Du Xiaokang is still neither humble nor arrogant, and faces life with a smile; After being ridiculed by everyone several times and being naïve several times, the vulture also realized the dignity of life, self-esteem and so on. These characters portrayed by Mr. Cao Wenxuan are really lifelike and vivid.

When I read it a second time, I saw the most simple temperament of the rural working people, revealing strong emotional colors everywhere, and people couldn't help but continue reading. The happiness of childhood, the perception of life, and the thinking of life have allowed Mr. Cao Wenxuan to complete a series of exquisite books.

Because I have a dream, I am moved. Touched is like a line, and each of Mr. Cao Wenxuan's works is like pearls, stringing pearls with threads, and moving connects each work. May these works be like the sun, shining on me all the time, so that I can prolong this impression for a long time.

Students should be very familiar with Mr. Cao Wenxuan! He is a famous writer in our Yancheng. He wrote the long ** "Grass House", "Bronze Sunflower", "Goats Don't Eat Paradise Grass", "Red Tile" and so on almost every student has read.

Mr. Cao Wenxuan is an active advocate and promoter of Chinese juvenile writing. Born in 1954, he was admitted to the Department of Chinese at Peking University in 1974, and is currently a member of the National Committee of the Chinese Writers Association and a professor at Peking University. Mr. Cao worked the fertile land of Yancheng and gave birth to gorgeous wonders, adding a bright brilliance to the garden of literature in China.

I can't help but think of "Bronze Sunflower" written by Mr. Cao. On the title page of the book is a line: "I dedicate this book to those who have suffered and to their children and grandchildren."

It makes me sigh with emotion, the current society and the era in which Mr. Cao lives are simply one day and one earth. Once watching TV, I happened to see the host's interview with Mr. Cao Wenxuan. Mr. Cao thinks of rural life, and his deepest memory is poverty, and "Bronze Sunflower" is written about a disaster, as Mr. Cao said in the book:

When you are young, you have a demeanor for pain, and you can only be a strong person when you grow up. "There is no one who has not experienced hardships, but the attitude towards difficulties often determines a person's success or failure. This book tells me how to face difficulties, be a strong person, and raise the sails of my ideals.

Teacher Cao Wenxuan used beautiful and delicate brushstrokes to tell us one after another seemingly ordinary but touching stories, which made me grow up with warmth and romance!

Or when it comes to celebrities, there is one in my hometown, and he is a children's writer.

Cao Wenxuan was born in Yancheng, Jiangsu Province, and he has loved literature since he was a child. Every day in my spare time, I hold a book in my hand and read it intently. Sometimes, when his family didn't have money to buy books, he would go from place to place to borrow useful books from his neighbors, and if he didn't have them, he would borrow them from a nearby mountain village.

When he borrowed the book, he jumped three feet high with joy.

Cao Wenxuan has developed a good habit of reading since he was a child, so he has become an excellent writer of children's literature.

Is it possible that if you love reading since you were a child, you will become a great writer when you grow up? I always think so. No, it's hard to be a writer. If you want to be a good writer, you must have feelings, and you must have infinite love for your country and compatriots.

Cao Wenxuan's works are many, and each work expresses a feeling, some truth. Such as: "Bronze Sunflower", "Grass House", "Wild Windmill" and so on.

Cao Wenxuan once said: "When writing essays, you have to toss back and forth." "Yes, it does

When we write an essay, we have to change it back and forth.

Through my introduction, you know the celebrities of my hometown!

Today I read a wonderful **, called "Scarecrow". When I closed the book, I still felt unfinished.

There are many short stories in this book, but the one that touched me the most was "A Seed".

Once upon a time there was a seed, the size of a walnut, which was a unique treasure in the world. A king saw it, and cooked it carefully, but it did not bloom, and the king regretted that he still fell away. The rich man saw it, cultivated it carefully, but it did not bloom, and the rich man fell away in frustration.

The merchant saw it and cultivated it with the best flower fertilizer, but it still did not bloom, and the merchant angrily threw it away. The seed was picked up again by the farmer, who buried it in the ground and allowed it to grow naturally, and at last the seed grew into a towering tree.

Everything has its own laws of growth, and if this law is violated, it will often backfire like a farmer who is pulling out seedlings and helping them grow. The kings, the rich, and the merchants in the text are all in a hurry, but they don't even get anything out of it.

This reminds me again of children who are spoiled by their parents, who are seen as pearls in their hands, like seeds that have been abandoned again and again, and can do nothing. And only those who can withstand the wind and rain can grow into towering trees, exuding a unique rich fragrance.

"Scarecrow" is the work of Ye Shengtao!

Gorky once said:"Reading a book is like opening a window into life".Indeed, it has opened a big window for my life, a big window that I like the most.

The first time I read it, I burst into tears. Tears flowed like an unstoppable river, flowing on my face and in my little heart.

It was a dreary, cloudy day, and I watched it with relish. I saw the sour, sweet, bitter and spicy of the bronze family, and also saw the so-called most precious thing in the world - family affection, and what moved me the most was the part of watching the circus.

The bronze family's house had just been built, and one day, a circus came to perform in the distant village, so Bronze and Sunflower went to see the circus together. On that day, Sunflower rode on the neck of bronze to watch the circus.

Cao Wenxuan was born in January 1954 in rural Yancheng, Jiangsu. He is a member of the National Committee of the Chinese Writers Association, a professor of the Department of Chinese at Peking University, and a doctoral supervisor of modern and contemporary literature of the Zhongshan Yuan nationality. There are 15 kinds of literary works, including a collection of literary works, a long ** "Melancholy Pastoral", "Red Gourd", "Rose Valley", "White Fence", "Sweet Orange Tree", "Following Eternity", "Goats Don't Eat Paradise Grass", "Grass Cracks the House", "Red Tile", "Root Bird" and so on.

His main academic works include "The Second World: A Philosophical Interpretation of Literature and Art", "The First Door", "Research on Chinese Literary Phenomena in the Eighties", "Research on Chinese Literary Phenomena at the End of the Twentieth Century", "Facing Subtlety", "Cao Wenxuan's Literary Essays", etc. He is the editor-in-chief of Selected Chinese Literary Works at the End of the Twentieth Century, Selected Chinese Literary Works in the Past Fifty Years, Modern Masterpieces, Foreign Literary Masterpieces, Foreign Children's Literature Masterpieces, etc. Some of his works have been translated into English, French, Japanese, Korean and other languages.

He has won more than 30 academic and literary awards, including the National Book Award, the Soong Ching Ling Literature Gold Award, the Bingxin Literary Award, the Golden Rooster Award for Best Screenplay, the Chinese Film Huabiao Award, the Special Jury Award "Golden Butterfly" at the Tehran International Film Festival, the "Bronze Lion" Award at the 13th Giffoni Film Festival in Italy, the Outstanding Academic ** Award at the China Golden Rooster and Hundred Flowers Film Festival, the Beijing Literary and Art Award, and the 1994 Top Ten Outstanding Reading Award from the China Times.

Are you talking about Cao Wenxuan, a professor of North Continent socks? In my impression, his works are more famous than "A Chick", "Melancholy Pastoral", "Goats Don't Eat and Stare at the Grass of Paradise", "Bronze Sunflower" and so on.

Cao Wenxuan, a popular writer on the Chinese Writers Rich List, is good at children's literature, vice chairman of the Beijing Writers Association, professor of Peking University, doctoral supervisor of modern and contemporary literature, director of the Department of Contemporary Literature, member of the Children's Literature Committee, visiting professor of the Lu Xun Academy of Literature of the Chinese Writers Association, and an active advocate and promoter of Chinese juvenile writing. The main ones are "Grass House", "Bronze Sunflower", "Goats Don't Eat Paradise Grass", "Root Bird" and so on.

On December 5, 2013, the main list of the 8th Chinese Writers Rich List in 2013 was released in Chengdu, and Cao Wenxuan ranked 27th with a royalty income of 3.8 million yuan, which attracted widespread attention.

Born in January 1954 in rural Yancheng, Jiangsu Province. In 1974, he entered the Department of Chinese at Peking University, a member of the National Committee of the Chinese Writers Association, and is now a professor of the Department of Chinese at Peking University and a doctoral supervisor of modern and contemporary literature. Vice Chairman of the Beijing Writers Association, Director of the Department of Contemporary Literature, Member of the Children's Literature Committee, and Visiting Professor of the Lu Xun Academy of Literature of the Chinese Writers Association.

His representative works include "Grass House", "Red Tile", "Fine Rice", "Heavenly Scoop", etc.; He has been nominated for the Hans Christian Andersen Award, the Soong Ching Ling Children's Literature Gold Award, the Bingxin Literary Award, the National Book Award, and was listed on the 8th Chinese Writers Rich List in 2013.

He is an active advocate and promoter of Chinese juvenile writing. His main works include the literary collections "Melancholy Pastoral", "Red Gourd", "Rose Valley", "Following Eternity", "Triangle" and so on. Long-form**:

The Cottage Buried Under the Snow", "Goats Don't Eat Paradise Grass", "Grass House", "Heavenly Scoop", "Red Tile and Black Tile", "Root Bird", "Fine Rice", "Bronze Sunflower", "Dawangshu", "Ding Ding Dangdang Series" and so on. His main academic works include "Research on Chinese Literary Phenomena in the 80s", "The Second World: A Philosophical Interpretation of Literature and Art", "Research on Chinese Literary Phenomena at the End of the 20th Century", "** Gate", etc. In 2003, the Writers Publishing House published Cao Wenxuan's Collected Works (9 volumes).

A large number of works have been translated abroad, such as "Red Tile and Black Tile", "Grass House" and some short stories** translated into English, French, Japanese, Korean and other languages respectively. He has won more than 30 academic awards and literary awards at or above the provincial and ministerial levels. Among them, there are the Soong Ching Ling Literature Gold Award, the Bingxin Literature Award, the National Book Award, the Golden Rooster Award for Best Screenplay, the China Film Huabiao Award, the Tehran International Film Festival "Golden Butterfly" Award, the Beijing Literary and Art Award, the "China Times" Annual Open Book Award in Taiwan, China, and the "Good Books for Everyone to Read" Best of the Year Award and other awards.

In 2004, he was nominated for the Hans Christian Andersen Award. He has given lectures in various places many times.