Guo Degang and Yu Qian are so dedicated, why are there still people who criticize them for not havin

I think Guo Degang and Yu Qian are so dedicated, and some people will criticize him for not having artistic virtue, and the reasons are as follows。Typical can't eat grapes say grape sour. Guo Degang echoed 25 times, which was Yide's performance.

If they are able, they can come back. Guo Degang's return to the stage in a cross talk performance is not a return to the stage in a jigsaw puzzle. Cross talk does have a rule of no more than three performances to return to the stage, and it has lasted for more than 100 years, but traditional performances are improvisational performances, not special performances.

Because the time of each show on the puzzle show list is fixed, if you return to the show after the performance, it is bound to occupy the time of the next pair of cross talk actors and steal the limelight from others, which is also a taboo in the cross talk industry. However, Guo Degang returned to the stage in his special cross talk performanceSo there is no time to perform for other cross talk actors, and there is no way to steal the limelight from others. Therefore, it is harmless to go back to the show and sing a ditty and there is no violation of the rules.

Cross talk used to be the only means of livelihood, but now it is just one of the means of livelihood in the German society. In the past, the market space for commercial performances was very narrow. If the cross talk is over and the audience below still applauds enthusiastically, they will sing a little song on stage, even if they are kind and persistent.

However, this is not enough for the audience. In fact, they try to impress the audience, because comedian actors used to make a living mainly from crosstalk and performed in theaters. The audience may not come next time.

Now cross talk commercial performances are just one of the means for Deyun Club to make a living. They are also involved in many industries, such as film and television, hosting, and variety shows, so there's no need to think too much about making a living out of it. In addition, they have a market for commercial performances all over the country, so when they perform happily in Kwok Degang, the audience is enthusiastic, and returning to perform can arouse the audience's interest even more.

Also, it's a benefit beyond the ticket price. How can it be said that Guo Degang is so good to the audience and has no artistic virtues?

Third, Guo Degang's return performance has a greater impact on the audience, and it is also the promotion of cross talk. In general, during a normal cross talk performance, the audience may listen with great interest, but inevitably, the audience will get tired after a long time. However, once the performance is over, the audience will feel refreshed.

At this time, the return of cross talk will resonate with the audience and have a greater impact. This is also a good way to promote cross talk, and it can also cultivate more cross talk audiences. The above is the reason why I think Guo Degang and Yu Qian are so dedicated that some people will criticize him for not having artistic virtue.

There are a lot of reasons for this.

It's better to swap roles more often in love.

Maybe everyone thinks differently.

Maybe it's because I don't like them.

The quality of Guo Degang's work has declined? Not really. It's just that now that I'm a teacher, there are some constraints in the choice of baggage. It's not as "unscrupulous" as it used to be, so it may not be as "loud" as it used to be.

Purely from the perspective of cross talk art, Guo Degang's previous jokes have made the most of his talents. I think that Lao Guo's artistic development has reached a bottleneck, the audience has higher and higher expectations for him, and his "art bacteria" is almost exhausted. If you want to have a higher breakthrough, you need the right time, the right place, the right people and the opportunity.

Then again,If the quality of Guo Degang's jokes is to blame for the decline in Qian, it is to blame Brother Qian. Brother Qian is Lao Guo's virtuous helper, inside and out, rehearsing programs, eating, drinking, and Lazar, and the deputy class leader will also be fettered by complicated and trivial matters.

Deyun Club is now gradually maturing its reserve talents and has begun to take the lead. And the class owner Guo Degang is busy with more things than before, after all, the development of Deyun Club is also inseparable from business operations. In the old saying of cross talk, cross talk is a "subsistence business".

Don't envy mandarin ducks, don't envy immortals, only envy Lao Guo Yu Qian If it is unknown how Lao Guo can achieve it in the future, then Yu Qian can be said to be unprecedented as a praiser. Unless lard is blinded, no one will accuse a supporting actor who is talented and conscientious.

Yu Qian is a kind person. For the strong Guo Degang, he is just an appendage, Boss Guo will ask for more blessings if he has less ethics on stage. Boss Guo's ethics to the teacher is for "art.""dedicated to the whole family, parents, wife and children, what other plot can be arranged.

If Boss Guo wants to talk about some positive energy, I don't think Teacher Yu will be able to deliver the words. From the perspective of Deyun Club, he is just a business backbone, and from the perspective of the role of the teaser, he can only serve in the plot of the teasing setting. If there are too many expressions and thoughts, cracks are also inevitable.

As for the decline in the quality of Lao Guo's works, it is actually better to say that there are no new works at all, and there are many distractions outside of cross talk, so that the stage seems not to be focused enough, and the spirit is not as good as before, so the feeling level has decreased. But I don't think that's necessarily a bad thing.

With Lao Guo's current level, it is really difficult to make a breakthrough. At this time, choosing to go outside to see, the improvement of vision and experience will undoubtedly be a great help for future creation. When he returns, can he become a generation of grandmasters of the Guo faction's cross talk?

In this regard, Lao Na is looking forward to it!

Now, Lao Guo has become famous, and there is no more of the storms of the past, who are you still letting him laugh and scold? So, don't expect Lao Guo to produce any good works, those things should be left to the younger generation to do, although Lao Guo is about forty years old, but he is also the master's generation, what should be done is to plan the future of Deyun Club well.

Just be scolded, and don't care about creation.

Because Yu Qian's status in the capital is very high, he is very rich and has a backstage, so no one dares to say anything about him.

Because Yu Qian is mainly responsible for internal work, generally their jokes are created by Guo Degang, so everyone will not blame Yu Qian for the quality decline.

Because Yu Qian's withdrawal from the entertainment industry was very timely, he quit when he became popular, and people criticized him very little.

The main reason is that Yu Qian's way of speaking is quite interesting, and he and Guo Degang also play different roles, so there are also differences in popularity.

It's because after he appears, there will be a lot of fans who will remember the sound of cheering, and there will always be someone to help him when he is in trouble.

It may have something to do with Yu Qian's appearance, because he looks particularly kind, approachable, and makes people feel a sense of security.

This is because his character is very good, and their family is also very rich and influential, so they have a lot of friends.

Yu Qian has no background, many people squeeze out Guo Degang because Deyun Club is an industry that belongs to Guo Degang, so this has aroused the jealousy of his peers, which has caused the exclusion of his peers.

is because Yu Qian has been working for Guo Degang, and Yu Qian himself has no influence, so no one is willing to attack him, Yu Qian's background is actually relatively simple, and he does not have a particularly outstanding background.

He doesn't have a deep background, Yu Qian himself is more Buddhist, and his master will also support him, so there are not too many people to exclude him.

No one attacked Yu Qian because Yu Qian had any background, but because Yu Qian was relatively low-key, and he had always been just Guo Degang's partner and a person who had no quarrel with the world, so no one excluded such a person.

Shi Fukuan has a certain identity and status in the Beijing cross talk circle, and Yu Qian has worshipped him as a teacher a long time ago, even relying on Shi Fukuan's face, and his peers dare not bully Yu Qian. Yu Qian has also been in the Beijing circle, and his learning and development and friend circle are all in Beijing. Before he entered Deyun Club, he often ran the crew and had good connections.

Yu Qian is a serious Beijinger, and Yu Qian's master is Shi Fukuan. Before joining Deyun Club, Yu Qian was a cross talk actor in the system.

Yu Qian, his personality is not so strong, the surface impression makes people feel that this person is modest and kind, and his good impression is a little more, plus Yu Qian is praised, and there are bullets blocked by Guo Degang, it is true that this person is mediocre and peaceful, and rarely says that people are bad, in this way, who is embarrassed to attack him?

They will criticize Guo Degang because they are very envious of Guo Degang's achievements and Guo Degang's influence in the industry, but they have nothing to do with Yu Qian.

Yu Qian's status in the cross talk industry is very high, his emotional intelligence is also very high, and his strength is also very strong, very low-key, so no one criticizes Yu Qian.

This is because Yu Qian didn't do anything, and because Yu Qian's temper is relatively hot, he doesn't dare to say that Yu Qian is not.

Because Yu Qian is only in a relationship with Guo Degang's partner. It does not participate in the shares of Deyun Club. Therefore, the mainstream cross talk has always been aimed at only Guo Degang.

Because Yu Qian is a very principled person, and he is usually very dignified, but he still has his own bottom line.

Because Yu Qian's master, and Yu Qian is also a very capable person, he naturally won't attack.

Call yourself the mainstream! Isn't it just a bunch of bastards clinging to fattening public money!

Find out what Yu Qian's parents do.

Our current understanding of the history of cross talk is basically based on the oral tradition of cross talk artists and a very small amount of old information. Before the Internet age, our discussion of the cross talk industry has never been as extensive and in-depth as it is today, and a large amount of information can be collected, shared and studied through the Internet.

So here's the problem, the ** era of cross talk seems to have been widely spread through people's legends in a certain period of modern China, but it is also limited to legends, and the vast majority of modern people have not personally experienced the cross talk of that ** era. I once said in a discussion about sketches that the decline of cross talk lies in the fact that entertainment gives way to the constraints of art, and it will inevitably be eliminated by the market. We see a kind of cross talk that can really attract us, Guo Degang cannot be said to be the only one, but it can be said to be the most important force promoted by the Internet.

Guo Degang does not have the so-called classic textbook-style jokes and work, and most of his works are scattered and come from the bottom of the society, which is very much in line with the fragmentation of information in the Internet era, which is the most acceptable form of entertainment for modern people. In addition, if there is no Internet, it will probably only exist in the audience's word of mouth, and it will never reach today's level.

In this era, there can no longer be so-called masters, only the principle of survival of the fittest remains unchanged, Guo is a super Internet celebrity, but he is also an entrepreneur who leads a declining industry to start revival. It's a pity that this industry still occupies the majority of the share by Deyun Club, and it is far from certain whether cross talk can really rise after its recovery. We should expect the competitors of Deyun Society to pose a real threat to it, and before that, the position of Deyun Society cannot be shaken, and Guo Yu and the others are qualified to look down on the latecomers.

At least in this day and age.

said that cross talk has always been smashed with their own people, because it is more secure and saves trouble or lawsuits, so it is normal for them to talk about each other.

A traditional <> handed down by the older generation of cross talk actors

Most of the forms of cross talk performances are to tease and laughSince it is a form of two-person cross talk, there must always be someone to set off the language art effect. This naturally fell to the person who was praised. And this form of language is rehearsed in advance.

Or to the manuscript. There will be no unsettling consequences after communication. Naturally, he understands this truth.

Of course, Lao Guo occasionally makes use of some people, which is nothing more than sarcasm.

The division of labor is different, and the old is destined to suffer <>

In fact, Lao Yu is also willing to damage Lao Guo and his family, but due to the division of labor, there are hardships! The right to speak in cross talk is basically in the hands of teasing. Tease not only talks a lot, but also says it first.

As soon as they came up, they took the lead, and they could only defend as a compliment. To be a joker is to cooperate with cross talk.

Lao Guo Yuqian's cross talk theme is inseparable from the content of damaging Yuqian and his family, which is why it is <>

First, there is no political risk in saying that cross talk on this theme is right or wrong, which shows that Lao Guo Yuqian is more cunning and cunning in society; The second is that they are lazy, because they are familiar with each other's living conditions, and they don't need much grassroots experience life, just talk about it easily; the third is that the cross talk of this theme reflects the life and family of ordinary people in life, and generally wins the applause of the audience; Fourth, it caters to the hearts of some people who are willing to listen to the privacy of some different people's families; Fifth, Lao Guo is funny, and Yu Qian is funny, of course, Lao Guo said first, he must say anything about Yu Qian's family, and Lao Guo took advantage of Yu Qian.

Safety first, saying that outsiders are easy to get into trouble <>

Although it is said that "there is no size on the stage, there are rules off the stage", but you can't just smash anyone. It's not okay to smash the old gentleman and hang Kenhail Hu Ding, it's not like words; If you smash the apprentices and grandchildren, you have to hold on to your proportions, otherwise it won't be like words. Only for the old Yu, you can let go of some hard choreography.

First, the two of them know the roots, and no matter how they are arranged, they will not turn their faces; Second, Lao Yu's ability to pick up stalks is extremely strong, and he can catch it no matter what, even if Lao Guo occasionally has out-of-character words, Lao Yu can also give it back. If it is replaced by Lao Guo to praise him, he may not be able to catch it.

The market demand has nothing to do with cross talk. <>

The cross talk actor laughed at the audience, and the partner smashed and hung up is a very habitual methodNot only cross talk, but also the two-person actor often takes a partner, the band plays the board, and the actor who pulls the erhu is brought in as the protagonist of the joke story. Smashing can't be done to the audience, not to strangers, only to acquaintances. It's easy to bring in quickly with the acquaintances around you, and the people who are smashed and hung are not angry because of the needs of the plot.

At the level of Lao Guo and Lao Yu, you don't need to use ethics to amuse the audience. But why do they still have to use ethics and even "meat baggage"? To put it bluntly, the audience loves to hear this.

But these are definitely not all there is to cross talk!