If a freshman wants to learn poetry on his own, what books should he buy?

Three hundred Tang poems are a must. As the old saying goes: If you are familiar with 300 Tang poems, you will not be able to compose poems and chant them.

All Tang poems should be read, read, and even memorized. In this way, you can not only accumulate rhetorical experience, but also find feelings. Although "Words in the World" is Wang Guowei's young study, god-level characters must be worshipped.

In addition, I personally read a niche book "Empty Color", the advantage of this booklet is the context, the important indicator of the superiority of poetry over other literary works is the grasp of the artistic conception, with short words to express the artistic conception of resentment. It is necessary to pay close attention to accumulating one's literary accomplishment and prosody ability. Literary accomplishment can make your poems more substantial, and prosody can enhance the beauty of reading, which is also known as catchiness.

I think I will first have extensive contact with Chinese poetry to have a preliminary understanding of Chinese poetry, and then look at Tang and Song poems, especially "Three Hundred Tang Poems", which is very weighty, and you can also collect all the ancient poems in primary and secondary schools, because the textbooks are the essence of the essence. The best way to learn poetry is to read it by heart, memorize it, so as to deepen the memory, the words are more difficult than the poems, but I think the artistic conception is better than the poems, look at the "Three Hundred Song Songs", there are many famous works, you will benefit a lot. After having a deeper understanding of poetry, you can try to learn the rhythm of poetry, and then write by yourself, being able to write poems and fill in words is the highest level, practice can not only improve language accomplishment, improve the level of word choice and sentence formation, but also have an in-depth understanding of ancient culture, enhance their cultural accomplishment, and apply what they have learned, so that they will have endless fun, if it is just a simple recitation, do gramophone, that level will be a little low.

Learn how to fill in the words. Poems are divided into ancient style poems and near-style poems (metrical poems), but the words are all metrical words, and filling in the words is not just to fill in the number of words correctly, but must be filled in according to the requirements of the word spectrum. Knowledge.

Poetry and Rhythm", "Analysis of the Words of the Five Dynasties of the Tang Dynasty and the Two Song Dynasties", etc. Poetry and literature. "The Book of Songs", "New Notes on Chu Ci", "Selected Chinese Poetry of the Past Dynasties" (two parts, a total of four books).

As a high school student, it is necessary to strengthen the study of ancient poetry, which is not only the need to enrich one's knowledge of poetry, but also the need to adapt to the new round of curriculum reform, inherit the excellent traditional Chinese culture, and adapt to the reform of the college entrance examination.

If you want to write good close poems, these are just getting started, and then read more works of the ancients, famous articles in Tang poetry and Song poetry, I remember buying "Tang Poetry Appreciation Dictionary", "Song Poetry Appreciation Dictionary", and also bought Li Bai, Du Fu, Bai Juyi, Li Shangyin, Li Qingzhao, Su Shi and other personal works**, after reading these books repeatedly, you will make great progress. Finally, read the works of some contemporary poets, read some contemporary professional books and periodicals, such as Chinese poetry magazines, and so on.

As a freshman in high school, I like ancient poems, so I will give you a big thumbs up first. I've been teaching poetry on my own for about ten years, and I've taken a lot of detours during this time, especially the rhythm. Later, under the guidance of a teacher on the Internet, I bought Mr. Wang Li's "Poetry Rhythm", Long Yusheng's "Tang and Song Words", and a copy of "Baixiang Dictionary", and the first time I read these three books, I am familiar with them, and I can basically solve the problems of plainness and rhyme.

The poetry rhyme in the ancient rhyme is "Pingshui Rhyme", and the rhyme used in the lyrics is "Cilin Zhengyun", the poem is divided into ancient poetry and near-body poetry, the ancient style poetry does not pay attention to the rhythm, the rhyme can rhyme with the adjacent rhyme in the flat water rhyme, and the near-body poem is a rhythmic poem, except for the first sentence can rhyme with the neighboring rhyme, the rest of the rhyme feet must rhyme to the end.

Now you should be able to see the "Chinese General Rhyme" promoted by the Chinese Poetry Society in schools, which is almost a Mandarin rhyme. But those who study ancient poetry must know what "Pingshui Rhyme" is, why does Lao Cai say that "Northern Scenery and Northern Style" is a rhythmic sentence? Because "country" is an ancient phonetic word, this sentence is 仄仄平平仄平.

It is recommended to read these books:

1, "Three Hundred Tang Poems".

2, "Three Hundred Song Songs".

3."Poetic Rhythm".

Introduction: This book is Wang Li.

Written. Most of the poems and statutes mentioned in the book are the result of previous research, and some are the author's own opinions. The focus of this book is on rules, not anthologies.

The general purpose of "Poetry and Rhyme" is to describe the poetry and rhyme concisely as the basic knowledge to tell the reader.

4."Poetry Rhyme".

Introduction: This book is comprehensive, practical, simple, and practical. It not only explains the basics of poetic patterns for beginners and poets, but also analyzes, revises, and contrasts irregularities and poems. In particular, ordinary people often feel that it is difficult to check the level and charm of poetry.

5."Outline of Poetry and Rhythm".

Introduction: This book was written by Mr. Wang Li. Although it is simpler than the rules of poetry and the basic content is the same, it has its own characteristics.

Some places are more detailed than the rules of poetry. For example, when talking about tones, we give commonly used ancient Chinese characters to help readers who do not have tones in the dialect area master tones. Some places differ from the rules of poetry.

For example, it is divided into two cases: the large ones must be saved, and the small ones can be saved but cannot be saved. This is also to give the reader a better grasp of the laws of poetry.

Wang Guowei's "Words in the World".

Wang Guowei, Liang Qichao, Zhao Yuanren, and Chen Yinke, known as the four major tutors of the Academy of Chinese Studies, have outstanding attainments in philosophy, literature, opera, aesthetics, historiography, ancient literature, etc., and their profound knowledge and great achievements are amazing.

In addition to his academic achievements, Wang Guowei also likes to write poetry. His lyrics are diverse in style, and the writing is elegant, and the use of affection is quite deep, and the reading is not inferior to that of famous poets. At the same time, Wang Guowei also wrote "Words in the World", commenting on many lyrics in history and expressing his views on poetry.

The first is the realm theory, Wang Guowei believes that the word should be "realm" as the first, Wang Guowei talked about life from literature, and put forward three realms, namely: "Last night, the west wind withered the green trees, went up to the tall building alone, and looked at the end of the world"; "I don't regret the gradual widening of the belt, and I will make people haggard for Yi"; "The crowd looked for him thousands, and suddenly looked back, but the man was there, and the lights were dim."

This passage is worth remembering, and it is indeed thought-provoking and inspiring. Then Wang Guowei also proposed the realm of self and the realm of selflessness, which gave us further guidance for understanding poetry. For example, "tearful eyes ask the flowers silently, and the red flies over the swing" is the realm of me, and "picking chrysanthemums under the east fence and leisurely seeing Nanshan" is the realm of selflessness.

At the same time, in "Words in the World", Wang Guowei has a refined evaluation of the words of Li Yu, Wei Zhuang, Wen Tingyun, Su Dongpo and others, and wonderful sentences come out one after another, which makes people have a broader vision for the appreciation of poetry. You might as well find a copy of "Words in the World" and take a look at it yourself.

If you want to learn to write ancient poems, the book that must be desecrated at the beginning is 300 poems of the Tang and Song dynasties. It is said that if you learn 300 Tang poems, you will slip if you can't write them.

300 Tang poems. 100 words of Tang poems. Tang Poetry Rankings. Flying flower order high-frequency words.

For example, you can read 300 Tang poems. There are a lot of good poetry primers in this book.

Ancient poems are already some poems that have been eliminated in modern literature, and if you want to learn to write ancient poems, you must at least learn some ancient battle words. Because of the ancient poems, they are divided into quatrain and rhythmic poems, and these two themes require neat battles, therefore, it is necessary to find out the words of the battle, as well as rhymes, relatively speaking, learning to write ancient poems has no value and significance.

That is the 300 Tang poems, there are many words here that you need to learn, there is a lot of knowledge that you need to master, and others develop an intelligence.

If you want to learn ancient poetry, I think the most recommended book to read is 300 Tang poems.

High school must memorize ancient poems as follows:1, "Royal Numbers" imitation burning.

Don Li Shangyin.

Jin Se gratuitously fifty strings, one string and one pillar Si Hua Nian.

Zhuang Shengxiao dreams of butterflies, and hopes that the emperor will trust the cuckoo in spring.

2, "Ascending".

Don Du Fu. The wind is urgent, the sky is high, the ape is howling, and the white bird flies back.

Boundless falling trees and Xiao Xiao, endless Yangtze River rolling.

He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years.

Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass.

3, "Send Du Shaofu to Ren Shuchuan".

Don Wangbo. The city is supplemented by three Qin, and the wind and smoke look at Wujin.

Parting with the king, the same is a eunuch.

There is a confidant in the sea, and the end of the world is like a neighbor.

Inaction is on the wrong path, and the children are stained with scarves.

4, "Watching the Sea".

Three Kingdoms: Cao Cao.

The east is adjacent to the Jieshi to view the sea.

The water is surging, and the mountains and islands are sturging.

The trees are overgrown and the grass is abundant.

The autumn wind is bleak and the waves are surging.

The trip of the sun and the moon, if out of it.

The stars are splendid, if out of it.

Fortunately, even ya, the song is a song.

5, "Spring Hope".

Don Du Fu. The country is broken by mountains and rivers, and the city is deep in spring.

When I feel the tears, I hate the birds.

In March, the first book in the town was worth 10,000 gold.

The whitehead scratching is shorter, and the hairpin is overwhelming.

6. "Persuasion".

Xunzi. The gentleman said: You can't learn.

Green, taken from blue, and green from blue; Ice, water for it, and cold for water. Wooden straight rope, thought to be the wheel, its curved rules, although there is violence, do not stand up, so that it is. Therefore, the wood is straight, the gold is sharpened, and the gentleman is erudite and the day is self-conscious, and there is no fault in knowing and doing.

I recommend you to read Mr. Wang Li's "Poetry Rhythm" or "Ten Lectures on Poetry Rhythm".

Mr. Wang Li is a rare and comprehensive master of Chinese linguistics, who has deeply studied the phonetics, vocabulary and grammar of Chinese in the past dynasties, and founded the discipline of Chinese history. In-depth study of Chinese phonology and Chinese poetry, in-depth study of modern grammar and grammar theory, in-depth study of Chinese character reform, and relevant achievements in all fields are enough to have a profound impact on the then, present and future.

"Poetry Rhythm" focuses on rhythm, not poetry anthologyTherefore, there is no annotation for the poems that are exemplified. The words of the poems quoted also differ in version; The author has chosen the editions, but in order to save space and avoid cumbersomeness, he does not intend to include proofreading notes everywhere.

The Poetic Rhythm has a general purposeIt is an attempt to describe the rhythm of the poem simply and concisely, as a basic knowledge to tell the reader.

Regarding poetry, the emphasis is on rhythmic poetry, because since the rise of rhythmic poetry, poetry has a strict rhythm. The ancient poems before the Tang Dynasty were free or semi-free, and they had not yet formed a metric, so they will not be discussed. As for the ancient style poems after the Tang Dynasty, although they are not restricted by the rules on the surface, in fact there are still a lot of exquisiteness, so we can't ignore it, but we can talk about it less.

The relationship between words and poetry is very close. So let's talk about poetry first, then words. Sometimes, poems and words are combined.

The main contents of "Ten Lectures on Poetry and Rhythm" include:Ten Lectures on Poetry Rhythm, Poetry Rhyme and Peace, Five-Character Quatrain, Seven-Character Quatrain, Five-Character Rhythm Poetry and Long Rhythm, Seven-Character Rhythm Poem, Pingqian Declension, Battle, Ancient Style, Word Plate and Lexicon, Word Peace, Poetry Remaining, Questions about Pingxuan, Questions about Rhyme, Questions about Battle, Preliminary Phonology, Chapter 1 Phonology of Modern Chinese, Chapter 2 Letters, Chapter 3 Rhyme, Chapter 4 Four Tones, Chapter 5 Ancient Rhyme, The Origin and Flow of Poetry, Problems of Traditional and Modern Chinese Rhythmic Poetry, In classical Chinese literature, the beauty of language forms, the study of four poems, the explanation of 300 Tang poems, and the explanation of three Song poems are discussed.

It's like a song.

Day Nobu Ooka.

In my sixteen-year-old dream, I felt a spring road stretching out in front of me.

The air was filled with countless invisible sounds of flapping wings and flying.

The road stretches all the way to the watery sea.

Lovely people sit in the shade of trees by the roadside, weaving white hats.

The wind blew the catkins.

In my sixteen-year-old dream, I was completely free to dissolve.

Under the noon sky, what a beautiful flower in the water I am.

The older girl, blinking her meek eyes like a mitch, went south.

His letter came, bringing with it the scent of water lotus and the scent of the sea.

Those wheat-colored animals, constantly practicing flying over rainbows in my pasture.

I say "no" to everything, and my body always has to jump up and say "yes".