The origin of the finishing touch, and in what period did the finishing touch appear

Zhang Seng Xiang Tang Zhang Yanyuan "Famous Paintings of the Past Dynasties - Zhang Seng Xuan": "The four white dragons of Jinling Anle Temple do not point their eyes, and every cloud: 'The eyes are flying.'" People think it is delusional, but please point it out. Suddenly, the thunder and lightning broke the wall, the two dragons rode the clouds to the sky, and the two dragons did not see the eyes. ”

Zhang Seng Miao was a famous painter of the Liang Dynasty. Once, the emperor ordered him to paint a dragon on the walls of the Anle Temple in Jinling. In a few moments, two lifelike dragons appeared on the wall.

At this time, the emperor found that these two dragons had no eyes, so he asked Zhang Seng Miao why this was. Zhang Seng said: "If you draw your eyes, they will fly away."

Everyone didn't believe it, the emperor wanted him to draw his eyes, and Zhang Seng had to put eyes on one of the dragons. Suddenly, lightning and thunder roared, and the dragon really flew away.

The idiom "finishing touch" is a metaphor for speaking or doing things that are handled well in key parts, making the overall effect more expressive.

The original description of the Liang Dynasty painter Zhang Seng Xuan's painting is wonderful. When writing an article or a speech, use a few sentences at key points to point out the essence and make the content vivid and powerful.

In the Liang Dynasty during the Northern and Southern Dynasties, there was a very famous great painter named Zhang Seng Xuan, whose painting skills were very superb. At that time, Emperor Wu of Liang believed in Buddhism, and many temples he built asked him to make friends and take paintings.

Legend has it that one year, Emperor Wu of Liang asked Zhang Seng Miao to paint for the Andong Temple in Jinling, painting four golden dragons on the walls of the temple. He agreed, and it took only three days to finish the painting. These dragons are so vividly depicted that they are as vivid as real dragons.

After Zhang Seng finished painting, he attracted many people to go to **, and they all praised the painting well, which was too realistic. However, when one looks closer, one will see that the fly in the ointment is that all four dragons have no eyes. Everyone begged him to light the dragon's eyes.

Zhang Sengqian explained:"It's not hard to put an eye on a dragon, but if you put an eye on it, these dragons will break through the wall and fly away. "

After hearing this, no one believed it, thinking that his explanation was ridiculous, how could the dragon on the wall fly away? As the days went by, many people thought he was lying.

Zhang Seng Miao was forced to have no choice but to promise to the dragon"Eye-catching"It's noisy. On this day, there were many people watching in front of the temple wall, and Zhang Seng Miao lifted the paintbrush in front of everyone, and gently dotted the two dragons with liquid wide eyes. Something strange happened, he had just clicked the second dragon's eye, and suddenly the sky was full of dark clouds, and the wind was blowing, and thunder and lightning were shining, and in the midst of the thunder and lightning, people saw that they were covered"Eye-catching"The two dragons shattered the wall and rose into the air, flying into the sky with their teeth and claws.

After a while, the clouds cleared, and the people were so frightened that they couldn't say a word. Looking at the wall again, there were only two dragons left without their eyes, and the other two were been"Eye-catching"The dragon is gone.

The finishing touch is from "Famous Paintings of the Past Dynasties".

Allusion to the finishing touch: Zhang Seng Miao painted four dragons on the wall of Jinling Anle Temple, but did not draw eyes, he often said: "The dragon flew away when he clicked on his eyes."

People thought it was ridiculous, so they clicked on one of the dragons. After a while, the thunder and lightning broke the wall, and the dragon flew into the sky on a round orange cloud, and the dragon that was not eyed was still on the wall.

The protagonist of the finishing touch is Zhang Sengqiu.

The protagonist of the finishing touch is Zhang Sengqiu. Zhang Seng Miao was a well-known painter during the Northern and Southern Dynasties, and was very good at painting animal murals, such as dragons and eagles. The idiom of finishing touch comes from Zhang Sengqiu, according to legend, Zhang Sengqian painted four dragons in Anle Temple, but did not draw eyes for the dragon, so people asked Zhang Sengqian to draw the dragon's eyes.

Finishing touch. Who knew that Zhang Seng Miao said that if the eyes were painted, the dragon would fly away, and the people didn't believe it, but after Zhang Seng Miao painted the eyes, the four dragons really flew into the sky. When writing an article or speaking metaphorically, add incisive words at key points to make the content more profound and vivid.

Zhang Seng Miao was a native of the Liang Dynasty during the Northern and Southern Dynasties.

During the period of Emperor Wu of Liang, Zhang Sengqiu's official position was the squire of the Wuling Kingdom. Zhang Sengqiu's achievements in politics are not as high as those in painting. Zhang Seng is mainly good at painting Buddhism, and is also very good at painting people, flowers and birds, landscapes, etc., he painted a lot of unique murals for the temple, and also served as the lord of the Northern and Southern Dynasties also painted a portrait of Lao Xianchang.

Zhang Sengqiu. For decades, Zhang Seng Miao has never stopped painting. In terms of painting vertical and scattered paintings, he once applied the brushwork of calligrapher Jiawei in "Brush Array" to his paintings, making Zhang Sengqiu's paintings more expressive.

Not only that, Zhang is also very good at quoting the artistic techniques of painting from other countries. He once used the concave and convex method in Tianzhu painting to paint a temple, which made his paintings very three-dimensional, so that the temple was named Concave and Convex Temple.

The finishing touch is the Southern Dynasty painter Zhang Sengqiu.

The story of "the finishing touch" is in the Tang Dynasty Zhang Yanyuan's "Famous Paintings of the Past Dynasties" Zhang Seng Xuan, this story is like this: Legend has it that one year Emperor Wu of Liang asked Zhang Seng Xuan to paint on the wall of Jinling Anle Temple, and he only took three days to paint four vivid and vivid golden dragons excavated from the mountain.

After the painting was completed, it attracted a lot of people to visit, and people were full of praise for these four dragons, and the only fly in the ointment was that they all lacked nuclei and no eyes, so they asked Zhang Seng to put their eyes on it. Under everyone's repeated requests, Zhang Seng Miao really couldn't shirk it, so he had to put the eyes of two of the dragons on fire in front of everyone.

And as soon as the eyes were sharpened, a strange thing happened: I saw that the sky was suddenly covered with dark clouds, lightning and thunder, and the wind was raging, and the two dragons that were pointed at by Zhang Seng shook the wall and rose in the air, and flew away in the clouds. The people present were completely frightened by this scene, and when they looked at the wall, only the two dragons that had not been eyed were left.

Zhang Seng Xuan Profile:

Zhang Sengqiu, the year of birth and death is unknown, his ancestral home is located in today's Suzhou, Jiangsu, there is also a theory that he was a native of Huzhou, Zhejiang, and a painter of the Southern Dynasty of China. From 502 to 519, he served as a squire of the Wuling Kingdom, and then served as the direct secretary and the governor of the Great Pavilion, and Wu Xing Taishou and many other important positions.

Since he became famous, Zhang Seng Miao has always been known for his good at painting Buddhist and Taoist works, and has been involved in many aspects such as figure painting, portrait painting, flower, bird and animal painting, and landscape painting, and is good at drawing.

Legend has it that during the Northern and Southern Dynasties, there was a painter named Zhang Seng Xuan, who painted four small white dragons on the wall of a temple, shaking their heads and tails, lifelike. However, the painter did not immediately put the dragon's eyes on it, because legend has it that the dragon flew away after the eyes were clicked.

People couldn't hold back their curiosity, and repeatedly asked the painter to draw their eyes, and Zhang Seng Miao put eyes on two of the dragons, and suddenly thunder and lightning were combined, and the two little white dragons that dotted their eyes flew into the air. This is where the "finishing touch" comes from. Although it is just a legendary story, there is always some truth behind the exaggerated plot.

When depicting a certain object, Chinese painting should not only grasp the external form of the object, but also pay attention to the inner spirit of the object. The combination of "appearance" and "demeanor", on the basis of accurately depicting the image, pay attention to vivid and expressive, pay attention to both "likeness" and "godlikeness", so as to achieve the effect of "writing God in form". The depiction of the appearance of the little white dragon is only to outline its physiognomy characteristics, even if it is depicted very realistically, it will feel that it lacks vitality.

Only by portraying the spiritual outlook of the little white dragon can we grasp the key to painting the dragon.

"The eyes are the windows of the soul", the little white dragon after the eye is lit up looks vivid and wonderful, especially when painting people. As early as the Eastern Jin Dynasty, the painter Gu Kaizhi deeply realized the importance of "writing gods" and used "eyes" as a channel for "writing gods". He believes that only by drawing the eyes well can the demeanor of the characters be subtly revealed.

But the "eyes" are the most difficult to draw, so Gu Kaizhi said, "It is easy to wave the five strings with your hand, and the eyes will return to the difficulty".

The "eye" affects the overall form, and the "finishing touch" is often able to integrate the picture, coordinate and make all parts of the picture an organic whole. Whether painting people or animals, the grasp of "God" is very important, and the eyes are the channel to convey "God", so after painting the dragon, it will be "eye-catching".

Summary: Parts of Chen Rong's Nine Dragons are now in the collection of the Museum of Fine Arts, Boston, USA.

Because the last stroke is very important, if the last stroke is not drawn well, it will affect the whole, but if the last stroke is very good, it will make the whole very good. So the final touches are important.

Because it is necessary to draw all the dragon's body first, and if you click the eyes in advance in the process, it will be very incomplete, and there is a high probability that you will escape.

Because first of all, you have to draw the general outline, and you are making your own modifications, and after revising the final touch, the picture drawn in this way is very good-looking.

When he first started to draw the form of the dragon, it was particularly difficult to draw, and only after painting all the pictures and then choosing to draw the eyes, he could show his domineering and vivid side.

Because the last stroke is infused into the soul, and according to the story, it is only at the end of the painting that the dragon comes to life.

Because the finishing touch is the most important step, if you don't put the finishing touch on it, the dragon will be ruined, so it's the last finishing touch.

The finishing touches fly away. "People think it's absurd, because of one thing. In a moment, thunder and lightning broke the wall, a dragon rode the clouds to the sky, and those who did not see the eye were there.

1] Translation: Tang Zhang Yanyuan, "Records of Famous Paintings of the Past Dynasties: Zhang Sengqiu": "Zhang Sengqian painted four dragons on the wall of Jinling Anle Temple, but he did not point his eyes, and he often said: 'The dragon flew away when he clicked his eyes.'"

People thought it was absurd, so they clicked on one of the dragons' eyes. After a while, thunder and lightning broke the wall, and a dragon flew into the sky on the clouds, and the dragon that had not been spotted was still there. ”

Zhang Yanyuan of the Tang Dynasty "Records of Famous Paintings of the Past Dynasties" "Finishing Touch" said that Emperor Wu of Liang of the Northern and Southern Dynasties ordered Zhang Seng Yao to draw four dragons on the wall of Anle Temple in Jinling, but he did not give the dragon some eyes, saying that if it was pointed, the dragon would fly away. The people who heard it didn't believe it, and insisted on letting him point it, Zhang Seng Yao just clicked two, and after a while, there was a thunderbolt, breaking the wall, and the two dragons flew away by the clouds, leaving only two without eyes.

Zhang Seng Miao painted four dragons on the wall of Jinling Anle Temple, but did not draw eyes, he often said: "The dragon flew away when he clicked on the eyes." "People thought it was ridiculous, so they clicked on one of the dragons.

After a while, thunder and lightning broke the wall, and a dragon flew into the sky on the clouds, and the dragons that were not spotted with eyes were there.