Compared with real history books, which parts of Romance of the Three Kingdoms are literary exagge

In fact, I think it's an exaggeration to say that Zhuge Liang's IQ is a bit exaggerated, he may not have such a high IQ, but he is good at analyzing the situation. In addition, Ji Hongqing also has Taoyuan three knots, and the warm wine cuts Huaxiong. Three British battles against Lu Bu. The princes of the Eighteenth Route crusaded against Dong Zhuo.

For example, writing Zhuge Liang, he can infer a person's future direction by pinching his fingers, and also cited Cao Cao and Hua Zhixiong to compete, Cao Cao smashed the cylinder, sleepwalked and killed, Guan Yu scraped the bones to cure the poison, this is also a fabrication.

For example, Wenjiu beheaded Huaxiong, as well as Zhuge Liang's burning of Chibi, the empty city base cherry blossom plan, the tiger away from the mountain plan, and the poems composed by agitation and Cao Zhi's seven steps are all exaggerated Ming Feng cover, and the author likes these heroes more.

Roughly speaking, Romance of the Three Kingdoms is a talk about the fact that there are a lot of fictional stories in this book, distorting historical facts. The Romance of the Three Kingdoms is an official history, but many things in it still need to be studied in advance, because the official history is not necessarily right, just take the Romance of the Three Kingdoms and the Romance of the Three Kingdoms to make a comparison: there is a Zhang Fei longboard in it who drank and killed Cao General Xia Houen, and then the bridge was broken by the cheers.

Chang Gai Hengban Slope roared, intercepting the flow and cutting off the water Zhang Fei shook Changban Slope Sitting alone in the empty city and laughing and playing the piano, the millions of troops were wrapped in leaks and stopped Zhuge Liang Empty City Plan Hua Shen Doctor is unparalleled, Guan Yunchang is arrogant Guan Yunchang scrapes the core and searches for bone healing Zhou Yu was jealous and had a problem, and Kong Ming took advantage of the fog to return the arrow.

Which plot in He Chun's Romance of the Three Kingdoms is in line with historical facts ().

a.Guan Yu Huarong explained Cao Cao Dao.

b.Seven captures and seven verticals.

c.Liu Bei looked at the thatched house.

d.Zhu Pa ruler Ge Liang meditated on this resistance to the Seven Star Terrace sacrifice wind.

Correct answer: c

1.Zhao Yun, event: Zhao Zilong rode the savior alone, Zhao Yun intercepted the river to capture Adou, and Zhao Zilong planned to take Guiyang;

2.Guan Yu, Incident; Guan Yunchang scraped the bones to cure the poison, Guan Gongxian of Yulingquan, Hanshou Hou sealed the gold seal, rode alone for thousands of miles, passed five passes and killed six generals, Guan Yunchang defeated Maicheng;

3.Zhang Fei, incident: Dangyang scared Xia Houjie to death, released Yan Yan, and angrily pumped the post governor;

4.Liu Bei, event: Liu Bei took over as the pastor of Xuzhou, the first lord of the White Emperor City, the three knots of Taoyuan, and the three visits to the thatched house;

5.Zhuge Liang, event: Zhuge Liang burned Xinye, Zhuge Liang died of illness in Wuzhang Plain, saw the wooden elephant Wei Du broke his guts, Zhuge Liang slashed the horse with tears;

6.Cao Cao, events: Meng De offered a knife, boiled wine to talk about heroes, stomped to welcome Xu You, defeated Huarong Dao, cut his robe and hair;

7.Yuan Shao, Events: The Eighth Lieutenant of the West Garden, the Princes of the Eighteenth Road, the Battle of Han Fu, the Destruction of Gongsun Zhan, and the Battle of Guandu;

8.Sima Yi, events: plan to kill Meng Da, defeat Hulu Valley, plan to level Liaodong, and rush Cao Shuang;

9.Lü Bu, events: the three British battles against Lü Bu, the serial plan, the battle of Puyang, the dove occupies the magpie's nest and robs Xuzhou, and the death of the White Gate Tower;

10.Dong Zhuo, events: Abolish the Young Emperor and set up the emperor, Meng De offered the knife, Serial Scheme, Fengyi Pavilion, Cai Yong cried Dong Zhuo, etc.

The description of Liu Bei in the first banquet Taoyuan Haojie Sanjie: he is lenient, silent, and his joy and anger are invisible; He was born seven feet five inches long, with two ears hanging down his shoulders, his hands above his knees, his eyes could take care of his ears, his face was like a crown of jade, and his lips were like grease; The surname is Liu Mingbei, and the word is Xuande.

After all, the Romance of the Three Kingdoms is**, and one of the three elements is the characters, so it has put a lot of effort into the portrayal of the task. The most typical ones are Liu Bei (benevolence), Cao Cao (treacherous), Zhuge Liang (loyalty, wisdom), and Zhao Yun (brave).

In the classic** Romance of the Three Kingdoms, many distinctive characters have been created, who is one of the characters of the Three Kingdoms that you like? Zhuge Liang, he compares himself to Zhong Leyi, he is very confident, high-spirited, he assisted the queen after Liu Bei's death, and in the feudal era, he was close to perfection.

Personally, I think that when writing Zhao Zilong, the paragraphs and descriptions used are the most classic.

Cao Cao offered the seven-star treasure sword.

Lu Buyuan shoots a halberd.

Guan Yu passed five levels and killed six generals.

Zhou Lang Chibi. Xu Shu is in Cao Ying, and his heart is in Han.

"Romance of the Three Kingdoms" recounts many stories of the moxibustion population, such as "earning the city and cutting the car" and "cooking wine on heroes".

The author of the Romance of the Three Kingdoms is [Luo Guanzhong] in the [late Yuan Dynasty and early Ming Dynasty], and the characters created in the book [Liu Bei], [Zhuge Liang], [Guan Yu] and other characters are well-known.

The author is Luo Guanzhong in the late Yuan Dynasty and early Ming Dynasty. The characters such as Liu Bei, Zhuge Liang, and Cao Cao created in the book are well-known.

The author of the Romance of the Three Kingdoms is [Luo Guanzhong] of [Late Yuan Dynasty and Early Ming Dynasty] This famous long story ** writes the story of Wei, Shu and Wu during the Three Kingdoms period, and the book creates characters such as [Liu Bei], [Guan Yu], [Zhang Fei], etc., which are well-known.

The translation of "Straw Boat Borrowing Arrows" comes from the classical history ** "Romance of the Three Kingdoms", which is written about the story of Wei, Shu and Wu. Liu Bei, Zhuge Liang, Cao Cao (expand: Lu Su, Zhou Yu, Zhang Fei, Sun Quan...... portrayed in the bookand other characters are well-known; Many of the stories in the book, such as "Cooking Wine on Heroes" and "Burning Red Cliffs" (Expand:

Thousands of miles to ride alone ......Widely circulated. The author is Luo Guanzhong in the late Yuan Dynasty and early Ming Dynasty.

The author of "Romance of the Three Kingdoms" is .........of .........The ......... portrayed in the bookand other characters are well-known; Many of the stories in the book, such as "......and so on.

At the end of the Yuan Dynasty and the beginning of the Ming Dynasty, Luo Guanzhong, Zhuge Liang, Guan Yu, Zhao Yun, the grass boat borrowed arrows, looked at the thatched house three times, and burned the red cliff.

Cao Cao, Sun Quan, Zhuge Liang, Liu Bei.

<> artistic expressions used in the portrayal of historical figures in "Romance of the Three Kingdoms" mainly include the following aspects:

1.Typed:

Typology refers to shaping a persona image as one with distinct common characteristics to highlight the characteristics of a particular aspect of it. In "Romance of the Three Kingdoms", many characters are given specific characteristics, such as Liu Bei's benevolence, Zhuge Liang's resourcefulness, Zhang Fei's bravery, Cao Cao's treachery, etc. These traits allow the reader to quickly understand the basic personality and behavioral habits of the characters.

2.Exaggeration and apotheosis:

A lot of exaggeration and deification are used in Romance of the Three Kingdoms to enhance the legend and appeal of the characters. For example, Guan Yu's might, Zhao Yun's bravery, and Zhuge Liang's clever calculations are all endowed with supernatural abilities and characteristics, making the characters more distinctive.

3.Metamorphosis and symbolism:

Metamorphosis and symbolism are also commonly used in the Romance of the Three Kingdoms. Metamorphosis refers to the transformation of the image of a historical figure to a certain extent to meet the author's creative needs. For example, in **, the image of Liu Bei is portrayed as a benevolent and weak figure, which is not actually the case with Liu Bei in history.

In addition, a large number of symbolic techniques are also used in ** to express the inner emotions and thoughts of the characters.

4.Singularity and stability:

The characters in the Romance of the Three Kingdoms are singular and stable, that is, the main characteristics and other factors of the characters are basically stable and unchanged, and they are in a classical state of silence. This singularity and stability make the characters more distinct, while also avoiding the complexity of the character and embodying the beauty of neutralization.

To sum up, "Romance of the Three Kingdoms" adopts a variety of artistic expression techniques in shaping historical figures, including typification, exaggeration and deification, deformation and symbolism, singularity and stability, etc., which work together to make the characters in ** more vivid and distinct, with a strong artistic chaos.