I need to learn how to write a script, how do I need to learn it

You can apply for the major of film, television, drama and literature! A lot of art schools have it!

1 Learn what the script should cover. For example, the script is mainly composed of lines and stage directions.

2 Learn the structure of the script. A long screenplay, for example, will consist of many different paragraphs.

4 Script Classification and Theme. For example, classification, TV drama scripts, micro-animation scripts, etc., can be divided into comedy, tragedy, historical drama, family ethics drama, etc. according to the theme of the script.

5. Learn the professional ethics of writers.

It's too complicated to talk about, and I can introduce you to a stupid kung fu.

Find a Hollywood movie, preferably an Oscar for Best Original Screenplay, or an Eastwood Spielberg film (their films are neater), and you follow the script along with the whole movie. If possible, find an original script to compare with what you wrote.

This stupid kung fu is actually the same as pulling a tab, but when you write it yourself, it feels different. The benefits of this practice are:

1) When writing a script, try to use less nihilistic descriptions and write more visual things. The advantage of working backwards from the picture is that you get the result of a high-level director and screenwriter visualizing the content of the script. For example, if a person is angry, whether he smashes things, hurts himself, or is silent, you can clearly see from the picture, instead of writing an unclear description of "he is angry **".

2) Understand the writing ideas of the whole play. Although this may be the result of the editing, since it is the final release version (not discussing the director's cut version), it means that this is the version approved by the person who has the final editing rights. Why do you say that you are looking for what the original screenwriter wrote to compare, because you want to see what content of the original script has been cut, is there a problem with the rhythm?

Rhythm is a problem that most new screenwriters are prone to, and I have read a lot of scripts that are extremely lengthy in each scene, that is, water, and I can't distinguish between heavy scenes, and there is no sense of connection between scenes when writing. By working backwards, you can clearly see how long each scene is and how much of the paper is (generally speaking, one minute equals one page). In addition to understanding the so-called "rhythm", you can also learn how high-level screenwriters build structures, for example, the first 10 minutes are to create characters, the next 20 minutes are about the crisis gradually emerging, and the next 30 minutes may be when the protagonist gradually falls to the bottom, bla bla bla...

By rewriting, we can see the general context of the whole movie, which is very important.

I think most of China's bad movies lack the ability to build a structure, and if the structure is not good, don't think about the script.

3) The lines are the same. Hollywood's dialogues are very concise and precise, usually how to start a dialogue, how to pick up the next sentence, and how to end it in the end, in fact, it is written like a game of Go. Why do I say I have to write it myself?

It's like doing math, it's useless to look at it once, the human brain is such a strange thing, and it can only be used for you if you actually operate it once.

4) The reason why I recommended Dong Mu and Spielberg earlier is because I think they are both masters of scene scheduling, and they have added a lot of points to the script. Learning their lenses equals that you can learn a "more advanced" way of writing scripts.

5) Another advantage is that if you find it hard to copy even once, you are really not suitable to be a screenwriter.

Steps in writing the script of the TV series: Story synopsis - Episode outline - Plot refinement to each scene - Character dialogue (hints of action, expression, mental activity, relationship between characters, etc.).

There are many kinds of scripts, movies, TV series, micro-films, ** dramas, each format is different, and if you are just entertaining, you can write a literary script, and the professional needs to have a shooting script, but although the types are different, they are basically the same.

If you are an amateur writer of a TV drama literary script, for example:

1] Xiaoli's living room Daytime characters: Xiaoli, Xiaohua, Xiaoli's mother.

The above is a description of a shot, which needs to have a time and place, scene number, and characters) movie script recommends that you have a book "Fundamentals of Film Script Writing" (forehead. It's been a long time.,I don't know if the name is wrong.。。 ) is a book with a yellow cover; For the script writing of TV dramas, you can refer to "The Art of TV Drama Screenwriting", which I personally think is more praised;

Micro films are similar to movies, but the lens classification is different. **As long as the play has a classification number marked as a line, a singing word or a pronunciation (for example: [Nianbai].) Lyrics]. There are also lines of the characters.

It seems that there are no related books, because when writing a script, literary creation requires the literary cultivation accumulated by reading a lot of books, and there is no shortcut to this road. It is recommended to read more classic comedy works from China and abroad. Let's build it up slowly.

The core skills of screenwriting Revised edition Art Film and Television **Art Screen Story Writing Methods Character Social Trends Horror Genres Film and Television Theory Neil D.

Hou Lang Genuine Screenwriter Psychology Constructs Conflict in the Script Screenwriting Principles Constructed by Classical Psychological Theory Analysis of the Conflict Structure Behind the Script Character Psychological Trajectories Tutorial Books.

Screenwriting Classes (Screenwriters, Directors, Producers, Secrets of Screenwriting), Script Writing, Script Writing, Creative Experience and Skills of Ming Masters, Screenwriters' Guides, Handbooks, Film, Film and Television Arts.

Sid Field Classic Drama Course Volume 3 Film Script Writing Basics + Screenwriting Guide + Film Drama Problem Strategy (Sid Field Classic Drama Course 3) Film Academy h

I'll give you another copy.

Super Memory

Zhao Xiaoning's is ojbk! Write, write, write, keep writing, and maybe no one wants to write until the end of writing, provided that you keep writing, and your peers will look down on you if you just talk about it.

I have a good suggestion, you might as well read the literary masterpieces and see how they are written.

To write a good script, you must first draw up an outline and supplement the plot according to this outline; Combining rich imagination with life experience; The theme of the story should be carried out, and the contradictions and conflicts should be carried out in a certain order.

1. First of all, we must put the "idea" of the script in the first place, because a script must have a good idea, and as a screenwriter, we must make it clear what the script is to express. The idea is equivalent to determining the launch of the script, and there is a role of an outline deed.

2. The character creation of the script and the character conflict of the characters are related to the direction of the whole story and the subsequent dramatic conflicts. A perfect, good character, he must have changed at the beginning and end of the movie, that is, there is a character arc.

3. The outline of the script should set all the tone and genre themes, and the main characters in the first 15 minutes basically have to appear, which can be used in various ways.

4. No script is in place at one time. After you finish writing, you have to show a lot of friends, and then your friends around you will give you some different suggestions, and then continue to revise and improve. Creation is always a process of verification, which can verify the script, verify the idea of the previous script, and whether the character outline is correct.

Notes:

1. Script writing should not become the creation of **. The creation of a script is mainly to express a series of pictures with words, so it is necessary for people who read the script to be able to instantly associate a picture with words and bring them to the world of animation.

2. The plot is outside the main line, it is not advisable to arrange too many subplots, nor should it arrange more than three main lines, when there is more than one main line, it is necessary to reduce the corresponding subplots.

3. If it is not required by the plot, there should not be too many dialogues in the script, otherwise the whole story will become incoherent. The less dialogue there is in the script, the stronger the sense of picture and the greater the impact.