The main content of Tang Yin s painting, Tang Yin s representative painting

1. Main content.

During the Ming Dynasty, in the area of Suzhou in present-day Jiangsu Province, there was a famous painter named Tang Yin. Tang Yin, also known as Tang Bohu.

Tang Bohu has loved painting since he was a child. The family opened a hotel on Suzhou Street. In order to decorate the façade, his father recruited students.

Meaning, there are some paintings of celebrities on the walls of the hotel, and they are written. Bohu has been helping in the hotel since he was a child, and it's fine.

When he copied the gourd paintings, he copied them.

One day, Tang Bohu showed several of his copied landscape paintings to a painter named Shen Shitian and asked him for advice.

Shen Shitian looked at it and said, "It's not that I rely on the old and sell the old, let me tell you the truth, you have a lot of talent for painting." However, if you want to really paint the landscape well, you can't just rely on copying, and you need to visit some famous mountains and rivers.

You're still missing this step right now, so the paintings you painted, to put it mildly, can only be said to have bones and no flesh. ”

When Tang Bohu heard this, he felt that it made sense, so with the help of his friends, he deliberately went to Taihu Lake to visit. He went to Taihu Lake one.

Look, yikes! It's really beautiful. The wide lake with its undulating peaks and peaks makes the scenery so stunning.

As soon as dawn every day, Tang Bohu took a small boat to some mountains, bays, temples and some stone caves around Taihu Lake.

Sketch. Within a few days, he painted many beautiful landscape paintings. He took the paintings back to Suzhou and showed them to his teacher.

See. The teacher said happily

Great! Great! It's better to go out more! Now the paintings you draw are much more vibrant than the paintings you painted in the past! ”

After that, Tang Bohu's fame in painting became bigger and bigger day by day, and more and more people begged him to paint.

2. About the author.

Tang Yin (yín) (1470-1523), the word Bohu, and the word fear, with the word line, the number six such as the layman, the peach blossom nunnery, the Tang Sheng of the Lu State, the escape of the Zen immortals, etc., Wu County Wu Chaoli people. A native of Wu County (now Suzhou, Jiangsu). Famous painter and poet of the Ming Dynasty.

It is said that he was born in the sixth year of Chenghua of Ming Xianzong, so he was named Yin.

Tang Yin is cynical and talented, and his poems are famous, and Zhu Yunming, Wen Zhengming, and Xu Zhenqing are called "Wuzhong Four Talents" (that is, the folk say "Jiangnan Four Talents"), and the name of the painting is changed, and Shen Zhou, Wen Zhengming, Qiu Ying and called "Wumen Four Families", also known as "Ming Four Families".

It's three doors, not three windows.

Tang Yin is learning to paint.

Tang Yin of the Ming Dynasty. The representative work of the figure painting "Autumn Wind Fan Picture Axis", the lead size: vertical centimeters, horizontal centimeters.

Painting a courtyard with lake stones, a lady holding a fan, staring sideways, with a slightly resentful look between her eyebrows. Her dress fluttered in the bleak autumn wind, and her side was lined with double-hooked bamboos. This picture is painted in white, the brush and ink flow and crisp, the turning square, the lines are undulating and frustrating, combining Li Gonglin's flowing water and Yan Hui's folding reed drawing, and the pen is full of rhythm.

Tang Yin's masterpiece of landscape painting in the Ming Dynasty is "Lonely Crane in the Falling Sun".

Vertical: cm, Width: cm.

This painting depicts the high mountains and willows, the water pavilion is near the river, there is a person sitting in the pavilion, watching the lonely crane in the sunset, accompanied by a scholar, the realm of the whole painting is quiet, containing the temperament of literati painting. The painter's self-titled cloud "In the smoke and water of the bead curtain of the painting, the sunset is lonely and there is no trace." I wanted to see Wang Nanhai for a thousand years, and I borrowed the Dragon King.

Wind. said that he envied the "Preface to the Pavilion of King Teng".

The author Wang Bo's young man has to be cautious and simple, and he complains about his bumpy encounter. In terms of expression techniques, the mountains and rocks in the close-up are mostly rubbed with wet brushes, and the ink is wider and heavier. The ink color of the whole painting is pleasant and moist, and the scenery is handled smoothly and freely. <>

1. Tang Yin's paintings rarely indicate the year, and the change of painting style is not very regular, it is difficult to speculate the time of painting, and it is difficult to divide the process of his painting style change according to time.

2. Tang Yin's representative works of landscape painting include "Lonely Bird in the Falling Glow", "Spring Mountain Companion Teasing Fiber Skin", "Evening Cool Picture of Void Pavilion", "Apricot Blossom Thatched House" and so on.

3. Tang Yin's representative works of figure painting include "Wang Shu Palace Prostitute Picture", "Autumn Wind Fan Picture" and "Li Duanduan Picture", etc., which combine the Song Dynasty Li Gonglin's flowing water depiction and Yan Hui's folded reed depiction, and the painting of the mountain is full of rhythm.

4. Tang Zhu Tanyin's ink freehand flowers and birds, the ink rhyme is clear and clean, the style is elegant and free and full of realism. The representative works are "Withered Bird Bird", "Rain Bamboo", "Momei", "Wind Bamboo", "Linshui Hibiscus", "Apricot Blossom" and so on.

Today I read "Tang Yin Learns Painting" Tang Yin studied painting with the master for a year, he thought that he had learned to paint, Tang Yin compared the painting with the master, the master looked at Tang Yin's thoughts, and asked his wife to prepare some food, and invited Tang Yin to a small room in the back garden, this cottage has four doors, Tang Yin learned to paint after reading, and felt after reading "Tang Yin learned to paint after reading". Tang Yin just pushed 3 doors, the door did not open, Tang Yin knew that the master painted on the wall, Tang Yin knelt down and said to the master, I don't want to go home, let me learn from you for three years, from then on, he studied hard and became a great painter.

Tang Yin learns to paint and feels after reading Sui Wen Songyin's gift: [Everything in this world is done by hope, and the farmer will not peel a grain of corn, if he does not want it to grow into a seed; A bachelor will not marry a wife if he does not wish to have children; Nor will a businessman go to work if he does not wish to make a profit from it. 】

In the twenty-second year of Chenghua (1486).

Zhenshoutang Picture Scroll Painted in the 22nd year of Chenghua (1486) Collection of the Palace Museum Painted in the 22nd year of Chenghua in the Ming Dynasty (1486), the Zhenshoutang Picture Scroll is the earliest recorded painting by Tang Yin.

Zhen Shou Tang Picture Scroll on paper Ink Length cm Width 102 cm Beijing Palace Museum Zhen Shou Tang Picture Scroll (Fig. 1) is the earliest recorded landscape painting of Tang Yin. The close-up lines in the painting are similar to the Southern Song Dynasty method, and there is the softness of the Yuan painting method; The method is to drag mud and water, and the penmanship is skillful; The vista is covered with light ink and rendered, with the artistic conception of light ink and light lan. In terms of layout, brushwork and artistic conception, it is close to the "Wumen School" and "Wumen School", and one of the characteristics is that it is good at grasping the meaning of a certain scene and highlighting the spiritual essence of the characters.