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Fallen leaves imitate time.
copy sample.
Bai was speechless.
du in my lonely zhi
Lonely side.
Far away in the sky you take a star dao
As the starting point of life.
What a hope.
If there is you in the world, there will be eternity.
The most beautiful scenery.
The innocent smile has long since faded.
In the season of youth.
Who is still looking for the opportunity of the past life.
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There are a few on microlearning
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Li Bai - "Ascending Jinling Phoenix Terrace".
Phoenix on the Phoenix Terrace, Phoenix goes to Taikong River artesian.
Wu Palace flowers and plants buried in the path, the Jin Dynasty dressed into ancient mounds.
The three mountains are half in the blue sky, and the two waters are divided into Egret Island.
It is always because the clouds can cover the sun, and Chang'an is not worried.
The jaw union means: the flowers and grass of the Wu Palace have been buried beside this quiet path; The famous families of the Eastern Jin Dynasty are now only a cemetery. Wu Palace, during the Three Kingdoms, Sun Wu had built a palace in Jinling, and it was very prosperous.
In the Jin Dynasty, the Eastern Jin Dynasty also used Jinling as its capital. mounds, graves.
The neck coupling means: the three distant mountains, half of the earth is like the green mountains; The two branches of the river, the left and right are sandwiched between the Egret Continent. Three mountains, in the southwest of Jinling, because the three peaks are juxtaposed, the north and south are connected, so it is named.
Ershui, when the Qinhuai River flows through Jinling, it is divided into two branches, one enters the city, and the other surrounds the city. Baizhou, "Huanyu Ji" contains: "Bailuzhou is in the Xisanli ...... of (Jiangning) CountyIn the great river, there are many egrets, because of the name".
Clouds cover the sun: clouds cover the sun, which is a metaphor for evil and debasement of loyalty.
Appreciation: This poem melts the places of interest and the objects in front of the eyes in one furnace, and conveys the feeling of sadness in nostalgia.
Gao Buyingyun: "Taibai's poem is a complete copy of Cui Hao's "Yellow Crane Tower", and in the end it is not as wonderful as Cui's poem, but the ending sentence seems to be victorious. ”
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At the foot of the sub-north solid mountain.
Outside the green mountains of Klook, in front of the green water.
The tide is wide on both sides, and the wind is hanging.
The sea is born in the night, and the spring of the river enters the old year.
Where to reach the township book, return to the side of Yanluoyang.
The road that the travelers are going to take is stretching from the Qingqing Beigu Mountain to the distance. The river was rippling, and I was just moving forward by boat. The tide ** is flush with the shore, and the river becomes open and boundless. The wind is blowing, the wind direction is not biased, and a white sail seems to be hanging in the high river sky.
The Red Sun was born from the East China Sea, breaking through the night and driving away the darkness of the earth. The river is filled with a warm atmosphere, and spring has entered the old year early.
How much I miss my dear hometown, how can I send my letter home when my letters have already been written? Returning to the north across the clear sky, please bring the letter to Luoyang.
Water tune song head. Su shi.
When is the bright moon, ask the wine to the sky.
I don't know what year it is in the heavenly palace.
I want to go back by the wind, but I am afraid of Qionglou Yuyu, the height is unbearable, and I dance to find out the shadow, how it seems to be in the world.
Turn Zhu Pavilion, low Qihu, shine sleeplessly.
There should be no hatred, and nothing will be done to say goodbye.
People have joys and sorrows, and the moon is cloudy and sunny, and this matter is difficult to complete.
I hope that people will last a long time, and they will be together for thousands of miles.
During the Mid-Autumn Festival of the Bingchen year, I happily drank (straight) until (the next morning), (drunk) drunk, and wrote this (word), and at the same time missed (my younger brother) Ziyu.
When did the bright moon appear? (I) asked Qingtian with a wine glass. I don't know what age it is in the Heavenly Immortal Palace.
Legend has it that only a few days have passed in the fairy world, and the underground has been thousands of years, so I asked. I want to ride the wind back to heaven (as if I originally came down from heaven to earth, so I say "return"), but I am afraid that the beautiful moon palace made of jade will not be able to withstand the cold in the sky (legend has it that the palace in the moon is called Guanghan Palace). In the imagination, dancing to the moon, the clear shadow follows the people, as if riding the clouds and the wind, in the sky, ** like in the world!
The moon turned, shining all over the splendid pavilions, and in the middle of the night, the moonlight shone low through the carved doors and windows, shining on those who could not sleep peacefully with their hearts and minds. When the moon is full, there should be no hatred, but why is it often necessary to reunite when people are leaving? There are sorrows, joys, partings, and reunions; As for the moon, it will also encounter yin, eyes, roundness, and deficiency; This situation, which has been the case since ancient times, is rare and perfect.
I only hope that we are all healthy and long, although we are thousands of miles away, we can enjoy this beautiful moonlight together.
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1, Gu Cheng's "The Origin of the Stars and Moon" appreciates and analyzes.
This poem Gu Cheng wrote in front of the window on a winter night in 1968. can imagine that silent era, Gu Cheng's meditation at night. His imagination is simple and naïve.
In that era of writing odes, Gu Cheng was alone, a kind of poetry, lonely and dazzling. I miss the scene in front of the window where Gu Cheng wrote poems, no, no more. Yes, it's just that the text is getting farther and farther away from the feeling.
After persistent questioning and difficult thinking, we have reason to believe that there is a wonderful conflict and harmony between the branches and the moon, and the stars, especially with the light outside the sky, so tearing and piercing, in Gu Cheng's twelve-year-old eyes, are no longer tragic plots, but for a spirit called light to live there. Just as "when the ploughshare lifts up the frosty soil, the clods of earth gain life and strength." In this time of awakening and growth, he decided that where there is pain, there will be hope.
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