Classical poetry and regional culture, culture in poetry

Combined with regional characteristics to understand ancient poems and wisdom:

Zhou Nan", "Zhao Nan", "Chen Feng": The wind of the southern country.

"Zhou Nan" and "Zhao Nan" mainly collect folk songs from the areas south of Zhou and the Han River Valley. In the Zhou Dynasty, the Jianghan region and the small states of Jianghuai were collectively referred to as "Nanguo" and "Nantu", which probably also included the Chu State.

Sima Qian once commented on the economic environment here: "The land of Chu and Yue, the land is vast and the people are happy, rice, soup and fish, or fire and water rake", "there is no one who tells before freezing and starvation, and there is no home of a daughter". Due to the sparsely populated Jianghan area, the forests are extensive, the rivers are vertical and horizontal, and the lakes are dotted around, so the degree of development here is also difficult.

Although the people here are not particularly wealthy, their lives are not poor, so they are prone to romantic feelings, magnificent and mysterious thoughts, and mottled art. Laozi, Zhuangzi, and Qu Yuan are all representatives of Chu culture, and they all have the same place in art.

Wei Feng and Tang Feng: Shanxi Ancient Tunes.

Wei and Tang were both feudal states in the Fen River Valley, and this area was one of the main birthplaces of ancient Chinese civilization, and it was also a conflict zone between China's agrarian civilization and nomadic civilization. As a result, the people here live a difficult life, in addition to being exploited, and also have a heavy burden of military service.

Sima Qian discussed: "The people are cautious and angry, and they are traitors and do not engage in agriculture and business. However, it is approaching Beiyi, the division and brigade are urgent, and the Chinese committee is envious when it loses. ”。

The more excellent works include "Bustard Feather", "Cutting Tan" and "Shuo Rat", which reflect the social contradictions (exploitation and military service) at that time, and "Silk Preparation" and "Ge Sheng", which are beautiful and miserable love poems.

The cultural charm of classical Chinese poetry lies in its linguistic beauty.

Poetry is the art of language, and the cultural charm of classical poetry is first and foremost its linguistic beauty. It is embodied in its rich rhetoric, precise and concise expression.

Ancient poetry is a classic of China, which is integrated into the ancient culture of Zhongyuan. Such as wine culture, tea culture, ancient folk customs, ancient folk classic stories, maternal love, friendship and homesickness and so on. By asking where the restaurant is, the shepherd boy pointed to Xinghua Village.

The flute drum urges the spring society to be near, and the clothes are simple and ancient. I hope that people will last a long time, and they will be together for thousands of miles.

Poetry in a broad sense is a collective term for all arts (including literature as language art), synonymous with the beauty of nature, art and life, a way for human beings to look at the world, and a way for the human soul to inhabit after escaping reality.

Poetry in the narrow sense is the genre that has been created, disseminated and appreciated for thousands of years since the Babylonian heroic epic "Gilgamesh", especially since the Chinese "Book of Songs" and the Homeric epic of ancient Greece.

Poetry is the poet's disagreement with the concept of reality or the world, and the poet feels anger and dissatisfaction for many years. Whether it is a detached style, an ancient poetic style, a modern poetic style, or a modern poetic poem, it is just a form of poetry. The most beautiful thing is that standing at the height of human history flashes the aura of poetry.

Poetry is not just in poetry, and lyrical beauty is a common quality of all literary styles and artistic genres. Therefore, poetry is a universal art, even an art that transcends the boundaries of art.

The essence of poetry is characterized by lyrical beauty. Whether it is **, prose, drama, the most beautiful place, all flash the aura of poetry. Thus poetry is literature within literature.

In the field of art, poetry is everywhere. Poetic beauty is the highest embodiment of the universal factor of artistic beauty. The beauty of poetry also appears from time to time in the field of non-literary art, exudes the brilliance of wisdom in the exquisite fragments of scientific works, and even traces of poetry in people's living and working conditions.

The above content reference: Encyclopedia - Poetry.

The classic Guan Yuan is known in the tea culture poems, which are summarized as follows.

1. The short servant should hold a cane. Childish girls learn to make tea. Leave the inscription at the end of the question. Moss steps and sun shadow slanted.

2. Recognize the taste of this and find the supreme coolness.

3. Jiuquyi Mountain picks the tongue of the bird, and a stream of live boiled dragon group.

4. Open the altar for thousands of miles and get drunk, and serve it ten miles of incense.

5. Green leaf smoke ice bowl blue; The green grass shines on the jade ou green.

6. Don't hear the sound of chickens and dogs, and the tea smoke cooks. - Song Liu Kezhuang, "Visit to Li Gonghui's Mountain Residence".

7. Uninvited guests from all over the world, and they gather together with bosom friends.

8. I wish the tea shop and wine shop to pass it on to each other. ——Yuan Ma Yu, "Full Court Fang Evidence Fairy Fruit".

9. The lonely village of bamboo reflects the sand, and the betel nut welcomes guests as sencha. - Song Chen and Yi, "Quatrains in the Great Light Road".

10, being guessed by the stalls, Mo was shocked to sleep heavily, and the gambling books were consumed with the fragrance of tea. - Nalan Xingde.

11. Live in this garden for a long time. It's not home. Ye Shu conveys ambition. Eaves slip boiled Hu tea.

12, the four are empty, what is the point of me when I sit for a while.

13. The incense is divided into flowers and dew, and the water absorbs the spring in the stone.

14. Tile Cho boiled spring snow, light fragrance raw ancient porcelain. After the sunny window separates the milk, when the guests come on a cold night.

15. In order to report Cao Dao, first accept the tea for guests. - Song Zeng Feng.

16. The fragrance in the Biluo pot is on the face, and the taste of the green tea cup is like spring.

17. The mountain is quiet and the water is self-described, and the tea is more fragrant because of the spring taste.

18. In order to taste the fragrance, sit down frequently, and talk carefully with each other.

19. If you want to compare West Lake to Xizi, you have never been a beautiful woman.

20. Be busy for others, be busy for yourself, be busy and have a cup of tea; Seek hardship for food, hardship for clothing, take pleasure in suffering, and bring a pot of wine.

21, Zhou Yuan is subordinate to the Taigang, and the tea is fragrant for jade. - Song Zhao Ruteng, "Answering Rao with Rhyme".

22. The short servant should hold a cane. Childish girls learn to make tea. Leave the inscription at the end of the question. Moss steps and sun shadow slanted.

23. Qing tea is relatively drunk in the mountains, remembering when I was in Xifeng Temple. - Song Shi Yongyi, "The Second Rhyme Answers Zhou Bogong's Letter and Sees the Mail".

24, thousands of autumns with the same pitch, only the green mountains are not old, such as seeing the old people.

25. Cooking and tasting square wine, the taste is more tea-free.

26. Only because of the fragrance becomes fun; It's all because of the strong and affectionate.

27, the Nong family is really going to go, and the public decides to follow Nong. Everywhere is a lotus, unintentionally becoming a willow.

28. Smoke by yourself, drink tea by yourself, and talk long and short about free days.

29, Qingshan seems to want to keep people to live, why not taste the fragrant tea for guests.

30. The clay pot sencha burns the leaves, and the stone spring runs water to wash the coconut scoop.

As an important part of ancient Chinese poetics, "charm" can be said to be an aesthetic summary of the poetic tradition of music and poetry, and metaphor for taste. "Rhyme" is originally the aesthetic characteristic of music related to hearing, and the "rhyme" in poetry reflects the close relationship between "poetry" and "song". "Destroying taste" is originally a concept related to taste, and after rhetorical transformation and aesthetic transformation, it has become an important category of aesthetic evaluation, and "rhyme" and "taste" are combined into one, mainly referring to the aesthetic effect of the aesthetic object that surrounds the beam for three days and is endlessly evocative.