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The most listened to in this year's single loop is Zhou Shen's "Light".
This song was only launched in early November last year, but in less than two months, it became the song I listened to the most on major ** platforms throughout the year (as evidenced by the annual song listening report), and I listened to it 310 times on QQ** alone, an average of about 6 times a day.
What attracted me to this song was not just one part, but the whole thing: the melody, the lyrics, the singing, the music video. When I was warming up, I thought that the highlight of the whole song was only Zhou Shen's two sentences, and the theme was the Forbidden City, which might be a bit ancient.
After listening to the clips that were posted one after another, I couldn't imagine what kind of song it was, and I was looking forward to it and afraid that the expectations were too high.
After a long wait, November 6, 2021 finally ushered in "Light", my mother! It's amazing! The highlights of the whole song are soothing, powerful, and hopeful, and all the elements grow on the tip of my heart!
The melody is atmospheric, beautiful, ups and downs, and the whole process is ear-catching, thanks to the composer Qian Lei! The lyrics are fresh, profound and popular, thanks to Su Shi and Gou Lan! The singing is amazing, the warm and warm middle and low tones at the beginning, the clear and high-pitched juvenile voice in the middle, the two beautiful dramas, the soul-hooking chanting at the end, the emotions are advanced layer by layer, the modern pop music and traditional opera elements are perfectly integrated, the sense of narration and explosiveness hit the hearts of the people, every note is a work of art, thank you Zhou Shen!
The MV was also shot thickly, atmospherically, and infectiously, thanks to the director and the program team.
What's wonderful is that this song written to the 600-year-old Forbidden City, the world's largest wooden imperial city, and reflects the life of the sad emperor Zhu Youzhen, can resonate with countless small, soft and fearless ordinary people, this is the power of **, right? A song of "proposition composition" can be written to this level and sung to this level, this is the ability of ** people, right? I privately think that if the two lyrics are modified, the last two sentences will also use Su Shi's set of turmoil, such as "Looking back at the bleak place, why not chant and walk slowly" or "The spring breeze blows and wakes up, and the mountain shines obliquely but welcomes each other", this song deserves to be on a bigger and more stage to comfort and encourage more people.
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The voice of 2022, there is only one song that can make me cycle a single, which is Su Fanjun's "Dispensable".
The vocal teacher's handling of the layers of the song is very rich, which makes people feel that they have been stripped of their hearts layer by layer and have gone to the deepest underbelly.
His timbre is actually not uncommon, from Wu Qingfeng in soda green, to Su Wei, the Siberian tiger in the same period as Shan Yichun, a clear and clean timbre cannot be regarded as Su Fanjun's most unique killer feature, but the more I hear it, the more I feel that his treatment of the song is so layered, so straight to the heart, which makes people want to stop.
First of all, although the timbre is relatively clean and does not belong to the heavy type, in terms of the explosiveness of the chorus and the control of the treble, Su Fanjun's processing ability is enough to hold this big song, especially in a few dispensable words, and there is a little bit of nasality in the play, which adds to the level and depth of the timbre of this song, and every time I hear this, I feel that there is an addictive sense of topping.
Secondly, Su Fanjun's bass and treble are very stable, and occasionally there is a little feeling that it is about to collapse, or even where the sound is about to break, it has become a characteristic of a sense of tearing and brokenness, especially the word "appeasement" in the back part, and the ups and downs of the place from a particularly high place to "but you really", which is stable and emotional, it feels like a small spoon, and one spoonful at a time excavates the grief in your heart.
Su Fanjun's song is like telling a story, the story is told and the ups and downs, like a movie, with prospects, joys, sorrows and sorrows in the story, ups and downs, and aftertaste.
In 2022, it is the song with the most looped singles.
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There are three songs that I have the most loops in my singles:
1. Difficult scriptures. The theme song of the TV series "Infiltration Banquet Dragon Babu" sung by Zhou Huajian is sung in Cantonese and there are too many Buddhist scriptures, so although it sounds good, I really don't know what to sing. I've listened to it many times, but I haven't learned it.
Now that the Internet is developed, I know the lyrics, but I haven't fully understood what it means, and it is estimated that if I listen to it after Cong Jianyin, I may be a monk if I understand it.
2. Pipa line. This song directly composed Bai Juyi's long poem "Pipa Xing" for rapping, and my daughter likes this song very much. I just wanted to sing this song on the national K song, so I listened to the single cycle repeatedly, but because the song was too long, I couldn't sing it in one breath after studying it for three years, but I memorized the original poem, and I guess I can't forget it in my life.
3. Rare words. This is a song that increases knowledge and must be subtitled**. It was like a repeater that kept pressing the pause button to find out how the rare words in the lyrics were written and read.
However, although I have listened to this song thousands of times, I still can't write the rare words involved in it even after reading it, not that I'm too stupid but that this song is too difficult.
1. The lyrics of "Fortunately with You" are as follows:
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