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Although I don't think domestic dramas are so good, they are not as bad as you said, and I don't think Korean dramas and Thai dramas are much better than domestic dramas. I can only say that what you want to watch is the kind of idol drama that is biased, and the tone is more cheerful. It's mainly a matter of personal preference, including personal choices about the content of the TV series.
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There is a gap in technology, there is also a gap in concept, and Korean dramas have a strong sense of aesthetics, so their backgrounds are always so beautiful. And my country's TV dramas are more realistic, so sometimes it looks uneasy.
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The times make heroes, and South Korea is already a developed country. We're not, the basic requirements of their audience for TV series, we can't do. The most important thing is that they have professionals to do TV series, and they are all doing several well.
When we make a TV series, a few people will make money, and we won't do TV series.
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Sympathy... Especially idol dramas, it's incredibly fake...
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I think so too, and I can't accept it.
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What other games are fun, let's return to "Ask", the classic is not fading, and it is strong.
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I leaked everything I wanted to say. Boring.
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Why do you feel that the current domestic TV series are becoming more and more unsightly? What do you think are the main reasons? Personally, I think there are three main reasons, and I will share my views with you in detail.
1. Some creators do not respect the intelligence of the audience and treat the audience as fools <>
Many people may find that the plots of many domestic dramas are very "mentally retarded", why? Because the screenwriter is very brainless in the writing process, he will only write some routines that have been played badly. This is a major fatal illness in domestic dramasThere is nothing new in the plot and the plot, and the audience always feels "déjà vu" in the process, I guessed the end at the beginning of watching it, and there was no fun at all, so that I had no desire to follow the drama.
Especially when you write about the suspense genre, you have to pay more attention to the screenwriter of excellent dramas should play "group turn" for ordinary audiences, and finally give the audience an extremely unexpected ending, such a plot is attractive.
2. The sense of narrative speed is extremely poor, and the irrigation situation is more severe<>
The plot is grinding, and the irrigation is severe, which is also a domestic drama disease criticized by many people. The main creators don't understand the pace of the narrative and are reluctant to cut it, which then leads to the plot being rubbed and scattered. The most useful way to solve this shortcoming is to compress the unit time of the episode and enhance the sense of speed of the narrative.
For example, the 24 episodes of the American drama "24 Hours" are about things that happen 24 hours a day, and they can't be irrigated.
"The Twelve Hours of Chang'an".AuthorMa BoyongZeng said: "I think the most important thing about American dramas is its sense of speed, the rhythm is very fast, high-speed pushing, and it will not be slow." ”The fast-paced plot push will make the audience unconsciously enter the "thinking form" to study why the plot unfolds the way it does.
However, in many cases, this is actually a chicken thief method for people with bad intentions to make money, and they can deceive investors more money by extending the shooting date.
3. What subject matter is the dead routine shooting method, the characters are very stereotypical, not to mention the high-end portrayalThose who often watch domestic TV dramas will find that many of the characters of domestic dramas are formalized, let's say "Mary Sue."
form, "Jack Sue."
The form, the form of "sadomasochistic love triangle", from the "arrogant president form of strong men and weak women" to the "big heroine form of strong men and strong women", there is no sense of innovation at all, and you can know how to carry out the relationship between the characters behind it at a glance. For example, some domestic dramas love to play bloody "polyamorous" and forcibly compiled "sadomasochism".
To be honest, this kind of primary equipment is sometimes difficult to look at. But this matter, sometimes in addition to the lack of screenwriter skills, the person in charge of some TV stations who buy ** is also a great reason! Because these TV stations buy ** people have a characteristic, they are simply a group of things that don't understand creation,It doesn't matter what innovation is not innovative, as long as you see what genre is popular, then no matter what kind of drama you have, the next TV series will be filmed according to this routine!
Just like that"Fourteen Years of Chenghua"., it is said that it is also due to the fact that the dominant people of these TV stations asked the filmmaker to forcibly change the character connection of the original work to the way the series is presented now, which led to the dissatisfaction of a large number of fans and viewers. This situation is indeed quite difficult to change for the time being.
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I think it's mainly because the actors have no acting skills, the director's casting only cares about good looks, the plot drags on, the plot is seriously water-injected, and the ending is not good, so it will become more and more unsightly.
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It's true, the current domestic TV series, the routine is basically the same, there will always be some hard flaws in logic, and very old stalks will be used, which greatly reduces people's expectations. Personally, I think that the reason for this is mainly because of capital, that is, because making TV series is too profitable, so they always launch all kinds of TV series, regardless of the quality of TV series.
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Now domestic dramas only seek quantity and not quality. And many plots are powerless to complain, bloody and false. Stars receive huge salaries to cut out pictures, and it is difficult to have a real conscience to produce.
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Some of the current domestic TV series, the plot design is almost the same, so after watching the beginning, I know that the end is particularly uninteresting, mainly because people's creative ability is limited, and the review is relatively strict, and there are many plots that have no way, so the current domestic TV series are not so good-looking.
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Because the commercialization of film and television dramas is very serious, many of them want to directly generate income and monetize, rather than focusing on the artistry of their works.
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The current film and television market is no longer the pattern of the past.
The regression of domestic dramas is not a matter of taste in a few dramas. When a certain phenomenon occurs again and again, we need to think about the big picture, which is the determining factor.
Driven by the market, the threshold has become much lower.
is often nominated for well-dressed old dramas, such as Liu Xiaoqing's version of "Wu Zetian's version of "Dream of Red Mansions", "Daming Palace Ci", etc., and most of the production companies are public institutions and state-owned enterprises.
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The main reason is that the current plot is too watery, and the requirements for actors and makeup are too low.
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The reason why domestic dramas are becoming more and more unsightly is mainly reflected in three aspects: First, domestic dramas are paying more and more attention to "people" and ignoring "dramas". Investors don't pay attention to the content of the script, they only look at which star is allowed to act, as long as he can bring huge traffic, even if the script is a garbage story, it will also be put on the screen and forcibly fed to the audience.
And a good script is the premise of ensuring the quality of a drama. However, to create a good script, it takes a lot of time for a good screenwriter to complete, and there is no guarantee that once the script is written, it will attract the recognition of the market and the audience. In contrast, to create a good script with heart, it is better to see which star is more popular, which can bring more traffic to the show and ensure the return of capital.
Even if the final drama is like, passers-by and audiences don't sell it, but at least there are fans of celebrities who are willing to kneel and lick it, after all, the drama filmed by idols, even if it is Xiang, it is ice cream.
tasted, and then the capital harvested a wave of vermicelli leeks, and the investment returned to its original value. Second, the script is becoming more and more homogeneous.
For example, after the broadcast of the time-traveling drama "Palace" a few years ago, it received a lot of praise from the audience, and the ratings rose all the way.
It also attracted the attention of capital, and almost all of the domestic dramas that came out later were all time-traveling themes.
After the palace fight drama "The Legend of Zhen Huan".
After the fire, "Palace Scheming" and "Beauty Scheming" were broadcast one after another
The Legend of Ruyi", "The Legend of Wu Meiniang".
and so on, almost all of them are the same theme, similar plot routines, that is, "The Legend of Zhen Huan" that changes the soup but not the medicine.
Because the capital has seen the popularity of time-traveling dramas and the highest ratings, investing in dramas with the same type of theme has at least the lowest return on investment guarantee. If you invest in other types of themes, you have to take a bigger risk, and the benefits are not ***, and the audience will not buy the drama that is not good to make, rather than taking the risk to try new theme scripts.
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Domestic dramas, especially emotional dramas, are always the same, and there are no very attractive themes. Xianxia dramas are either not good special effects, or bad acting, and even worse, none of them are good. Nowadays, young actors are not very good at acting, and there are few actors like before who have been concentrating on acting, and now actors feel that they just need to complete a job and get money, without any acting skills at all, it is difficult for the audience to resonate.
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Before, I didn't agree with Feng Xiaogang's sentence "garbage audience". Now I actually quite agree. It's not that all viewers are, or even the vast majority of them are good viewers.
The cycle goes on and on, screenwriters and directors who invest in advertisements love bad movies, and they don't bother to make high returns.
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There are more and more people in the entertainment industry, they need to work, and there are more projects, and the quality of screening is less
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Aesthetic fatigue plus aesthetic enhancement.
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Screenwriters can't intervene in capital.
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It's all turned into a fast-food style without a careful polishing process.
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The total market of TV dramas is huge, and in the past ten years, China has maintained an annual output of 4-500 TV dramas and more than 10,000 TV dramas. In order to regulate the flood of TV dramas, the State Administration of Press, Publication, Radio, Film and Television has implemented the "one drama and two stars" policy since 2015, according to the data of the Qianzhan Industry Research Institute, the number of TV drama distribution departments began to decline in 2015, and the number of distribution departments in 2016 was lower than 350 for the first time, in the first three quarters of 2017, the number of TV drama distribution licensing departments was only 186, and in 2017, the branch oak was within 300 throughout the year, and the supply-side reform of TV dramas in 2018 will continue.
In addition, some TV dramas that have been cold on satellite TV are popular on the Internet. After experiencing "extensive" expansion, online dramas have entered the era of "intensive cultivation". According to data from the Prospective Industry Research Institute, from 2012 to 2015, the number of online dramas released annually increased from 39 to 379.
However, the sharp increase in the number of online dramas occurred in the second half of 2016: the number of online dramas released during the period was only 105, a year-on-year decrease of 49% and a month-on-month decrease of 57%, but it created 65.6 billion times, a year-on-year increase of 202% and a month-on-month increase of 178%.
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The emotional rendering is extremely poor, relying entirely on the characters to cry, selling miserably and sympathizing, and the plot is also very casual. As long as the characters cry and hug each other to comfort each other, they can move a group of Obasan, and this tear point is too low. It's completely superficial, looking at the actors' performances and expressions, it feels so fake, they themselves think it's a scene, how can this be taken seriously? ?
There is no sense of substitution at all. This is fast food that focuses on the surface, pursues demeanor and action but is similar but godless, the lines are awkward, there is no connotation that cannot be studied deeply and nonsense, and there is no bad work with delicate emotional rendering. The ultimate goal is to abandon the script, abandon the character description, abandon the setting, and pursue beauty.
It is not groundless to say that the audience is stupid and has a lot of money, because this is affected in many ways. Large population but high quality and high culture are a minority, most of the people's spiritual enjoyment is very casual, farmers account for the majority, there is a story to watch, no matter who directs and who acts, the Chinese language is easy to accept, you can't understand foreign languages, the appearance association ignores the acting skills, funny and easy to refuse pressure, after watching tomorrow's work at night, it is completely a pastime, a relief of boredom, and a burden reduction, and it will not be like looking at art aesthetics and thinking, because they are farmers and social animals, life and work are hard and tired, the pace of the city is too fast, those virtual ones are too far away from them, Scenes that are too emotionally delicate look nerve-wracking. When will it change?
Unless the overall quality, happiness index, and material resources are improved, people will be more eager for spiritual enjoyment.
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