Zhu Guangqian: What are the differences between Chinese poetry and the West?

Regarding Zhu Guangqian's views on the comparative study of Chinese and Western poetics, () is not included.

a.A variety of examples are used to illustrate the similarities or differences in the key pins of literary phenomena.

b.Further analyze the social, historical, and moral reasons behind the differences.

c.Efforts should be made to avoid one-sidedness and absoluteness.

d.The old tradition of emphasizing individualism is an important factor in the Liangqiao, the place of Chinese poetry, which is different from the West.

Correct answer: d

First, Chinese poetry is lyrical and "reaches the sublime realm overnight, but then lacks change and gradually degenerates." The development of Western poetry was that there was the epic first, and then the lyric poetry. The essence and peak of pure lyric poetry have appeared in the early stage of the development of Chinese poetry, and the price of this "precociousness" is "premature aging", which has affected the healthy development of Chinese poetry.

Second, Chinese poetry emphasizes short length, and the "poetic style" meets the needs of the "poetic heart". There are also people in the West who advocate that the shorter the length of the poem, the better, but their criterion for "short" is much longer than what we call "short". Chinese poetry seeks to contain far-reaching meanings in a short space.

Third, Chinese poetry is suggestive, and Western readers value this characteristic of Chinese poetry the most. The purpose of Chinese poetry is often beyond the literal, and the "literal" only plays a role in inducing and insinuating, and the connotable value of the poem is very great.

Fourth, "Chinese poetry is light and calm." "There are also "heavy" poems in China, but they are much softer than Western poems. The author emphasizes that there is no particular "Chinese" place in Chinese poetry, and there are so-called "Western" qualities in Chinese poetry, and there are also so-called "Chinese" elements in Western poetry.

In short, the essential characteristics of poetry are common in the poetic works of different countries.

He believes that literary criticism should start from two aspects: in-depth study of specific writers and thematic theoretical issues.

Zhu Guangqian wrote a book "History of Western Aesthetics", which is regarded by many as silicon-nickel. In writing this book, he consulted a large number of Western sources, and he also paid attention to the theory of Western literary criticism. He believes that from ancient times to modern times, there are "judge-style criticism", "interpretive criticism", "impressionistic criticism" and "creative criticism".

Mr. advocates that writers or poets can study old literature or old poetry and absorb the advantages of old **, which also shows Mr. respects tradition. He believed that only by inheriting the fine traditions of Chinese literature and "making full use of the rich savings of the past" could foreign literature be used as a reference and "appropriately Europeanized." in order to create a new literature that is attractive to the people in terms of both form and technique, and that is fresh and subtle.

If, after reading it, you see a poem, a painting, or a piece of natural scenery, you feel more interesting than before, understand what kind of experience is beautiful, and then push it to the aspect of life with an aesthetic attitude, my wish will be fulfilled! ”