What thoughts does Words in the World show Wang Guowei?

Although Wang Guowei's "Words of the World" is still expressed in the form of traditional poetry and is relatively simple and concise, it has many wonderful insights and contains profound and rich aesthetic theories as the foundation. His theory of artistic conception elevates the style, verve, weather, and interest in traditional Chinese poetry to the level of Western aesthetic theory and analyzes them, forming the aesthetic principles and aesthetic theories of Chinese poetry criticism. He ** the author and nature, the author and the work, the work and the reader in the aesthetic category of the relationship, the style to be high, write the real scene, true feelings, advocating nature, to "have a calm in the bold", this theory corrected the late Qing Dynasty Zhejiang West word school and Changzhou word school of the shortcomings, than the focus on gentleness or boldness is more comprehensive.

Although his aesthetic theory system is idealistic, pessimistic about life, and his specific judgments are not necessarily accurate, his aesthetic theory is a breakthrough for the feudal Confucian literary theory to focus on the idea of "literature carries the Tao". Moreover, Wang Guowei's aesthetic ideas also run through the fields of criticism, drama, and art, which are universal. Therefore, his aesthetic ideas and literary criticism have made historical contributions and have important ideological enlightenment significance.

Answer]: B This question examines the relevant content of artistic conception. Wang Guowei's "Words in the World" explores the basic Qingqin of the creation of Yinzheng Lyricists in the past dynasties, combined with his own art appreciation and creative experience, and mentions Fengzhou's "realm theory".

"Realm Theory" is the theoretical core of "Words in the World".

Answer]: B Wang Guowei's "Words in the World" is a veteran on the basis of exploring the gains and losses of the creation of poets in the past dynasties, combined with his own art appreciation and the experience of the creative school, and put forward the "realm theory". "Realm Theory" is the theoretical core of "Words in the World".

1. "Words in the World" is a work of literary criticism written by Wang Guowei. This work is Wang Guowei's commentary on old Chinese literature with a new perspective after accepting the baptism of Western aesthetic thought. Wang Guowei scientifically analyzed the relationship between "scenery" and "feeling" and the various phenomena produced, and for the first time in the history of Chinese literary criticism, he raised the questions of "creating the environment" and "writing the environment", "ideal" and "realism".

2. On the surface, there is no significant difference between the style and format of the poems and words that have been inherited from China for a long time, but in fact, it has begun to take shape as a theoretical system, and it can be called one of the few works in the poetry treatises of the old days. Even in the past word theory circles, many people regarded it as a guideline, and its arguments as Shendan as a word science, and the basis of aesthetics was disturbing and had a far-reaching influence. Wang Guowei's "Words in the World" is one of the most influential works since the late Qing Dynasty.

Wang Guowei ended with "Wen Feiqing's words, sentence Xiuye; Wei Duanji's words, Gu Xiu also; Li Chongguang's words, Shenxiu also "spoke highly of Li Yu's words, saying that it was "Shenxiu", Wei Zhuang's words were called "Bone Show", and Wen Tingyun's words were called "Juxiu".

Wang Guowei proposed in the first volume of the first chapter of "Words in the World" that "words are based on the realm. If there is a realm, it will become a high standard and have its own famous sentences. The words of the Northern Song Dynasty of the Five Dynasties are here. ”

In addition, three kinds of "realms" are proposed: those who have achieved great things in ancient times and those who ask questions in universities must pass through three realms: the spine "last night, the west wind withered the green tree."

Go up to the tall building alone and look at the end of the world. "This first realm also. "The belt gradually widens and does not destroy the emptiness and repents, and it makes people haggard for Iraq.

This second realm also. The crowd looked for him, and suddenly looked back, but the man was there, and the lights were dim. "This third realm also.

In Words of the World, Wang Guowei scientifically analyzed the relationship between "scenery" and "feeling" and the various phenomena produced, and for the first time in the history of Chinese literary criticism, he raised the questions of "creating the environment" and "writing the environment", "ideal" and "realism".

Wang Guowei proposed that "idealism" and "realism" are often combined with each other to form a new creative method of holding socks well. The artistic realm created in this way cannot be categorically defined as "idealism" or "realism". Nature and ideals are fused into one furnace, and scenery and emotion are blended into one.

Wang Guowei believes that this is the highest artistic realm.

Wang Guowei further argued that there must be trade-offs in literary and artistic creation, and that there is an injection of subjective ideals, while fiction or ideals are always inseparable from objective materials and basic laws. Therefore, there is a sufficient objective basis for the combination of "ideal" and "realism". The combination of realism and romanticism also has its objective possibilities.

Wang Guowei also pointed out that whether the images written in the words are sketched or created by the author's comprehensive impression, they are not purely objective descriptions of things, but run through the author's ideals, that is, they are selected and arranged according to the author's views and feelings.