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First, from traditional narrative theory to modern narratology.
a) Traditional narrative theory.
Narrative is a literary activity that organizes the actions and events of characters through language, thus constituting a complete literary and artistic work.
At the heart of a narrative is the story.
2) Modern narratology.
Through a series of academic activities, a new theoretical and critical method of studying narrative art has gradually been formed, which is called "narratology".
This new narrative theory is influenced by formalism and structuralism, and the study of narrative works focuses on the aspects of formal formation and construction, and pays more attention to the abstract structural relationship of narrative literature rather than the specific characteristics of a work, so it is also called structuralist narratology.
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The theory of narratology consists of the following sections:
1.Narrative structure: Narrative structure refers to how the story is organized and what key elements it consists of, such as plot, characters, language, etc. In the narrative structure, the focus is on the relationship between the plot and the characters.
2.Narrative style: Narrative style refers to the language and techniques used by the narrator to create narrative techniques that interact with others. The focus here is on the specific language, emotion, tone, etc., used by the narrator.
3.Narrative function: Narrative function refers to the role and purpose of the story, such as for entertainment, conveying information, passing on culture, and other possibilities. It also includes the relationship between the narrator and the audience, as well as the differences that may arise in different cultural and historical contexts.
4.Narrative Psychology: Narrative psychology is concerned with people's psychological responses to hearing or participating in narratives, such as cognitive, emotional, behavioral, and other changes.
5.Narrative historiography: Narrative historiography emphasizes the value of historical process and text analysis of the narrative of the narrative of the Zhu Shi clan, and analyzes the retention, change and continuous evolution of the story with the reasons and effects of the story.
In general, narratology theories include narrative structure, narrative mode, narrative function, narrative psychological residual and narrative historiography, which help us better understand and analyze stories and narratives, and provide many practical tools and methods, such as story shaping and emotional control.
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Narratology theory mainly covers the process of how people interpret and understand stories, and the impact of stories on human beings. Narratology theories can help us better understand the composition, meaning, and efficacy of stories.
In narratology theory, an important point is descriptive narrative, which emphasizes the process of understanding things. The other type of narrative is the normative narrative, which emphasizes the relationship between the story and personal values. These narratives can be fictional or real, and they are all norms for people to acquire knowledge, understand emotions, and be coincidental.
In addition to this, the theory of narratology also proposes several important concepts. The most important of these is the story structure. Story structure refers to the organic combination of certain elements of a story to form a whole.
This whole includes elements such as the plot, characters, places, and times of the story, as well as the filial piety and interaction between them. Story architecture is not only the exterior of a story, but also the expression of the internal structure and organic system of a story.
In addition, narratology theory also proposes the concepts of cultural and hermeneutic aspects of stories. The cultural nature of a story refers to the fact that the story reflects the important values and ideas in a culture and society. The comprehensibility of a story refers to the fact that the listener or reader acquires more knowledge, emotions and attitudes through the interpretation and understanding of the story.
On this basis, narratology theory distinguishes different dimensions of narrative, such as time, space, characters, plot, and theme. By analyzing and a** these elements, it is possible to better understand the story and draw wisdom from it.
In conclusion, narratology theory is a complex and rich theoretical system, which can help us better understand and explain the role and impact of stories, and at the same time, it also provides us with a systematic and comprehensive concept. Narratology theory is of great significance to human culture, society, and individuals. <>
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Classical narratology originates from the main branch of the structure, and mainly includes three aspects: 1 narrative grammar (narrative content or story organization: Propp, Bu Meng, Raymond, Graymas) 2 narrative poetics (narrative world and narrative, story and discourse, story and plot:
Booth, Genet) 3 Narrative Rhetoric (How the Language Medium of a Story Determines the Meaning and Effect of a Story: Jacobson) Theoretical Resources for New Narratology: Artificial Intelligence Theory, Hypertext Theory, Psychoanalysis, Film Studies, Linguistics, etc.
Narratology is no longer "pure", and has long since expanded from a formalist critical approach to a critical approach that connects formal structures with ideological and social contexts.
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Narratology theory involves many aspects, and here are some common narratology theory points:
1.Narrative elements: including various elements such as characters, plot, time, and space in the story. Together, these elements construct the entire narrative world, influencing the development of the narrative and the expression of the plot.
2.Narrative structure: The basic structure of the narrative, including the inheritance and transformation, the high material turmoil, the ending and other components. These elements are essential for telling a coherent, logical story.
3.Narrative language: the study of narrative expressions and techniques, including textual narrative, oral narrative, visual narrative, etc. These different forms of language have a significant impact on both the narrative and the audience experience.
4.Narrative and Meaning: The relationship between narrative and culture, society, psychology, etc., and the study of the meaning and influence of narrative on the audience and readers.
Narrative is one of the ways people understand and interpret things, and the themes and values in the narrative can trigger deep thinking and discussion.
5.Narrative analysis methods: including structuralism, semiotics, cognitive psychology, postmodernism and other theories and methods of limb search, which are used to analyze the structure, theme, symbolic meaning, and readers' responses in narrative works.
The above are just some of the main points of narratology theory, in fact, narratology, as a broad and in-depth field, also includes other related theories and perspectives. The mention here is just a part of it, I hope it will be helpful to you. <>
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It can be analyzed from the focus mode of the narrative, i.e., zero focus, inner focus, or outer focus.
"Focus" is narratology.
A term for the perspective of the narrative that classical narrative theory usually divides focus on:
Zero-focus, inner-focus, and out-focus. Zero-focus refers to the author's omniscient and omnipotent approach to events from a god-like perspective.
Narrate. Introspection refers to narrating from the perspective of a particular character. External focus refers to narrating from the perspective of a bystander, without involving any subject.
View the content. The specific landlord can take a look. If you're satisfied, pick it.
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What are the perspectives of narratology? It's weird, what do you mean.
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Narratology: An Introduction to Narrative Theory is an international classic introduction to narrative theory.
This book systematically expounds the relevant theories of narratology, and analyzes various narrative texts and narrative works in detail, in short, it is very difficult to read like "Introduction to Sociology".
Its purpose is to provide a systematic theoretical description of literature and other narrative texts such as the study, to explain the basic elements of narrative, narrative techniques, methods, and the transformation and reception between them, so that we can understand both literary and non-literary works.
This book is based on the narratology of the dismantling system and the concept of response, and the basic description of narrative theory is the center of the author's attention. For narrative works, the author places them in three levels, namely text, story, and material. This distinction runs through the assumption that it is possible to analyze these three levels separately, although it does not imply that they actually exist independently of each other.
At the "textual" level, that is, the part that the reader can directly enter, the author starts from the most central concept of narrative text analysis, the narrator, and distinguishes the non-narrative commentary, description, and narrative level. At the "Story" level, the question of how chronological events can be artistically transformed, including such as sequential arrangement, narrative rhythm, frequency, focus, and visual storytelling; Finally, the author returns to the level of "material", separating the basic elements of events, actors, time, place, etc., all of which are essential to events that occur in actual order.
Like semiotics, narratology is effectively applied to every cultural object. It is not everything that is "is" a narrative, but everything in the culture that is actually a narrative to it, or at least can be perceived and interpreted as a narrative. In addition to the obvious advantages of the narrative genre in Fierce Oak literature, we can casually think of many places where narrative may "appear", including litigation, visual imagery, philosophy**, television, debate, teaching, historical writing, etc.
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