What is the main content of the 15 national styles

The fifteen national winds, that is, the music songs of the fifteen different regions of the Western Zhou Dynasty, are local folk songs with local colors collected from 15 regions. "National Style" is an integral part of the "Book of Songs". Including "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", Chen Feng, "Hui Feng", "Cao Feng", "Feng Feng", etc., a total of 160 articles, collectively known as the style of the fifteen countries.

Wind, local tunes, this part of a total of 15 countries and regions of the tunes, called the style of 15 countries, a total of 160 articles, the content is folk songs, the wind of these 15 countries is: Zhou Nan (between Shaanxi, Henan), Zhaonan (between Henan and Hubei), Ye, Yong, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Juni, Cao, Feng Among them, Zhounan and Zhaonan are produced in the middle reaches of the Han River and the Yangtze River, and the rest are the middle and lower reaches of the Yellow River. Most of the styles of the fifteen countries were written from the eastward migration of the Zhou dynasty to the middle of the Spring and Autumn period, and most of them were folk songs.

The fifteen national styles are part of the "Book of Poetry of Nayan", which is a folk song collected from different regions, including "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", "Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", "Chen Feng", "Junifeng", "Cao Feng", and "Feng Feng".

What does the wind of the fifteen countries refer to?

The Book of Poetry is divided into three parts: wind, elegance and song, of which the "wind" is the "national style", which is divided into fifteen national winds. The fifteen national styles are the tunes of the Western Zhou Dynasty, which are folk songs with local colors collected from fifteen different regions, and most of them were authors from the eastward migration of the Zhou family to the middle of the Spring and Autumn Period.

The fifteen national winds include "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", "Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", "Chen Feng", "Hui Feng", "Cao Feng", and "Feng Feng", which are roughly divided into five regions, east, south, west, north and middle.

The meaning of "wind" was first represented by indoctrination, which was a metaphor for the indoctrination of the king, and later it was mainly interpreted as a folk ballad. The content of the 15 national customs expresses many things, including praise for the working people, patriotism and opposition to the exploitation and oppression of the ruling class, and it also reflects the marriage and fate of the women of the high imperial rule.

It refers to the music songs of fifteen different regions during the Qingcha Zhou period in Xizhou.

The fifteen national styles are the music songs of fifteen different regions in the Western Zhou Dynasty, which are folk songs with local colors collected from 15 regions. "National Style" is an integral part of the "Book of Songs". Including "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", "Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", "Chen Feng", "Junifeng", "Cao Feng", "Feng Feng", a total of 160 articles, collectively known as the style of the fifteen countries.

"Wind" means earth book skin wind, wind ballad. For this reason, "Wind" is relative to the Zhou Dynasty "Wang Ji" directly ruled the region, with local color**, 15 countries "National Style" is the 15 local folk songs.

The "Fifteen National Styles" are: 11 in Zhounan, 14 in Zhaonan, 19 in Shaofeng, 7 in Weifeng, 10 in Tang, 10 in Qinfeng, 10 in Chenfeng, 7 in Fengfeng, 10 in Hufeng, 10 in Weifeng, 10 in Wang Feng, 21 in Zheng Feng, 11 in Qi Feng, 4 in Huifeng, and 4 in Cao Feng.

Preface to the poem: "The upper wind is weathered, and the lower wind is broken." It's a sarcasm, but the phrase is actually literal.

I think the word "wind" here means "sarcastic recitation". Before Confucius, not every chapter of the Book of Songs could be sung. "The House of Confucius" "Three hundred and five chapters, Confucius sang for harmony, Wu, Ya, Song Zhiyin.

Second, after reading the Book of Changes, I found an understanding of myself, that is, the "Beacon Family" family hexagram, the emperor out of Zhen, Qi, and Si, is leaving. The Beacon family is actually Lei Fengheng.

Among the fifteen countries, "Zhou Nan" and "Zhao Nan" are called "four poems" together with Taishigong's "Kong Xian Huzi Family", namely "Nan", "Feng", "Ya" and "Song", and "Poetry Drum Bell" and "Yijia Zhinan". Nan and Ya are opposites, so Nan must also be an integral part of the poem. Later, it was determined that "south" was the southern ** of the area ruled by the Duke of Zhou and the Duke of Zhao, and the research was untenable.

Personally, I think that "South" is a kind of poetry that goes hand in hand with "Wind", "Ya" and "Song", "Gongyang" Zhao twenty-five years, what note, the ** in the south is called Ren.

The Book of Poetry spreads the noble spirit through aesthetic education, cultivates the artistic style, personality and national character of the Chinese nation, and instills the surging Chinese spirit. In such a country marked by ritual music, beauty and art are sublime and sacred because of their deep participation in Chinese civilization and even national construction. This way of building a country with distinctive aesthetic characteristics is unique in the history of world civilization, and has also become an irreplaceable fine tradition presented by the Chinese nation for contemporary world civilization.

Fashion, but in an etymological sense, it originates from the classification of style, elegance and eulogies in the Book of Songs.

Fifteen national styles are the music of fifteen different regions.

Southern District - "Zhou Nan", "Zhao Nan", "Chen Feng".

West District - "Qin Feng", "Feng Feng".

North District - "Wei Feng", "Tang Feng".

Central District - "Zheng Feng", "Wei Feng", "Shao Feng", "Hu Feng", "Wang Feng", "Junifeng", "Cao Feng".

"National Style" is an integral part of the "Book of Songs".

It is a folk song with local colors collected from 15 regions.

Including "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", Chen Feng, "Hui Feng", "Cao Feng", "Feng Feng", etc., a total of 160 articles, collectively known as the style of the fifteen countries.