Li Qingzhao s writing background of Slow Voice .

Jingkang's change. Later, Li Qingzhao.

The country is broken, the family is dead, the husband is dead, and the personnel are injured. This word is one of the typical representative works of this period.

In March of the first year of Shaoxing (1131), Li Qingzhao went to Vietnam (now Shaoxing, Zhejiang, the house of the Zhong family, and the calligraphy and paintings were stolen overnight. She grieved and re-established her reward. So far, most of the books and cultural relics have been lost.

In the second year of Shaoxing (1132), Li Qingzhao arrived in Hangzhou. The great pain caused by the scattered and lost books and cultural relics, and the merciless torture given by the exiled life, made Li Qingzhao fall into a desperate situation of suffering and desperation.

During this period, her works were no longer as fresh and lovely as they were back then, and they turned into gloomy and poignant, mainly expressing her feelings about her deceased husband Zhao Mingcheng.

of nostalgia and his own lonely and desolate situation.

Original words: Slow voice, looking for and seeking

Song Dynasty: Li Qingzhao.

Looking for and seeking, cold and lonely, miserable and miserable. When it's warm and cold, it's the hardest to breathe. Three glasses and two light wines, how can he be the enemy and be in a hurry late? The geese are also sad, but they are old acquaintances.

Yellowfare flowers are piled up all over the ground. Haggard and damaged, who can pick it up now? Guarding the window, how can you be born alone in the dark? Sycamore is more and drizzle, to dusk, bit by bit. This time, what a sad word! (Guarding the window: Guarding the window).

Interpretation: Looking hard for it, but only seeing the coldness and loneliness, how can it not make people miserable and sad. When it is warm and cold, it is most difficult to maintain and rest.

Drinking three glasses of two glasses of light wine, how can you withstand the cold wind in the morning? A line of geese flew in front of me, which was even more sad, because they were all old acquaintances.

The chrysanthemums in the garden are piled up all over the ground, and they are all haggard, who else will pick them now? Guarding the window in the cold, how to stay up until dark alone.

The sycamore leaves are drizzling with drizzle, and by dusk, it is still dripping. How can such a scene be ended with the word "sorrow"!

This poem was written by Li Qingzhao in her later years, when she was alone in a foreign land and displaced, so she missed her old life even more; And the memory itself will increase the person's bitter feeling of reality, so that the overlap between memory and the sadness of reality becomes the unique charm of the poem. The coherent use of overlapping words, they are skillfully integrated, and subtly convey the sentimental state of mind of the lyricist at this time.

Seek and seek", is the external action of inner emptiness; "Deserted", what is written is the environment, and what is set off is the feeling in the heart; "Miserable and miserable", which is purely a depiction of inner feelings, pushes the state of inner sorrow to the extreme.

This is the work of Li Qingzhao in his later years after crossing to the south. She suffered the destruction of the country, the death of her husband, and the extremely bleak evening scene. The lyrics express the lonely life situation and the sadness that borders on despair. Through the ages, reading it still brings sympathy to tears.

Li QingzhaoThe background of the slow writing is:

This word is a later work of Li Qingzhao, composed after Nandu, and the specific writing time is to be examined. Most scholars believe that the author wrote it in his later years, while others believe that it was written in the author's middle age.

In the summer and May of the second year of Jingkang (1127) of Song Qinzong, the two emperors of Huizong and Qinzong were captured, and the Northern Song Dynasty.

Lose. Li Qingzhao's husband Zhao Mingcheng.

So in March of that year, Ben's mother went south to Jinling.

In autumn and August, Li Qingzhao went south, carrying 15 cars of books, and came to rendezvous. Ming Cheng's family is in Qingzhou, there are more than ten houses of books, because of the mutiny was burned, the family was ruined, and unfortunately it was so far.

Song Gaozong. In August of the third year of Jianyan (1129), Zhao Mingcheng died of illness at the age of forty-six. The Jin soldiers invaded eastern and western Zhejiang, and after Qingzhao buried her husband, she followed the exiled imperial court by Jiankang.

present-day Nanjing) to eastern Zhejiang, full of hardships and hardships. Fleeing for refuge, all the treasures are lost.

The country was ruined, the husband died, the situation was extremely bleak, and a series of blows made the author taste the pain of displacement, the hatred of losing the country, the sorrow of the widow without the pants button, the pain of widowhood, condensed in his heart, and could not be discharged, so he wrote this poem "Slow Voice".

Overall appreciation:

Jingkang's change. Later, Li Qingzhao broke the country, his family died, his husband died, and he was injured in personnel. During this period, her works no longer had the freshness and loveliness of the past, and turned into a melancholy and poignant one, mainly expressing her nostalgia for her deceased husband Zhao Mingcheng and her lonely and desolate situation.

This word is one of the typical representative works of this period.

The poem begins with an unusual start with seven overlapping words. Not only in terms of lyrics, but also in poetry. But the benefits are not only here, these seven groups of overlapping words are also extremely beautiful.

Song Ci is meant to be sung, so tonal harmony is an important content. Li Qingzhao has a deep knowledge of music and rhythm, so when these seven groups of overlapping words are read aloud, there is a feeling of pure destruction of big beads and small beads falling on the jade plate.

She felt that the tongue and tongue were chanting back and forth, lingering and sluggish, and tactfully and sadly, as if she had heard a very sad person whispering, but before she could open her mouth, she felt that she could make the listener feel her sorrow, and when she had finished, the sad mood had not dissipated. An inexplicable melancholy permeated the heart and air, lingering for a long time, with an endless aftertaste.

"Slow Voice" is one of the famous works of Li Qingzhao's later works, and it has always been recognized as her representative work. This poem more appropriately reflects the author's ideological reality and certain characteristics of his artistic style. But in terms of the content of the words, the thoughts are negative and pessimistic, and the mood is low and bleak.

By describing the life experience of the autumn scenery, the lyrics express the author's sorrow and sorrow after the destruction of the country, the death of his family, and the death of his husband. Although the author writes about her personal encounter, this encounter is deeply rooted in the soil of reality at that time, so it also has a certain social significance.

This poem successfully expresses Li Qingzhao's spiritual outlook in her later years and is a microcosm of her later life. The whole word boils down to the word "sorrow", and indeed, the word "sorrow" is a core of Li Qingzhao's life in her later years, and it is the one that governs her ideological life. In the lyrics, the author uses simple and natural artistic techniques, through the description of the scenery and the narration of life feelings, to fully show the atmosphere of the environment and the inner world in which she lives.

The image is vivid and the character is distinct, giving people an artistic charm that is as if they are on the scene and seeing them. On the surface, it looks so shallow, but it is so deep in the bones; The outpouring of feelings seems to be vivid, but it is by no means exhaustive. And this can be said to be Li Qingzhao's uniqueness.