Stylization of Song Dynasty Dance Explained with the Knowledge of Opera Dance 10

Briefly describe the presentation of Song + Yuan + Ming + Qing Dynasty dances in opera.

Hello dear! Glad to serve you too! In the Song, Yuan, Ming, and Qing dynasties, the presentation of dance in traditional Chinese opera was different.

Song Dynasty: In Song Dynasty opera, dance was called "movement" and was an important means of expressing the emotions and movements of the characters. The dance form of the Song Dynasty was based on the "step", focusing on the physical coordination and morphological beauty of the dancers.

Common dance forms include "Keju Dance" and "Gong Shang Dance". Yuan Dynasty: During the Yuan Dynasty, the dance forms of opera became more diverse, and dance, singing, and performance were integrated.

The dance forms of the Yuan Dynasty paid more attention to the rhythm of the movements and the stage effect, and the common dance forms included "miscellaneous opera" and "tune". Ming Dynasty: In the opera of the Ming Dynasty, the form of dance was more diverse, and it was no longer limited to the form of "step" and noisy beating.

The dance form of the Ming Dynasty focused on the expressiveness of movements and the expression of emotions. Common dance forms include "Flower Drum Opera" and "Big Drum Book". Qing Dynasty:

In the opera of the Qing Dynasty, the dance form paid more attention to the performance of large-scale dance dramas, and the figure and form of the actors were more important. The dance forms of the Qing Dynasty focused on the integrity of the dance and the envy of the stage effect, and the common dance forms included "Kunqu Opera" and "Liyuan Opera". In general, the presentation of opera dance in the Song, Yuan, Ming, and Qing dynasties was different, but they all paid attention to the expressiveness and stage effect of dance, which had an important impact on the development of traditional Chinese opera.

Briefly describe the presentation of Song + Yuan + Ming + Qing Dynasty dances in opera.

The Song, Yuan, Ming and Qing dynasties were important periods in the development of Chinese opera, each with its own unique performance style and dance tradition. In the opera performances of these periods, dance was widely used in plot turns, character building, scene atmosphere creation, etc., and underwent continuous changes in different historical periods. The opera dance of the Song Dynasty was mainly based on "walking and jumping", that is, the actors were mixed with dance movements in their movements, and the form of dance presentation was relatively simple, but it had a beautiful melody and a distinct rhythm, and was often used to express happiness and joy.

The opera dance of the Yuan Dynasty paid more attention to the changes of body and form, portrayed the character image and emotional expression through diversified dance movements, and used instrumental accompaniment to drive the dance rhythm, which further improved the expressiveness and artistry of the dance. The opera dance of the Ming Dynasty was further upgraded in form, breaking the previous rules, adding more flexible and free dance movements, and mostly using dance classics to perform, with more emphasis on modeling and the portrayal of character emotions. During the Qing Dynasty, opera and dance became an indispensable and important part of the performing arts, with both sketches and miscellaneous, the main difference being the style and form of expression.

Among them, the drama dance focuses on the coordination and beauty of the external movement form, while the allegro dance requires the coordination and speed between the movements, as well as the depiction of the personality and emotional state of the characters. Although each historical period of opera and dance has its own uniqueness, they all embody the characteristics and historical origins of Chinese culture, and have had a profound impact on Hou Tsai Minlai's opera performance and artistic creation.

Answer]: c After the Song Dynasty, the development of specialized dance jujube digging was affected by the shadow of the rock, so that the independent dance art form gradually declined and was lost, and was gradually absorbed and melted into the performance form of opera, it should be said that opera dance became the mainstream of Chinese classical dance after the Song and Yuan dynasties, and the traditional dance form with representative and aesthetic implications.