About Du Fu s Sunset , Selected Poems of Du Fu, Sunset , Du Fu s original text and translation

Poetic Rhythm The earliest Chinese poetry was not limited by metrical rhythm, and in the Tang Dynasty, due to the use of poetry as a means of imperial examination, strict regulations on phonological syntax appeared, called metrical rhythm. Since then, classical Chinese poetry has reached a new level in form and art.

Poetic rhythm mainly includes three parts: tone, rhyme, and discipline. Among them, tone is the most important. Learning and understanding the rhythm of poetry is important for our creation.

Table of Contents Poetic Rhythm:

Rhythm rhyme.

Four tones are flat.

Battle Poetry:

Poetry is a simple theory of the rules of near-body poetry.

Types of poems The rhyme of the poem.

The mediocrity of the poem

The mediocrity of the poem

The battle of the lyric poem.

Quatrain: Ancient style poems

Ancient style poems and rhymes.

Poetry rhyme to 2 word rhythms: word rhythm.

Lexical noun definition.

Types of Words Lexicon.

Rhyme: The level of words.

The battle of words is a common lexicon.

Baixiang Dictionary Compendium of Word Rhyme.

Word rhyme to 1 word spectrum to 2

Flat water rhyme section Brief explanation of rhythmic terms.

The rhythm of the poem and its grammatical features:

The rhythm of the poems.

The grammatical characteristics of poetry are concluded.

Are you from the teacher's point of view or the student's point of view? Depressed!

It's normal, but there's a sense of control? Just inserted an exclamation.

Translation Appreciation:

At dusk, the cattle and sheep slowly returned to the village to return to the stables, and every household closed the firewood door one after another. The village is filled with the smell of firewood burning and food.

The moon is like water, and the breeze blows lightly through the eaves of every palm lamp, but this peaceful night, this beautiful mountains and rivers, are not in their own homes.

The cold spring water flows quietly from the stone wall, and the cool autumn dew quietly drips into the grass roots.

Under the bright light, the hair is like snow, and the light is fleeting, why should the wick frequently bear flowers to announce the good news?

Selected Poems of Du Fu Sunset Du Fu Series: Selected Poems of Du Fu |Du Fu's Poetry Collection Du Fu's Selected Poems Sunset 1

Original text] The cattle and sheep have been down for a long time, and each has closed the firewood door. The wind and the moon are from the early night, and the rivers and mountains are not the hometown. The stone spring flows on the dark wall, and the grass dew drops the autumn roots. The head is white and bright, why do you need to have 2 embers.

Notes] 1st Dusk: In the autumn of the second year of the Great Calendar (767), Du Fuliu lived in Kuizhou and wrote this poem. 2 flower embers: the wick bears flowers, and there is a saying in folklore that predicts good signs.

The cattle and sheep have long since returned from the fields, and the doors of every house are closed. With a cool breeze at night and a bright moon hanging high in the sky, the scenery here is quiet and charming, but unfortunately it is not the scenery of my hometown. Tranquil spring water flows on the stone walls, and the dew of the autumn night condenses on the grass roots.

The bright candlelight shines on my gray hair, making me feel desolate, and what good news can be predicted when the wick is flowering?

Appreciation] This poem was written during the period of the poem **Yu Kuizhou. Cattle and sheep come down for a long time, to use the sentence in the "Book of Songs": The sun is shining, and the sheep and cattle are down.

A long time character, depicting the tranquility of the mountain village in the evening. And the fact that each has closed the door reminds people of the joyful atmosphere of every household. These two sentences faintly reveal the poet's homesickness.

Then, the poet Zheng Fan described the scenery of the mountains and rivers with a cool evening breeze and a bright moon. Gazing at the beautiful scenery in front of him, the poet's nostalgia for his hometown was touched, and his thoughts drifted back to his distant hometown: what has become of his hometown now?

Is the scenery still the same as it was when I left? Although the scenery here is pleasant, it is not my hometown after all! This couplet is from the scene to the love, expressing the poet's deep homesickness.

Late at night, the poet's mood could not be calmed, and he wandered on the mountain road with a heavy nostalgia. The cold moonlight illuminates the mountains and rivers, the deep spring water flows slowly on the stone wall, and the crystal dew condenses on the grass roots, like the tears of a wanderer. This bleak artistic conception of shouting hail makes people feel sad.

At last the poet turned around and returned to his dwelling, where he sat alone with the lamp on, but his heart became more and more sad. The poet has wandered in the remote land of Bashu for nearly ten years, and now he is old and sick, his hair is gray, his teeth have fallen, but the time to return home is far away, he looks at the colorful embers in front of him, not only does he feel happy, but he feels desolate. The last two sentences express the poet's bitter feelings and sad mood in a foreign land in his later years, which makes people sigh.

The poem does not positively express the poet's sad feelings of missing his hometown in his later years, but only euphemistically says it at the end, which can be described as subtle and intriguing.

Dusk Du Fu.

The cattle and sheep have been down for a long time, and each has closed the door of the firewood.

The wind and the moon are from the early night, and the rivers and mountains are not the hometown.

The stone spring flows on the dark wall, and the grass dew drops the autumn roots.

The head is white and the light is bright, why should the flowers be multiplying.

Appreciation of Du Fu's poems.

In the autumn of the second year of the Great Calendar (767), Du Fu composed this poem during the period of Liuyu Kuizhou and Dongtun.

The cattle and sheep have been down for a long time, and each has closed the door of the firewood. This means that herds of cattle and sheep have long since returned from the fields, and every household is closed to firewood. The first coupling uses the sentence "The sun is shining, the sheep and cattle come down" in the Book of Songs. "The cattle and sheep came down to accompany Song for a long time".

There is only one word "long" in the sentence, which naturally reminds people of the quiet of the mountain village in the evening; And "each has closed the firewood door", which makes people imagine from the quiet village to the joy and chaos indoors. This faintly reveals a feeling of homesickness.

The bright moon rises quietly, and the poet gazes at this quiet mountain village, and can't help but touch the sorrow of missing his hometown:

The wind and the moon are from the early night, and the rivers and mountains are not the hometown. "Autumn night, the evening breeze is cool, the moon is bright and clean, and the mountains and rivers in the west are bright and picturesque under the moonlight, how can it not be their hometown! faint two sentences, how much sadness there is.

Du Fu uses awkward sentences in this couplet. The word "self" should have been used in a flat voice, but it was used to go to the sound, and the word "non" should be used in a flat voice. "Self" and "non" are the key words in the sentence, one is difficult and one is saved, it seems to be ups and downs, and the twists and turns euphemistically express the deep affection of missing the homeland.

The country is beautiful, but it is not the hometown.

This "self" and "non" reveal helpless emotions and strong homesickness.

The night is deeper, the people are quieter, the poet with nostalgia ** autumn scenery of the mountain village, "the stone spring flows on the dark wall, and the grass dew drops the autumn roots", which means that the cold moonlight is sprinkled all over the mountains and rivers, and the deep spring water is gurgling on the stone wall, and the dew drops of the autumn night are on the grass roots, crystal dripping. How bleak and clean the artistic conception is! It gives people a sense of sadness and depression.

The poet silently walked back to the house and sat alone with the lamp, but he felt even more sad and sad

The head is white and the light is bright, why should the flowers be multiplying. Du Fu lived in Shu for nearly ten years, old and weak in his later years, and now, the gray hair and the bright lights reflect each other, the world is slim, and the return to the hometown is far away, the lights and embers in front of him are colorful and luxuriant, the poet not only does not feel happy, but feels troubled, "why not" sentence, said humorously and sadly, full of bitter tears and painful sighs.

The love language can be implicit with a turn, and only Du Ling wins. Wang Fuzhi commented in "Jiang Zhai's Poems" that the poet's sense of aging, nostalgia for the hometown of melancholy, the poem is not positively expressed, the concluding sentence only euphemistically said, "Why do you need to multiply the embers", tactful and tortuous, subtle, intriguing.

Finishing: zhl201702