How do you make a hand copied newspaper for opera? The content of the opera hand copied newspaper

The origin and formation of opera.

Chinese opera has a long history, and it was first born from songs and dances that imitate labor.

1) Pre-Qin - the embryonic period of opera. The "Song" in the "Book of Songs" and the "Nine Songs" in "Chu Ci" are the singing lyrics of singing and dancing when worshiping the gods. From the Spring and Autumn Period and the Warring States Period to the Han Dynasty, songs and dances that entertained people gradually evolved in the songs and dances that entertained the gods.

From the Han and Wei dynasties to the Middle and Tang Dynasties, there were successively "Jiaodu" (i.e., hundred operas) based on competition, "military plays" performed in the form of questions and answers, and "Shake Niang" in song and dance playing small stories of life, etc., all of which were in the budding state.

2) Tang Dynasty (middle and late period) - the formative period of opera. After the Tang Dynasty, China's drama developed by leaps and bounds, and dramatic art gradually took shape.

3) Song Jin - the development period of opera. The "miscellaneous operas" of the Song Dynasty, the "courtyard book" of the Jin Dynasty and the "Zhugong tune" in the form of rapping, from the music, structure to the content, all laid the foundation for the miscellaneous operas of the Yuan Dynasty.

4) Yuan Dynasty - the mature period of opera. In the Yuan Dynasty, "miscellaneous opera" was greatly developed on the basis of the original and became a new type of drama. It has the basic characteristics of drama and marks the maturity of Chinese drama.

Characters in the play:

Last: Male Role. The main and final of the Yuan miscellaneous drama is the male protagonist in the play.

Dan: Play as a female character. Zhengdan (the heroine in the play), Xiaodan, and Dan.

Net: Commonly known as "flower face" and "flower face", most of them play male characters with special points in personality or appearance. For example, the public (official servant) in "Dou E's Injustice" is net.

Ugly: Also known as "Sanhua Face" or "Little Flower Face", he mostly plays characters with witty personalities, and is divided into literary and martial ugly.

Outside: In the Yuan miscellaneous drama, there are outer ends, outer dans, outer nets, etc., which are secondary roles in the end, dan, and net.

Miscellaneous: also known as "miscellaneous". Play as the old woman's character name.

Types of national operas.

Cai Tune Opera, Tibetan Opera, Chao Opera, Chu Opera, Fengyang Flower Drum Opera, Guangdong Han Opera, Gui Opera, Han Opera, Huangmei Opera, Hui Opera, Jingzhou Flower Drum Opera, Liuzi Opera, Lv Opera, Shandong Bangzi Opera, Shao Opera, Sichuan Opera, Ningbo Opera, Yunnan Lantern Zhuangju, Yue Opera, Yue Opera, Yue Opera, Henan Opera, Yihuang Opera, Yang Opera, Xinjiang Quzi Opera, Hunan Opera, Tin Opera, Wu Opera, Wanwanchang Opera, Tianjin Wenming Opera, Su Opera, Ququ Opera, Qiong Opera, Qinghai Pingxian Opera, Qin Opera, Guizhou Opera, Qi Opera, Puxian Opera, Ping Opera, Ou Opera, Min Opera, Longjiang Opera, Liaonan Opera, Kunqu Opera, Liyuan Opera, Peking Opera, Jin Opera, Ji Opera, Huanglong Opera, Huai Opera, Burlesque Opera, Hua'er Opera, Shanghai Opera Hebei Bangzi Gan Opera, Duo Zhuan, Duo Tai, Sichuan Opera, Northern Kunqu Opera, Xincheng Opera.

The content of the hand-copied newspaper of the opera is as follows:

There are about 360 kinds of opera in China; The number of traditional plays is even more staggering. We know that many genres of drama have their own unique evolutionary process; The more famous operas we know are: such as Peking Opera; Yue Opera; Ji drama and so on.

Moreover, Chinese opera is different from Western drama Lu Jinxu; It has its own unique aesthetic concept and performance system. "Sheng" is a general term for male characters other than big flower faces and harlequins; Inside and outside, it is divided into "old students; Niche; Takeshi; Doll raw. "Dan" is a general term for female characters; Points:

Zhengdan; Hua Dan; Boudoir Dan; Wudan; Lao Dan; Cai Dan. "Clean" means to play character; Male characters who are somewhat unusual in quality or appearance; "Clean" is divided into singing and work-based faces; "Ugly" plays a comedic role.

Chinese opera; It is unique on the world stage; Profound; It has a glorious history; It occupies an important place in the history of the world's early burning theater. Opera is the quintessence of our country; It is a long-term breeding of Chinese society; It is a long-term accumulation of Chinese traditional culture. In China, there are hundreds of operas and tens of thousands of plays; From the day it was born; It is deeply rooted among the broad masses.

It is precisely because the opera expresses the thoughts, feelings, joys, sorrows, and sorrows of the Chinese; and its strong rustic flavor; and the theatrical form of speaking, singing, and expression; Vibrant and energetic; Therefore, it is deeply loved by the masses.

1. Kunqu Opera Kunqu Opera, also known as "Kunqu Opera" and "Kunqu Opera", is an ancient type of opera. It originated in Kunshan, Jiangsu Province, and became popular after the middle of the Ming Dynasty, and the legendary operas at that time were mostly sung in Kunqu Opera. In addition to maintaining the characteristics of early Kunqu opera, many branches have also been formed in the country, such as Kunyi, Xiangkun, and Sichuan-Kunming in the north.

The style of Kunqu opera is beautiful, soft, delicate and lyrical, and the performance is full of singing and dancing, and the program is rigorous, which is a representative of classical Chinese opera.

2. High cavity High cavity is a general term for a kind of opera vocal cavity system. It was originally called "Yiyang cavity" or "Yicao cavity" because it originated in Yiyang, Jiangxi. It is characterized by simple performances, popular lyrics, high-pitched and agitated singing, one person singing and everyone harmonizing, only beating the festival with golden drums, and no orchestral accompaniment.

Since the middle of the Ming Dynasty, it began to spread from Jiangxi to all parts of the country, and formed different styles of high cavity in various places, such as Sichuan opera high cavity, Hunan opera high cavity, Jiangxi opera high cavity and so on.

3. Bangzi cavity.

Bangzi cavity is a general term for a kind of opera vocal cavity system. It originates from the "Shanxi Bangzi" at the junction of Shanxi and Shaanxi, and is characterized by high-pitched and agitated singing, and hitting the knots with wooden bangs. Then, it develops to the east and south, forming different forms of Bangzi cavities in different regions, such as Shanxi Bangzi, Hebei Bangzi, Henan Bangzi, Shandong Bangzi, etc.

Characteristics of Chinese opera:

1. Beginning with the departed and ending with Chinese opera, it is a comprehensive stage art style. It is characterized by the convergence of many art forms in various standards, and the expression of their individual personalities in a common nature. These forms mainly include:

Poetry, music, dance. Poetry refers to learning, music refers to musical accompaniment, and dance refers to performance. In addition, it also includes stage art, costumes, makeup, etc.

These artistic factors are all for the sake of the individual in the opera, that is, to act out the story; All follow one principle, that is, beauty.

2. The opera is also a characteristic of Chinese opera to perform stories with songs and dances, and to put it simply, "it is said to perform stories with songs and dances". Both opera and drama belong to drama, and both need to express a storyline of a certain length through actors' roles, dialogues, and movements.

3. Stage Heaven and Earth, Heaven and Earth As a kind of stage art, Chinese opera needs a shield against the narrowness of the stage and the breadth of life. The principle of "three laws" does not squeeze the living progress in order to facilitate the expression of the opera.

The contents of the hand-copied newspaper on the campus of opera: what is opera, an overview of opera, the development of opera, the artistic characteristics of opera, and the five major operas in China.

1. What is opera:

Chinese opera is a comprehensive stage art style with a long history, mainly composed of folk songs and dances, rap and burlesque, and originated from primitive songs and dances. It is characterized by the aggregation of many art forms in a standard, reflecting their respective personalities in the common nature, and after long-term development, it has gradually formed a Chinese opera Baihuayuan with the five major opera genres of "Peking Opera, Yue Opera, Huangmei Opera, Pingping Opera and Henan Opera" as the core.

On April 29, 2021, the Ministry of Education of the People's Republic of China decided to establish the Steering Committee for Chinese Opera Education of the Ministry of Education.

2. Overview of opera:

Opera is one of the traditional Chinese arts, there are many kinds of interesting dramas, the form of performance is singing and dancing, there are speaking and singing, there are literature and martial arts, set "singing, doing, reading, playing" in one, unique in the history of world drama, its main characteristics, to set the classical opera art of Peking Opera as an example, one is a man pretending to be a woman (in Yue opera, it is common for a woman to play a man).

the second is to divide the four major industries of birth, dan, net and ugly; the third is exaggerated masquerade art, face painting; the fourth is the "line", that is, there are basically fixed styles and specifications; Fifth, use "programs" to perform.

3. The development of opera:

In the primitive society, the villages inhabited by the clan produced primitive songs and dances, and with the gradual growth of the clans, the songs and dances gradually developed and improved. After the Tang Dynasty, Chinese drama developed by leaps and bounds, and dramatic art gradually took shape. The "miscellaneous operas" of the Song Dynasty, the "courtyard book" of the Jin Dynasty and the "Zhugong tune" in the form of rapping, from the music, structure to the content, all laid the foundation for the miscellaneous operas of the Yuan Dynasty.

In the Yuan Dynasty, "miscellaneous opera" was greatly developed on the basis of the original and became a new type of drama. It has the basic characteristics of drama and marks the maturity of Chinese drama.

4. Artistic characteristics of opera:

Comprehensiveness, virtuality, and programmaticity are the main artistic characteristics of Chinese opera. These characteristics embody the essence of the aesthetic ideas of traditional Chinese culture, constitute a unique concept of drama, and make Chinese opera shine with its unique artistic brilliance on the big stage of world opera culture.

5. China's Five Great Operas:

The types of operas are generally expressed in order: Peking Opera (known as "National Opera"), Yue Opera (known as "China's second largest opera" and "Nazen Bureau's second national opera"), Huangmei Opera, Ping Opera, and Henan Opera. There are dozens of books and publications that use this expression, covering various fields such as education, tourism, opera, film, Internet, folklore, culture, television, Chinese studies, art, and comics. Raids.

Chinese opera is mainly composed of three different art forms: folk song and dance, rap and burlesque. It originated from primitive song and dance and is a comprehensive stage art style with a long history. After the Han, Tang to Song, Jin to form a relatively complete opera art, it is composed of literature, dance, art, martial arts, acrobatics and performing arts, about more than 360 kinds.

It is characterized by the convergence of numerous art forms in a single standard, reflecting their individual personalities in a common nature.

After a long period of development and evolution, Chinese opera, together with Greek tragedy and comedy, and Indian Sanskrit opera, has gradually formed a Chinese opera Baihuayuan with five major opera genres as the core: Peking Opera, Yue Opera, Huangmei Opera, Ping Opera and Henan Opera.

Opera is one of the traditional Chinese arts, there are many kinds of interesting dramas, the form of performance is singing and dancing, there are speaking and singing, there are literature and martial arts, set "singing, doing, reading, playing" in one, unique in the history of world drama, its main characteristics, to set the classical opera art of Peking Opera as an example, one is a man pretending to be a woman (in Yue opera, it is common for a woman to play a man). the second is to divide the four major industries of birth, dan, net and ugly; the third is the exaggerated makeup art - face; Fourth, the "line" (i.e., opera costumes and props) has basically fixed styles and specifications; Fifth, use "programs" to perform. Chinese folk opera, from the pre-Qin period"Haiyu", the "Hundred Operas" of the Han Dynasty, the "Joining the Army" of the Tang Dynasty, the Miscellaneous Operas of the Song Dynasty, the Southern Opera of the Southern Song Dynasty, and the Miscellaneous Operas of the Yuan Dynasty, until the unprecedented prosperity of local opera and the formation of Peking Opera in the Qing Dynasty.

There are many excellent repertoire, such as Peking Opera "Jiang Xianghe", "The Legend of the White Snake", Pingju "Qin Xianglian", Yue Opera "Liang Shanbo and Zhu Yingtai", Kunqu Opera "Fifteen Guan", etc., famous historians did not talk about Wu Han also wrote the historical Peking Opera "Hai Rui's Dismissal". Later, a series of excellent works were launched one after another, such as Peking Opera "The White-Haired Girl", "Red Lantern", "Surprise Attack on the White Tiger Regiment", Yue Opera "The Legend of the West Chamber", Ping Opera "Liu Qiaoer", Shanghai Opera "Ludang Tinder", Henan Opera "Chaoyanggou" and so on. After the "Gang of Four" was smashed, a large number of traditional operas that were loved by the masses but were suspended or criticized, such as the Peking Opera "Xie Yaohuan", the Puxian Opera "Spring Grass Chuang Tang", and the Lv Opera "Sisters Are Easy to Marry" were also re-staged.

The development of the art of opera has evolved to this day, through different eras, constantly adapting to the needs of the new era and new audiences, maintaining and carrying forward the traditional artistic characteristics of the nation, and the issues of "modernization" and "opera" raised by the opera circles have become a problem of positive practice in the new historical period.

The contents of the hand-copied newspaper of opera culture are:

Xiqu is a special name for traditional Chinese drama, which, together with ancient Greek drama and Indian Sanskrit drama, is known as the world's three ancient theatrical cultures. However, ancient Greek drama and Indian Sanskrit drama have not been passed down and continued, and only Chinese opera has been performed repeatedly, and it is still active on the stage, showing extremely tenacious and vigorous vitality.

Chinese opera culture is a rich cultural treasure house, reflecting the charm of Chinese culture from multiple levels and sides.

The unique development path of Chinese opera has created its unique artistic style. Compared with Western dramas such as dramas, operas, and dance dramas, the artistic characteristics of Chinese opera are mainly manifested in three aspects.

First, comprehensiveness. Comprehensiveness is a common feature of the theatrical culture of all countries in the world, but Chinese opera has the highest degree of integration and the most complex constituent elements. The conception and development of opera itself is a process of continuous cohesion, infiltration, influence, innovation and change of many elements.

Chinese opera is a comprehensive art that integrates literature, Zheng Pengxue, art, dance, and acrobatics.

The second is virtuality. In a sense, all art uses virtual or deformed means to reflect life, but in different ways and degrees. Chinese opera was gradually formed in an environment of low material conditions and backward stage technology, coupled with the influence of the ancient Chinese aesthetic tradition of emphasizing the pursuit of god-likeness, so the use of virtual means is very heavy, and it has reached the level of perfection.

The third is programmatic. Although Chinese opera performances advocate creativity and innovation, they cannot be made up, but have rules and formats, that is, programs. The program of opera includes not only the means of performance, the form of the script, but also the various aspects such as character behavior, makeup and costumes.

The universal use of the program has formed an aesthetic color of Chinese opera that not only reflects reality but also keeps a distance from reality, and is both based on life and more beautiful than life.