Under the court, such as stagnant water, empty water, algae in the water, covered bamboo and cypress

It depicts algae and aquatic plants crisscrossing the garden, and it turned out to be bamboo in the garden.

A view where the shadows of the branches of the pines and cypresses intersect with each other:

1. "Stagnant water is empty", giving people the quiet feeling of a pool of spring water; "Algae and thorn crossing" has the dynamic beauty of swaying aquatic plants; There is movement in the whole artistic conception, and the movement becomes more and more quiet.

2. "Stagnant water and empty light" is to describe the moonlight itself, and "algae and thorns" are set off from the reflection of pines and cypresses; Between the two sentences, there are front and side descriptions.

depict a transparent realm of ice and jade for readers.

3. The author uses the words "stagnant water and empty light" to metaphorize the clarity and transparency of the moonlight in the courtyard, and uses the words "algae and wattles crossing" to metaphorize the beautiful bamboo and cypress under the moon.

Inverted image. 4. The metaphor of the moon with water does not seem novel, but the novelty is that the author does not use ordinary similes, but uses metaphors to preempt people, creating an illusion of water accumulation in the courtyard. Then he writes that the clear water is interlaced with the clear shadows of algae, and the touch is born, pushing the metaphor into another layer, making people feel confused, and the water and the moon are indistinguishable.

Under the court, such as the stagnant water is empty, the algae in the water are crossed, and the shadow of the bamboo and cypress is also covered" This poem comes from the Song Dynasty writer Su Shi's "Night Tour of Ji Chengtian Temple".

Explanation: The moonlight shines in the courtyard, as clear and clear as water, and the shadows of bamboo and pines and cypresses are like algae and wattles intertwined in the water.

Specific analysis. The courtyard is like stagnant water and empty, and the algae and wattles in the water are crossed, and the shadow of the bamboo and cypress is also covered." "Stagnant water and empty light" writes the clarity and transparency of the moonlight, and "algae and wattles cross" write the beautiful and elegant reflection of bamboo and cypress.

The author uses highly condensed pen and ink to dye a wonderful realm of emptiness and clarity, sparse shadows and swaying, and real and illusory.

The stagnant water is empty", a pool of stagnant water is clear and transparent, first write the water color, and then write the things in the water: "algae, thorn crisscross", criss-crossed, swaying. After writing about the scenes under the court, this sentence jumped:

Cover bamboo cypress shadow also. The meaning of the text changed abruptly, and the language was surprisingly successful. When the author first wrote about the stagnant water under the court and the algae in the water, he was all for the purpose of writing the projection of bamboo and cypress, and he used the optical illusion to apply ink from the reverse side to form the waves and rhythm of the text.

And the bamboo cypress can be projected under the court, and the author does not apply a stroke, which is the clever and subtle use of ink. There is not a single word in the whole sentence that says "month", and there is not a word that does not write "month". The moonlight shines, and the court is like stagnant water and empty, and you can see the brightness of the moonlight; "Algae and thorns in the water are crossed", you can see the clarity of the moonlight.

The moonlight shines through the bamboo leaves and cypress branches, projecting on the ground, and such a wonderful scene will be formed. And the stagnant water and the algae are crisscrossed, reflecting each other and dyeing each other, which adds to the three-point beauty of the moonlit night tour. Su Shi detains the word "month" everywhere in this article to write night tours, which is one of the characteristics.

He writes about the moon, unlike Zhang Ruoxu's "Spring River Flower Moonlit Night" in the early Tang Dynasty, but with a few strokes, the realm is all out. This is the second feature. Su Shi wrote the moonlit night scene, not explicitly written, but secretly written, with ingenuity starting from the shadow of bamboo and cypress, so that it can be pushed to see the moonlight clear and empty, which is the third characteristic.

Because of the capture of the features, the whole description seems to be precise and expressive.

This sentence uses the rhetoric of metaphor, comparing the clear moonlight to stagnant water, and using the intertwined aquatic plants as a metaphor for bamboo and cypress.

The shadow of the virtual and the real is born together, contrasting with each other, turning the invisible into the tangible. "Stagnant Water and Empty Brightness" writes the brightness and ethereal of the moonlight, and "Algae and Thorns" writes the beauty and elegance of the reflection of bamboo and cypress. The former gives people a sense of tranquility in a pool of spring and water, and the latter has the dynamic beauty of swaying aquatic plants.

The author uses highly concise pen and ink to dye a wonderful realm of empty old clarity, sparse shadows and swaying, and real and illusory.

The author cherishes ink like gold, and only uses eighteen words to create a quiet and charming night scene with clear moonlight, mottled bamboo shadows, and seclusion and charm. The reader can use his imagination: the moonlight is clear, sprinkled in the courtyard, the clear white expanse is like a pool of stagnant water, and even better, there are aquatic plants floating and wandering in the "water", so it is like a fairyland.

The subtlety of the author lies in the fact that the shadow of bamboo, cypress and moonlight are used to set off, compare, and metaphorically each other.

Precise, novel, and appropriately renders the beauty and solemnity of the scenery. It also reflects the cool and clear characteristics of the moonlight, which sets off the author's leisurely state of mind.

Summary. Hello and a pleasure for you. The shadow of the bamboo and cypress also depicts the crisscrossing of algae and aquatic plants, which is originally the scenery of the bamboo and the shadows of the pine and cypress branches in the courtyard.

The courtyard is like stagnant water and empty, the algae in the water are crisscrossed, and the shadow of the bamboo and cypress also depicts what scenery.

Hello and a pleasure for you. Under the courtyard, such as the stagnant water is empty, the algae in the water are crisscrossed, and the shadow of the bamboo and cypress also depicts the crisscrossing of algae and aquatic plants, which is originally the scenery of the bamboo row vertical and the shadow of the pine and cypress branches in the courtyard.

1. "Stagnant water is empty", giving people the quiet feeling of a pool of spring water; "The algae beams are dry and coarse", but it has the dynamic beauty of swaying aquatic plants; The whole artistic conception is defeated, and there is movement in the silence, and the Oak Town is more and more quiet.

2. "The hotel is full of water and empty light" is to describe the moonlight itself, and "algae demolition and collapse and crossing" is set off from the shadow of pine and cypress hailstorms; Between the two sentences, there is a distinction between front and side descriptions, depicting a transparent realm of ice and jade for the reader.

3. The author uses the words "stagnant water and empty light" to compare the clarity and transparency of the moonlight in the bright celery sedan chair in the courtyard, and uses the words "the first shed algae and the stalk cross" to compare the beautiful reflection of bamboo and cypress under the moon.

4. The metaphor of the moon with water does not seem novel, but the novelty is that the author does not use ordinary laughter to make a clear metaphor, but uses metaphors to preempt people, creating an illusion of water accumulation in the courtyard. Then he writes that the clear water is staggered and touches the clear shadow of the algae, and the touch is generated, pushing the metaphor to another layer, making people feel confused, and the water and the moon are indistinguishable.

The courtyard is like stagnant water and empty, and the algae and wattles in the water are crossed, and the shadow of the bamboo and cypress is also covered." "Translation: The moonlight in the courtyard is as clear and transparent as stagnant water. Algae and aquatic plants crisscrossed the garden, and it turned out to be the shadow of bamboo and pine and cypress branches in the courtyard.

Source: From the Song Dynasty writer Su Shi created an ancient essay "Ji Chengtian Temple Night Tour", the article made a wonderful description of the moonlit night scenery, truly recorded a fragment of the author's life in Huangzhou, but also reflected his deep friendship with Zhang Huaimin and the infinite emotion of few bosom friends, and at the same time expressed his ambition and self-exclusion, showing his optimistic attitude towards life.

This sentence comes from a sentence in Du Fu's poem "Spring Hope" in the Tang Dynasty: "The court is like stagnant water and empty light, and the algae in the water are crisscrossed." There is also movement in the shadow of Gaizhu and cypress, and the ice and snow in front of the hall are free.

Among them, "the courtyard is scattered like stagnant water and the sky is bright" depicts the clear and bright water in the courtyard, as if it is a mirror, you can see the scene of the sky and the surrounding buildings; "Algae in the Water" depicts the abundant aquatic vegetation in the ponding water, which is full of vitality and shows the vigor of spring. The last "Shadow of Bamboo and Cypress also moves" expresses the natural scene of the sunshine and the growth of all things in spring, making people feel the beauty and vitality of spring.

As for whether there is an obvious connection between these three scenes, it depends entirely on the reader's own understanding and interpretation, but they all vividly show the beauty and vitality of spring.

There is a combination of movement and static.

It depicts the moonlight and the shadow of the bamboo cypress in the shape of the hole. "Stagnant Water and Empty Brightness" uses a metaphor to write the clarity and transparency of the moonlight, and "Algae and Thorns" uses a metaphor to write the beauty and elegance of the reflection of bamboo and cypress. It has the dynamic beauty of swaying aquatic plants, and the whole artistic conception of returning to the field is still and moving, and the movement is more and more quiet.

The author uses highly condensed pen and ink to dye a wonderful realm of empty and clear, sparse shadows swaying, and like real and illusory.

This jujube and defeat sentence can be understood as "The stagnant water in the courtyard is clear and bright, and all kinds of grasses and algae grow in the water, because the shadows of bamboo and cypress trees are constantly swaying on the water." "The combination of movement and stillness is a kind of scene stool trembling technique, which depicts the dynamic changes of the shadows of bamboo and cypress on the water surface, coupled with the quiet and clear stagnant water, luxuriant algae and other details, showing a vibrant, natural and harmonious scene.

The description of the shadow of the bamboo cypress also uses the technique of combining the virtual and the real (dynamic and static), comparing the real static bamboo and cypress shadow with the illusory and dynamic water Songzhi and the algae, forming a picture of the combination of movement and static.

There is a combination of movement and stillness in this sentence, and the cross-cutting of algae is a kind of dynamic and swaying beauty; The stagnant water and the sky are the beauty of tranquility.

Quietly reflected, like a flood of autumn water, the void is clear, clear and clear. In the water, there seems to be green algae like silk, floating leisurely, and the water chestnuts are vertical and horizontal, and the blue waves are lightly rippling. Looking around, it turned out to be the shadows of pavilions and bamboos and verdant ancient cypresses in the moonlight.

The bamboo and cypress are staggered with each other and gently swaying in the breeze, and the white white shirt is like a pool of stagnant water, the moon.