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Mongolian,The horse-head fiddle is a two-stringed stringed instrument with a trapezoidal body and a handle carved into the shape of a horse's head, which is a favorite instrument of the Mongolian people. The horse-head fiddle is a Mongolian folk stringed instrument.
The horse-head fiddle is a Mongolian folk stringed instrument. In Mongolian, it is called "Qiuer". The body is wooden, about a meter long, and has two strings. The resonance box is trapezoidal. The sound is rounded, low and swirling, and the volume is weak.
Legend: Legend has it that there was a shepherd who remembered the dead pony, took its leg bones as pillars, skulls as tubes, and tail hairs as bowstrings, made a two-stringed piano, and carved a horse's head in the shape of a pony on the top of the handle, hence the name. Guo Xiaochuan's poem "The Story of the King of the Open Hearth":
When the people in the pastoral area heard about the steel spray, the yurt played the horse-head violin. ”
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The horse-head fiddle is a Mongolian musical instrument in China. The horse-head qin is a kind of Mongolian folk two-stringed stringed instrument, named after the carved horse's head, its body is completely made of wood, which can be divided into resonance box, headstock, stem, string shaft, horse barricade, string and bow and other parts, with a unique shape and playing method.
What kind of musical instrument is the horse-head fiddle.
The horse-head qin is a Mongolian musical instrument in China, which is a two-stringed stringed instrument, and is named the horse-head qin because the headpiece is carved with a horse's head. The predecessor of the horse-head qin is the spoon-shaped huqin, which is the ancient Mongolian people who wrapped the spoon for drinking yogurt with cowhide and tied the strings made by tying two horsetails, which was first recorded in the "Yuan History" volume 71 "Lile Zhi" Latea.
The horse-head piano is about one meter long and can be divided into resonance boxes, headstock, stems, strings, horses, strings and bows and other parts, the body is completely made of wood, the wood used is often a whole piece of colored wood, rosewood, mahogany or pine, the handle is carved into the shape of a horse's head, and the strings are two horsetails, and the resonance box is a trapezoidal hollow wood wrapped in cowhide and sheepskin.
The matouqin was invented by the ancient Mongolian people, a traditional nomadic people mainly distributed in East Asia, a minority in China and the main ethnic group of Mongolia, and also distributed in Russia and other Asian and European countries and regions. The Mongols originated on the east bank of the Wangjian River in ancient times, in the area of today's Erguna River, and gradually evolved into a new ethnic group in the 13th century.
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The horse-head qin is the representative musical instrument of the Mongolian nation, which not only occupies a place in the family of musical instruments in China and the world, but also is a favorite musical instrument of folk artists and herdsmen. I hope mine is helpful to you.
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The horse-head qin is a Mongolian folk stringed instrument, called "Chaoer" in Mongolian.
The horse-head fiddle is a two-stringed stringed instrument with a trapezoidal body and a handle carved into the shape of a horse's head, which is a favorite instrument of the Mongolian people. The body is wooden, about one meter long, with two strings, the resonance box is trapezoidal, the sound is round, the low rotation is high, and the volume is weak.
Legend has it that a shepherd made a two-stringed piano in memory of the pony by taking its leg bones as pillars, skulls as tubes, and tail hairs as bowstrings, and carved a horse's head in the shape of a pony on the top of the handle, hence the name. From Guo Xiaochuan's poem "The Story of the King of the Open Hearth": "The people in the pastoral area heard that the steel flower sprayed, and the yurt played the horse-head qin.
Status of Mongolia
The horse-head fiddle is the best instrument suitable for playing the ancient Mongolian long tune, which can accurately express the life of the Mongolian people in Zaowuzhou, such as: the vast grassland, the howling wind, the sad mood, the sound of galloping horses' hooves, and the joyful pastoral songs.
In connection with this, the overall status of Mongolian national musical instruments in the Yuan Dynasty has been significantly improved, not only for dance and song accompaniment, but also produced pure instrumental music, such as "Haiqing Takes the Swan" and "White Ant in the Feather Bird", etc., which have indeed made great progress.
By the beginning of the eighteenth century, the appearance and structure of the horsehead fiddle had changed considerably. With the innovation of the body of the horse-head qin, the performance skills of the horse-head qin have also been created and developed, and many folk rap players have emerged.
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The horse-head qin is a stringed instrument of the Mongolian ethnic minority in China, named after the horse's head carved at the upper end of the stem, and is a bowed string instrument with a relatively long history of the Mongolian nationality, and has become an indispensable "companion" in the cultural life of the Mongolian people. The former Guoerlus Mongolian Autonomous County in Songyuan City, Jilin Province is known as the "Hometown of China's Matouqin", and the square concert of the Matouqin players has set a Guinness World Record. The horse-head qin has a long history, which evolved from the Xiqin, a stringed instrument in the Tang and Song dynasties.
The matouqin is a representative musical instrument of the Mongolian nation, not only occupies a place in the family of musical instruments in China and the world, but also a favorite musical instrument of folk artists and herdsmen.
Origin: The origin of the horse-head qin is said to be a shepherd who missed the dead pony, so he used the leg bone of the pony as the piano column, the pony's skull as the barrel, and the horse's tail as the strings, and finally the wooden horse head carved in imitation of the pony shape was installed on the top of the handle, so it was named "horse-head qin".
Historical origin of the horse-head fiddle:
The horse-head qin is a stringed instrument of the Mongolian ethnic minority in China, named after the horse's head carved at the upper end of the stem. The horse-head qin has a long history, which evolved from the development of the stringed instrument Xi Gai Limb Qin in the Tang and Song dynasties; During the reign of Genghis Khan (1155-1227), it was already spread among the people. According to the Travels of Marco Polo, a two-stringed instrument was popular among the Tatars (the predecessor of the Mongols) in the 12th century, which may have been its predecessor.
It was used for court bands during the Ming and Qing dynasties. The matouqin is a representative musical instrument of the Mongolian nation, which not only occupies a place in the family of musical instruments in China and the world, but also a favorite musical instrument of folk artists and herdsmen.
How to play the horse-head fiddle:
1. Sitting. When playing the horse-head fiddle, it is usually in a sitting position, with the case between the legs and the stem tilted to the left.
2. Fingering. The left hand is naturally open, the thumb slightly holds the piano rod, in the low position, with the index finger, the middle finger of the nail root of the top string, the ring finger, the little finger with the fingertip top string, the little finger is very important in the performance, it often from under the outer string into the top of the inner string; In the high position, due to the small distance between the notes, each finger is pressed with the fingertips. When holding the bow in the right hand, the bow handle is clamped with the tiger's mouth, the index and middle fingers are placed on the bow shaft, and the ring and little fingers control the bow hair.
3. Bow movement. In bow movement, the bow hairs and strings should be kept at right angles. There are many kinds of fixed strings of the horse-head qin, because the thinner strings are stretched in the inner strings, and the thicker strings are stretched in the outer strings, so the inverse fourth relationship is often used to set the strings as g and c1, and sometimes the strings are set as d1 and a positive fourth relationship, and the strings are set as d1 and g in the positive fifth relationship.
The method of playing is also different from other stringed instruments, the bow hair of the bow is not sandwiched between the inner and outer strings, but rubbed outside the two strings, so it has a unique timbre, soft, rich and deep, and when played, it is particularly broad, low and bold, rich in grassland flavor.
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