Is Jigong Biography the same as the White Snake Turn?

Urban ambiguous flow The complete book of the taste of the oracle has been relived and is being reborn in the playthings of the ** more realistic city Chang Shuxin's complete red man and green woman and the black pot of the ** foreign city There is Songshan Pass's complete rebirth of the American screenwriter and the big era 1950

The history of pushing vomit mm Mo Shangxing and I am a cat Da Ming 1937 other types to see less hehe.

to your taste.

Zichuan" is a very good one.

"Dou Armor" persuades not to read it first.,Although it's very good.,But the author of this book is too slow to update.。。。

Maybe he thinks that becoming a Buddha is just a short time.

Taoists can get married. Buddhists can't get married, and their hearts are twisted.

Because of Fahai, the realm is not enough.

In the eyes of the public, the moon in a foreign country must be rounder than in China. The times are changing, and so are people's value orientation.

He can't see how well others are doing.

1. Define different copies.

Myths and stories are a genre of folk literature. The collective oral creation of the people of ancient times.

In Chinese folklore, the protagonists of the story generally have names and surnames, some of which are well-known figures in history, and the events have specific times and places, and some also involve major events of the country and the nation; The results of the activities or events of the characters are often linked to certain historical and geographical phenomena and social customs, so they often give people the illusion that they are real history.

2. Different classifications.

Mythological stories include stories of gods and ghosts and heroic legends of gods (ghosts).

The common classification method of legends in the field of Chinese folklore is to divide them according to the nature of the content of the legends. Folklore has three categories: legends of people, legends of historical events, and legends of local customs.

3. The meaning is different.

The production of myths and stories shows the struggle of the ancient people against natural forces and the pursuit of ideals, it is a kind of spiritual sustenance, human yearning and the embodiment of religion, which has a profound impact on the literature and art of later generations.

Folklore not only has a social function and cultural significance worthy of attention in modern society, but also has an artistic charm that is fascinating. But legends are not history, they cannot be equated with history, and their historical value cannot be compared with history books.

Mythology is the act of "gods" (not people).

It is a primitive human in ancient times, with low intelligence, but he still wants to publish those "big problems". For example, why there is thunder in the heavens, they use a kind of god to explain. Why there was a great flood in the river, they explained it with a kind of god.

Why there is a drought on the earth, they use a kind of god to explain ....... Ancient legends, on the other hand, are often interpreted as the "real" deeds of the ancestors of their own people or tribes.

Generally speaking, myths and stories are relatively high, while folklore is mostly relatively low. Myths and stories are more systematic, while legends are more interesting.

Mythological stories refer to stories that have no historical research or folk circulation, such as Dayu's control of the water. Historical stories are historical events that are historically recorded, substantiated, and verifiable.

Myths and stories are mostly passed down in the form of folklore.

So, folklore includes mythology.

Affair. Some myths and stories have their origins in folklore, or most myths and stories originate from folklore. There are also some mythological stories written by the author, such as many stories in the "Classic of Mountains and Seas" that do not necessarily have folk legends.

There are many versions of folklore, and the content is also very rich, which can be "updated" with the changes of historical dynasties to meet the needs of the times, that is, folklore will also "keep pace with the times". The content of mythological stories usually has a fixed plot. For example, "Liang Zhu".

The four great myths of ancient China - Nuwa mends the sky, works together to touch the mountain, shoots the sun the next day, and Chang'e runs to the moon.

The four major folk myths and legends of Chinese literature - the Cowherd and the Weaver Girl, Meng Jiangnu Crying on the Great Wall, Liang Shanbo and Zhu Yingtai, and the Legend of the White Snake.

The four major myths of ancient China** - "Romance of the Gods", "Mirror Flower", "The Legend of Jigong", "The Legend of the Eight Immortals".

Pangu opens the sky, Nuwa makes up for the sky, Yiri eliminates harm, and Chang'e runs to the moon

The four major Chinese myths and stories are "The Cowherd and the Weaver Girl", "Meng Jiangnu Crying on the Great Wall", "Liang Shanbo and Zhu Yingtai" and "The Legend of the White Snake".

The story of the White Snake was formed the latest, and the origin: one said that it originated from the Tang legend "The Story of the White Snake"; One is said to be derived from "The Story of the Three Towers of West Lake". By Feng Menglong's "White Lady Yongzhen Leifeng Tower" ("Warning the World") in the Ming Dynasty, the story has been preliminarily finalized.

Nuwa mends the sky, works together to touch the mountain, Yiri eliminates harm, and Chang'e runs to the moon.

Pangu opens the sky, works together to touch the mountain, Nuwa makes up the sky, and Houyi shoots the sun.

The Cowherd and the Weaver Girl, The Legend of the White Snake, Nuwa Mending the Sky, and Chang'e Running to the Moon.

"Water Scripture Pillar", "Romance of the Gods", "Liao Zhai" and "Liao Zhai" have forgotten! I'm sorry!!

"The Cowherd and the Weaver Girl", "Meng Jiangnu", "Liang Shanbo and Zhu Yingtai", "The Legend of the White Snake".

"Romance of the Gods", "Mirror Flowers", "The Biography of Jigong", "The Legend of the Eight Immortals".

The author of "Jigong" is Guo Xiaoting of the Qing Dynasty, and then the "Complete Biography of Jigong" was completely rewritten by the popular ** Wu Yue, and the "Complete Biography of Jigong" created an image of Jigong who saved the world with witty and humorous language.

The book has a total of 240 chapters, which will be sorted out from the legend of Jigong that began to circulate in the Song Dynasty, and its main content is the story of Jigong's chivalry and righteousness after he became a monk, and the description of Jigong's childhood life is less, and the structure of the whole book is relatively loose, but because the protagonist Jigong has left a deep impression throughout.

It's Guo Xiaoting.

The legend of Jigong began to circulate in the Southern Song Dynasty. First of all, some legendary stories of the ordinary prodigy Li Xiuyuan or the enlightened monk Daoji were heard and passed on orally among the people, and later through the storyteller's words, the content was gradually enriched.

In Jigong's hometown Tiantai area, there are mostly stories about his birth, childhood life, drama and punishment of evil, and poverty alleviation, such as "Jigong's birth", "Little Jigong mustard leaves splashing water to save the temple", "Liji Bridge", "Stick beating Shoulian", "Zhexi saving children", "cultivating the fate of the monk" and so on are widely spread.

The stories circulating in the area of Hangjiahu are more extensive, because it is the main place of life and activities of Jigong after he became a monk, among which the stories such as "Feilai Peak", "Gujing Yunmu", and "Teasing Qin Xiangfu" are the most popular.

In the late Qing Dynasty, Guo Xiaoting added and deleted it according to these legends, and wrote a "The Complete Biography of Jigong", which showed a comprehensive picture of life and Jigong's multi-faceted character traits with a combination of gods and demons, public cases, chivalry and human feelings.

1. The author of "The Biography of Jigong" is - Qing. Guo Xiaoting.

2. Introduction to "The Biography of Ji Gong":

The Biography of Ji Gong is a book edited by Qing Guo Xiaoting and published by Zhonghua Book Company.

3. Basic Introduction:

Qing, Guo Xiaoting.

This book is one of the earliest blueprints of the legend of Jigong, the whole book is a total of 240 times, will be from the Song Dynasty that began to circulate the legend of Jigong to sort out, its main content is the story of Jigong after becoming a monk, and the description of Jigong's childhood life is less, the structure of the book is looser, but because the protagonist Jigong throughout the whole leaves a deep impression, so to a certain extent to make up for this defect. This book, together with "Mirror Flowers", "Romance of the Gods", and "Strange Tales from Liao Zhai", is the four most widely circulated books of gods, ghosts, and fairies in China. Gather the gods and ghosts of heaven and earth in one book, and act out the joys and sorrows of the world in one life.

Originally, the classical ** that only appeared in the wealthy merchants was only a reading material for the "rich" at that time, and today, he will go out of the Jing Pavilion, out of history, and fly into thousands of households.