Chi Zijian s prose has 50 philosophical sentences

Good sentences: 1. Don't say what you saw, but what you felt when you held your breath and contemplated it.

2. The narrow and vulgar streets, quarrels between people, treachery and even mutual spitting, the kind of sad and boring beauty of people, feelings, and scenery that blend together seems to have escaped.

3. No one bothered me, and what accompanied me to dance, except for the ** in the fairy world, was the river, the clouds, the moon and the boundless wind.

Good paragraph: 1. I still like to walk at dusk, I like to watch the sunset in the water, I like to watch the fallen leaves in the wind, and I like to see the mountains in the snow. I am not afraid of old age, because I want the moonlight to blend with my hair when the green hair turns gray.

so that the moonlight can't tell whether it's moonshine or white hair; I can't tell if it's gray hair or moonshine growing on my head.

2. There are two paths in the world, one is visible horizontally for people to wander forward or retreat, and the other is invisible and vertical for the soul to ascend to heaven or hell. Only by stepping on the thorns on the horizontal road without regrets can you be with the clouds on the vertical road.

3. A person who is hurting is happy in a strange environment, because you don't have to pretend to be strong in front of familiar people and scenery, you can completely indulge in tears.

1. Chi Zijian's prose exudes the breath of the harmonious beauty of nature and characters, and the melancholy souls in the breath are like singing a sad and beautiful song. Chi Zijian's good artistic sense allows us to deeply feel her keen talent and smart breath through words, which makes people feel the mellow fragrance and warmth of memories, which is enough to move people for a lifetime.

2. Chi Zijian's prose has Chi Zijian's reminiscences of childhood life, portrayals of real life, and caprice of visiting foreign countries, but more memories and memories of his hometown life. The tranquility in her poetry seems to make us feel a Chinese snowy day style painting, in the cold colors, there is a melting warmth.

3. As a female writer, Chi Zijian has a natural affinity for prose creation, and the sensitive, delicate and aesthetic characteristics of female writers make her prose have a natural and beautiful charm that reaches the hearts of the people.

4. The full text of "The Day of Tearing the Calendar" takes the calendar as a clue from tearing the calendar to turning over the calendar, and writes the author's life trajectory from childhood to adulthood, from the countryside to the city, and from the prose, we can feel the most real and simple emotional world in Chi Zijian's heart. She uses the calendar to express her feelings, which is not only natural and unpretentious, but also makes the expression simple, moving, gentle and tender. There are 0,000 other people's calendars that are not torn, and none of our family's days can be left, and they all fly away, because of my restless hands, the contrast between the two, in addition to our family's more profound feelings about the passage of time.

5. As soon as I opened my eyes in the morning, the first thing I did when I climbed out of the bed was not to put on clothes, but to tear the month card barefoot. The calendar is kindly looked at, vividly reflects the child's innocence and cuteness, and when I lie in bed, my father puts the dog in the house, and the dog tells me to get up, vividly embodies the warm and harmonious picture of the family, and the rich atmosphere of life is fascinating.

6. The author's cherishing of the old desk calendar is not only an aftertaste of the warm years and growth experience, but also reveals the emotion and melancholy of the fleeting years of time.