The aesthetic and artistic characteristics of Song and Yuan landscape paintings

Updated on culture 2024-03-18
6 answers
  1. Anonymous users2024-02-06

    The main characteristics of landscape painting in the Song Dynasty are: emphasizing the law, emphasizing realism, emphasizing quality and interest, and emphasizing the humanistic spirit.

    The landscape paintings of the Song Dynasty emphasized the natural method of learning, and most of them were realistic styles. The painters went into nature, browsed the famous mountains and rivers, and repeatedly observed and experienced the artistic conception in the scenery.

    In the landscape paintings of the Song Dynasty, the themes of their expressions were mainly to visit friends and discuss the Tao, seek seclusion and amusement, and the painters conveyed their own emotions in the landscape, or expressed their life ideals and life tastes.

    In the middle and late Northern Song Dynasty, under the influence of Li Cheng's painting style, there was a poetic landscape represented by Zhao Lingsui, Mi Fu father and son created the rice point landscape, Wang Ximeng, Zhao Boju and other green landscapes.

    The painters of the Northern Song Dynasty created the "Strict Law", among which the "Three Landscapes" in the Northern Song Dynasty landscape painting circle achieved the greatest achievement.

    The "Three Landscapes" are represented by Li Cheng, Fan Kuan, and Dong Yuan, and Li Cheng's landscape paintings at that time were "the first in the dynasty". Li Cheng founded "Cirrus Cloud" according to the characteristics of the mountains in the Qilu region; Fan Kuan used a straight pen to depict the style of the high mountains and boulders of Guanshan and founded the "Raindrop"; Dong Yuan founded the "Phi Ma Xuan", which is more suitable for expressing the quality of the mountains in the south of the Yangtze River.

  2. Anonymous users2024-02-05

    Characteristics of Yuan Dynasty landscape paintings include ().

    a.Retro. b.Out.

    c.Pay attention to the technical changes such as rubbing, rubbing with oranges, calling shooting points, and dyeing.

    d.It has strong religious overtones.

    Correct answer: ABC

  3. Anonymous users2024-02-04

    He advocated that painting should be connected to real life. It is opposed to painting landscapes as "unhabitable" and "untravelable" imaginary realms. Oppose the old and conservative, and advocate learning from nature while absorbing the public. There are works such as "Early Spring" and "Valley Map".

    Unhabitable", "Untravelable".

    Or realism and freehand.

  4. Anonymous users2024-02-03

    First, the Southern Song Dynasty courtyard landscape paintings, represented by the "Four Great Masters of the Southern Song Dynasty", discarded the alpine torrent composition and the dense and complicated brushwork centered on the main peak since the Northern Song Dynasty, and innovated into a simplified and pure form.

    Second, the pursuit of poetry and the truth of details go hand in hand; At the same time, symmetry moves towards equilibrium, space is more meaningful, less is more, virtual is real, hundreds are black, one is ten, simplicity is more complex, and so on. The artistic conception and beauty of Chinese art are further developed here.

  5. Anonymous users2024-02-02

    Unhabitable", "Untravelable".

    Or realism and freehand.

  6. Anonymous users2024-02-01

    I'm Ma Xinmei, I'll always pay attention to the state of your question, if you're the same, you'll hang up

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