The mainstream direction of Yuan Dynasty painting is the characteristics of Yuan Dynasty landscape p

On the basis of the Tang, Five Dynasties, and Song dynasties, the painting of the Yuan Dynasty had a significant development, characterized by the abolition of the academy system, the rise of literati painting, and the relative reduction of figure painting. Painting pays attention to the combination of poetry, calligraphy and painting, abandons form and spirit, simplicity and simplicity, attaches importance to the play of emotion, and the aesthetic taste has undergone significant changes, reflecting another creative development of Chinese painting. In terms of landscapes, Qian Xuan, Zhao Ziang, Gao Kegong and others in the early stage seriously explored the inheritance and development of landscape paintings since the Tang Dynasty, the Five Dynasties, and the Song Dynasty.

In the middle and late periods, Huang Gongwang, Wang Meng, Wu Zhen, Ni Zhan, and the late Yuan Dynasty appeared, and on the basis of Zhao Ziang, they were distinctive and creative, and raised Chinese landscape painting to a new height with concise and detached techniques, which had a great influence on the Ming and Qing dynasties. The landscape painters of the Yuan Dynasty also include Shang Qi, Cao Zhibai, ** Run, Tang Di, Sun Junze, Sheng Mao, Lu Guang, Ma Wan, Chen Ruyan, Fang Congyi, etc., as well as Wang Zhenpeng, Li Rongjin, Xia Yong, Zhu Yu and so on. The painters of figure painting include Liu Guandao, He Cheng, Qian Xuan, Zhao Ziang, Ren Renfa, Zhou Lang, Yan Hui, Zhang Wu, Wei Jiuding, Wang Yi, etc.

Flower and bird paintings, with Meilan bamboo and stone as the main body of literati paintings, are widely popular, emphasizing nature and the taste of brush and ink. Many landscape painters are also good at ink paintings, flowers and birds, and plum orchids, bamboo and stone. Famous painters include Qian Xuan, Chen Lin, Wang Yuan, Zhang Zhong, Li Xizhai, and Zhao Ziang.

Ke Jiusi, Wu Zhen, Gu An, Ni Zhan, Zhang Xun, Zou Fulei, Wang Mian, etc.

In the paintings of the Yuan Dynasty, literati paintings occupied the mainstream of the art world. Because there was no painting academy in the Yuan Dynasty, except for a few professional painters who directly served the court, most of them were high-ranking scholar painters and opposition literati painters. Their creations are relatively free, and they express their own living environment, tastes and ideals.

Landscapes, dead wood, bamboo and stone, plum orchids and other themes appeared in large numbers, and the number of figure paintings that directly reflected social life decreased. The work emphasizes the literariness and the charm of pen and ink, and attaches importance to the combination of calligraphy and painting, poetry, calligraphy and painting. In the creative ideology of the inheritance of the late Northern Song Dynasty Wen Tong, Su Shi, Mi Fu and other literati painting theory, advocating the appearance of the gods, to simplicity as the top, the pursuit of antiquity and morale, pay attention to the expression of subjective intentions.

It is very different from the deliberate workmanship and attention to the similarity of the Song Dynasty courtyard painting, forming a distinctive style of the times, and also strongly promoting the vigorous development of literati painting in later generations. In the Yuan Dynasty in just over 90 years, there were many famous painters, among which Zhao Meng, Qian Xuan, Li, Gao Kegong, Wang Yuan, etc., and Huang Gongwang, Wu Zhen, Ni Zhan, and Wang Meng, who were known as the four Yuan families, were the most prestigious.

In the Yuan Dynasty, after the Mongols entered the Central Plains, the status of the Han people was very humble. The scholars used seclusion in the mountains and forests as a means of escaping from social politics. It was under such social conditions that the literati landscape paintings of the Yuan Dynasty created an artistic taste that placed their affection on the landscape and pursued the elegance of the world.

In terms of materials, paper was used instead of the Yuan Dynasty.

In the past, he painted on silk.

The main features of Yuan Dynasty landscape paintings include:

First, the main authors of landscape paintings in the Yuan Dynasty were generally scholars. Because there was no painting academy in the Yuan Dynasty, as long as the Yuan Dynasty was a scholar, they would generally paint.

Second, the content of the painting mainly expresses his inner desire for seclusion. The treatment of scholars in the Yuan Dynasty was not very good, so many scholars chose to live in seclusion, but many people did not have the opportunity, so they used paintings to express their heart's desires.

Third, the content of paintings is generally detached from the world.

Fourth, there is no place about political turmoil in the painting.

The four great masters of the Yuan Dynasty in the history of Chinese painting do not include Juran. The four masters of the Yuan Dynasty in the history of Chinese painting: one refers to Zhao Mengfu, Wu Zhen, Huang Gongwang, and Wang Meng.

Four people, see Wang Shizhen of the Ming Dynasty "Art Garden Dialect Appendix". The second said refers to Huang Gongwang, Wang Meng, Ni Zhan, and Wu Zhen, see Dong Qichang in the Ming Dynasty.

Rongtai Collection: Painting Purpose". Their creations epitomize the highest achievements of landscape painting in the Yuan Dynasty. The four schools not only have their own distinctive personality characteristics, but also have the style of the Yuan Dynasty landscape painting. They emphasize the organic combination of poetry, calligraphy, painting and printing, and the objects are emotional, which is a typical literati painting.

It had a great influence on the paintings of the Ming and Qing dynasties.

Yuan Shang connected with the Southern Song Dynasty.

Followed by the Ming Dynasty, a short special dynasty, but created a peak, especially highlighting the characteristics of the pen and ink culture itself, emphasizing the "Yipin", which is Chinese culture.

Wealth in the bones. This is not a passive escape, but an emphasis on having an independent personality and pursuing true freedom, which is precisely the most essential state of art.

Yuan four families. Each has its own contribution, and each one is brilliant. Four mountains, can not be crossed, can only build another peak, art has no ancient and modern, only traces of clumsiness.

In particular, the individualized understanding of the creation of mountains and rivers, the ever-changing of one thick and one light, one dry and one wet produces infinite scenery and shows an infinite realm.

There are three kinds of scheduling

One refers to Zhao Mengfu, Wu Zhen, Huang Gongwang, and Wang Meng, see Wang Shizhen's "Art Garden Dialect Appendix" in the Ming Dynasty.

The second refers to Huang Gongwang, Wu Zhen, Ni Zhan, and Wang Meng, see Dong Qichang in the Ming Dynasty "Rongtai Collection: Painting Purpose". The reason why this version is more authoritative is related to Dong Qichang's position in the history and theory of painting.

The third is the saying of "Yuan Six Families", that is, Zhao Mengfu, Gao Kegong, Huang Gongwang, Wu Zhen, Ni Zhan, and Wang Meng, but it is not too widely circulated.

During the Yuan, Ming and Qing dynasties, due to economic prosperity, the burgher class rose. People's spiritual life has also had a higher pursuit, literati paintings often express the author's thoughts and feelings, integrate their own thoughts into their works, have a distinctive personality, and are full of humanistic spirit.

The most prominent clear code of Yuan Dynasty painting is ().

a.The literati replied that there was no painting.

b.Landscape reputation sock painting.

c.Genre paintings.

d.Ink painting.

Correct Answer: a

Landscape painting.

In the history of Chinese art, landscape painting of the Yuan Dynasty occupies an important position. The contribution of landscape painting in the Yuan Dynasty lies in the fact that on the basis of its collection of painting traditions of the previous generations, there were new creations and development of brush and ink techniques; The second is that it has promoted the all-round development of literati landscapes. At the beginning of the Yuan Dynasty, landscape painters were represented by Qian Xuan, Zhao Meng, and Gao Kegong, who sought innovation in the name of retro on the basis of in-depth research on traditional landscape painting.

The Yuan Dynasty painting academy system was abolished, the imperial examination was abolished, the literati were indifferent and self-controlled, Danqing Mingzhi, with the mentality of self-spuffing and limb creation, complex and simple, creation into the heart, to express the "Yiqi" in the chest for the purpose.

In the pursuit of "relaxation" and "contemplation", literati painting based on the traditional cultural values of the nation has achieved extremely high achievements.

The creation starts from the heart, with the complex environment, stresses the taste of pen and ink, and opposes the habit of portrayal, they seek to achieve harmony between the heart and the Tao, the spirit and the object in the quiet and silent light, and the mental state of "stop viewing" and "meditation" is freehand, among which the four are the most typical.

Summary. Hello dear, glad to answer for you. Both Song and Yuan Dynasty paintings are important stages in the history of Chinese painting, and they have some similarities and differences.

Similarities:1Traditional painting techniques are continued.

The paintings of the Song and Yuan dynasties inherited the techniques of traditional Chinese painting, such as calligraphy, engraving, line drawing, ink painting, color, etc., and all of them carried out continuous exploration and innovation in these aspects. 2.Pay attention to the portrayal of the character image.

The paintings of the Song Dynasty and the Yuan Dynasty paid great attention to the portrayal of the figures, especially the demeanor, expression and inner psychological state of the figures, thus reflecting the humanistic spirit and artistic charm of Chinese painting. 3.Emphasis on artistic conception and charm.

The paintings of the Song Dynasty and the Yuan Dynasty both emphasized the expression of artistic conception and charm, and created an artistic conception and charm with profound connotation and spiritual sublimation through the expression of the layout, composition, form and color of the picture. Differences:1

The style of painting is different. The painting style of the Song Dynasty was mainly realistic, focusing on the fineness and delicacy of the picture, while the painting of the Yuan Dynasty emphasized more expressiveness and individuality, and paid attention to the exaggeration and deformation of the image. 2.

Cultural backgrounds are different. The Song Dynasty was the first period of Chinese cultural development, and artistic thought was relatively mature and stable, while the Yuan Dynasty was in a period of multicultural integration, and artistic thought was more diverse and complex.

Hello dear, glad to answer for you. Both Song and Yuan Dynasty paintings are important stages in the history of Chinese painting, and they have some similarities and differences. Similarities:

1.Traditional painting techniques are continued. The paintings of the Song Dynasty and the Yuan Dynasty inherited the techniques of traditional Chinese painting, such as juan Qing calligraphy, engraving, line drawing, ink painting, color, etc., and they all carried out continuous exploration and innovation in these aspects.

2.Pay attention to the portrayal of the character image. The paintings of the Song Dynasty and the Yuan Dynasty paid great attention to the portrayal of the figures, especially the demeanor, expression and inner psychological state of the figures, thus reflecting the humanistic spirit and artistic charm of Chinese painting.

3.Emphasis on artistic conception and charm. The paintings of the Song Dynasty and the Yuan Dynasty both emphasized the expression of artistic conception and charm, and created an artistic conception and charm with profound connotation and spiritual sublimation through the expression of the layout, composition, form and color of the picture.

Differences:1The style of painting is different.

The painting style of the Song Dynasty was mainly realistic, focusing on the fineness and subtlety of the picture, while the painting of the Yuan Dynasty emphasized more expressiveness and individuality, and paid attention to the exaggeration and deformation of the image. 2.The subject matter is different.

The Song Dynasty was the first period of Chinese cultural development, and artistic thought was relatively mature and stable, while the Yuan Dynasty was in a period of multicultural integration, and artistic thought was more diverse and complex.

Is it original? Hmmm. Yes.