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How do you make up a story that, firstly, makes it interesting, and secondly, has a certain depth that makes people think? 1. Your mind must have depth. My teacher told me that the least important thing in the story is the plot, he made up a story about the big giant and the captain greenskin according to the plot pattern of Spartacus blood and sand, we just didn't find it, and we listened to it with relish, how can we cleverly borrow the inherent plot pattern without being discovered?
2. Your teacher is wrong to say that the plot is not important, for the following reasons: the teacher made up a story according to a plot pattern - note that he is making up someone else's plot, and he can't come up with the plot himself. Explaining the plot is the hardest part of writing a screenplay.
This is also the reason why many domestic screenwriters are plagiarizing foreign plots, but the people of the whole country don't watch it with as much relish as you children, and those who understand computers go to watch American dramas and Korean dramas. So if you bluff for a while, you can't bluff for a lifetime. , Q:
Finally, I would like to give you a little advice, feel more about the things around you, and don't graft other people's outlines with other people's thoughts and behaviors stiffly, and feel that you are a genius. This means of direct plagiarism is a third-rate method in writing. Some people use other people's outlines and add a little other people's wonderful shots, and they feel that they are very powerful, just because of this kind of screenwriter who takes the plagiarized "hybrid script" as a "delicacy", Chinese film and television will be left behind by the world.
A writer without a soul can never make up a good story. A real screenwriter must accumulate insights in life, digest and condense knowledge and insight into his own thinking, so as to take into account the theme framework, character plot and rhythm grasp while swiping away. Those who regard "take-it-or-leave-it" as a life-saving straw, and when they see that other people's things are good, they directly use them to piece together scripts, can only produce "hybrid dramas", and cannot become a big tool.
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Your teacher is right, the least important thing is the plot, there are too many stories in the world with similar plots, the focus is on what kind of way and angle you tell the story, the same story, different screenwriters and directors will make different effects, there is a movie I like very much called "Son of Others", I think that is a very high-end way of storytelling, the front of the emotional rendering is in place, the back of the burden is wonderful, its good lies in the structure of the whole story and the rhythm of the grasp, of course, Some directors and screenwriters also rely on the story structure to stand alone, such as the directors and screenwriters of "Babel" and "The Burning Plains", Gonzalez and Guillermo Ariga's multi-line narratives are representative of this. So any seemingly bland story as long as there are highlights in the structural arrangement, at least it will not be too bad a story, as for the depth, without the in-depth observation and analysis of people and human nature, understanding and experience, how can it be written with any depth? I remember there was a line in a movie where the character seemed to be a doctor, and the line was about:
Don't say I don't love life, it's just that I love someone else's life. The reason why I am so impressed by this line is because I think he said the deepest thoughts of a literary worker, yes, you have to love other people's lives, you have to make yourself an observer.
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From a purely creative point of view, when I want to create a story, it must be a certain emotion reflected in the story that moves me. In other words, I want to illustrate a certain phenomenon through this story. Therefore, to make up a story, for me, is first and foremost a strong desire to express.
For example, before I wrote the book "The Portrait of Psychological Crime", I was fascinated by the analysis of behavioral evidence, and at that time, it was difficult for me to imagine that the characteristics of a suspect could be deduced from the state presented at the scene. Then there's the type of story you're going to tell. For example, whether it is emotional, suspenseful, or adventure.
Different types of stories must be told in different ways.
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Methods and techniques for creating a story: 1. The name of the story should be unexpected, and 2. The content of the story should be vivid, any kind of sound, any kind of animal may be made up of the content of the story. 3. The selection of stories should be based on recent current events in life or topics that children are interested in.
Fourth, the story should not only focus on creating a typical image, but also strive to bring forth the new. 5. Stories should be educational and inspiring.
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Be clear about the theme of the story. Start by determining what theme your story is about, a ...... of family, friendship, or other social phenomenon
Saying the story "small", the most taboo is to say it very "big", and it is difficult to directly link the big words with the specific characters and plots as soon as they come out, and they unconsciously develop into comments, and they don't score points after talking for a long time. Therefore, I suggest that whenever you encounter a story, immediately give the protagonist a name, even a specific time and place, and consciously concretize the event in the process of storytelling, bypassing the trap of commentary, even if it is not like a story, then at least you can get some points.
The story angle should be new. It is necessary to conceive and narrate the story from a perspective that ordinary people ignore.
The story needs to be plausible. There are two requirements for rationality: one is that the character and plot are consistent before and after the story, and there can be no contradictions. Second, the storyline must not violate the logic of life, emotional logic, thinking habits, etc.
Be good at creating suspense. To create suspense is to ask some open questions at the beginning of the story in order to arouse the interest of the listener in the story. (Structural suspense and excitement suspense).
Shake off the baggage. is the reason for the suspense. The reason for this is best "reasonable, unexpected." ”
After getting the question, you should think about whether you can use your knowledge reserve to connect it with a certain story that you have read or heard before. Then, if you really don't have an idea for a while, you have to think about making up your own story.
Prepare more stories. You can find some philosophical and plot-based stories with strong stories in advance, sort them out in your own words, and then write them in a notebook, and mark out the theme and keywords of the story. These stories should preferably involve various themes such as life ideals, social phenomena, family affection, friendship, etc., about 20 of them, and then start to memorize.
The importance of memorization is that it allows you to save time thinking in the exam room. At about the same time, I started to mock the real questions, find some related questions and practice how to apply the questions to the prepared story, which is much better than making up the improvisation.
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To make up a story is to write **, time, place, people, things, processes, and results, all of which need to be carefully arranged and designed.
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Ideas: When dealing with story-making topics, first determine the theme of the story according to the words "package", "stream", "tree hole", and "vole", and sort out the story framework. First make associations based on a given word or sentence, find related words, and then determine the topic of the speech, and use these words to set the corresponding scene.
Next to the stream in the forest, there is an old tree, and in the hollow of the big tree lives a vole family, this family is composed of a vole father, a vole mother, a vole brother and a vole sister, but this originally happy family has changed because of one ...... one thing
It was an autumn day that was about to turn into winter, and all the voles were busy collecting the fruits, and in the process of collecting, the family's father vole took a package that was too large and heavy, and accidentally fell from a tall tree, and was seriously injured, and could no longer collect the fruits.
And the vole mother has just given birth to the vole sister and needs to cultivate soon, so she can only let the one-year-old vole brother to collect, but the vole brother is too weak, try to hold the fruit, hugged a few times and did not pick it up, the animals next to him saw it, they all laughed, the vole brother only in laughter, bowed his head and returned home, because there was no food for the winter, so the vole couple only borrowed from others with a red face to barely survive this winter.
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Ideas: When dealing with story-making topics, you should first determine the theme of the story and sort out the story framework. First, according to the given words or sentences, the basic line associations of the manuscript are found, and then the topic of the speech is determined, and the corresponding scene is set through these words.
On the edge of a river there was a beautiful little fox. It lies by the river, looking at the blue sky and white clouds overhead, enjoying the breeze.
After lying down for a while, the fox felt hungry and came to the woods in search of food. When I came to a peach tree, I saw a bear eating peaches, and he drooled greedily. The fox said to the monkey:
Dear Bear, will you give me a peach? The bear said, "I planted this peach tree, and I won't give it."
The little bee had been flying by here, and when he saw this scene and stopped, he thought that the cunning fox would definitely find a way to get the peach. Sure enough, the fox began to think of bad ideas.
I saw the fox's eyes roll and have an idea. He said to the bear, "If you don't give it, I'll stone you."
Little Bear was angry and said loudly, "I'm not afraid of you." Look, I'll smash you.
When the bear had finished speaking, he picked a large, red peach and threw it at the fox's head.
As soon as the bear smashed the peach down, the fox caught it with both hands. The fox laughed and said, "Dear bear, you have been fooled, thank you." ”
Before the bear and the bee could react, the fox slipped away with the peach in his arms.
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Summary. You can read children's books. Find an idiom or something.
to write. For example, teamwork. One day, the little ants went out to forage for food.
Saw a large sugar cube. I thought that I had enough food to eat for a long time. So he immediately ran over and pushed the sugar cube hard.
But the sugar cube didn't move. The angry little ant sat on the ground and cried. Then a little spider came.
The little spider asked the little ant. Why are you crying? The little ant said.
When you see food, you can't hold it alone. Little Spider said. It's okay.
You can ask your companion to come and move with you. The power of unity is great. So the little ant hurried home.
Asked his companion to carry the food home.
Make up a story? What kind of story do you want to make?
Okay. Got it. Think about it.
I'm ready to send it to you. Please be patient.
How to make up a story.
How to make up a little story.
What the situation. You can read children's books. Find an idiom or something.
to write. For example, teamwork. One day, the little ants went out to forage for food.
Saw a large sugar cube. I thought that I had enough food to eat for a long time. So he immediately ran over and pushed the sugar cube hard.
But the sugar cube didn't move. The angry little ant sat on the ground and cried. Then a little spider came.
The little spider asked the little ant. Why are you crying? The little ant said.
When you see food, you can't hold it alone. Little Spider said. It's okay.
You can ask your companion to come and move with you. The power of unity is great. So the little ant hurried home.
Asked his companion to carry the food home.
That's about it.
Excuse me. I've just been there.
Do you think it works?
If feasible. Is it okay to give a 5-star review after the trouble is over?
Brother, it's better to be honest with others than to coax.
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