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Anonymous users2024-02-07Due to the texture of the planks, it is more difficult to carve the curves that change the shape. Moreover, only two pages can be printed on each board, and a book requires many boards to be carved. If the characters are carved too large, not only will the carving be laborious and laborious, but the wooden board will also be used more, so the words carved on the wooden board will not be too large.
In order to show the varied, rounded and delicate characteristics of handwriting on such a small reverse lettering, you can imagine the difficulty of it, and horizontal and vertical is of course the best choice. From the above, it can be seen that these characteristics of Song style are all produced by printing, which adapts to the needs of printing, and is very different from the handwriting style of the brush. <>
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Anonymous users2024-02-06The basic writing of the imitation Song font is: horizontal and vertical, clear ups and downs, consistent thickness, hook length and sharpness, uniform structure, and full of squares.
The dot "dot" in Chinese characters has different shapes depending on the position. Horizontal: "Horizontal" is the pillar of the word, and it should be written flat. The "flat" here is horizontal, but flat with a slight slope to the upper right.
Vertical "vertical" should be written straight, and the center of gravity of the word can be stable. Apostrophe: "Apostrophe" is characterized by a curved tail with a thin tip. The shape of the pen is long, and the shape is undulating.
Songti features:
This involves another font, Songti. What are the characteristics of Song Ti? Horizontal and vertical, horizontal and vertical, horizontal and vertical strokes are very thick, and the ends of each stroke are also thicker, these are not the characteristics of handwriting with a brush.
The horizontal and vertical strokes of the imitation Song style are uniform, the starting and falling strokes are oblique, the brushwork is sharp, the structure is tight, and the elegance is delicate. In contrast, the strokes of the Song style characters derived from the Ming Dynasty inscriptions have variations in thickness.
It is also generally thin and vertical, with decorative parts at the end (i.e., "foot" or "serif"), and strokes such as dots, apostrophes, pinchs, and hooks with tips, and is often used for the layout of the text of books, magazines, and newspapers.
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Anonymous users2024-02-05The differences between imitation song and imitation song GB2312 are as follows:
1. The name is different.
Fangsong is the font name, while GB2312 is the character encoding name, which is a type of Chinese Simplified encoding, Chinese Simplified since the 1980s, it has usually used GB 2312 published by the General Administration of Standards of the People's Republic of China, and its successors, GBK and GB 18030 Chinese encoding.
2. The number of Chinese characters is different.
"Fang Song" contains more Chinese characters than "Fang Song GB2312".
3. Rare words are displayed differently.
Using the "Fang Song" font can display many obscure characters, such as 犇, 犇, 猋, 骉, 麤, etc. "Imitation Song GB2312" can only be displayed in other fonts such as Song and Heiti.
4. The font is different.
Because of the late appearance of the "imitation song" font, the font form has been optimized, and the font is more slender and clearer than the "imitation song gb2312" font, especially in the punctuation marks and alphanumerics, the "imitation song" font is more slender and clearer.
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Anonymous users2024-02-04"Imitation of Song style" is not completely imitated from the font of a calligrapher or celebrity in the Song Dynasty, but is modeled after the engraving font of the Song version of the book. Prudence.
Why imitate the Song and not the Sui and Tang dynasties or the Ming and Qing dynasties? Imitation of the Sui and Tang dynasties, there were no large-scale engraving and printing books at that time, and the selection of words was obviously insufficient; Imitation of the Ming and Qing dynasties is better than directly imitating the Song Dynasty. Because most of the engraving fonts of the Ming and Qing dynasties were created in imitation of the Song Dynasty, or indirectly derived from the Song version of the font.
Imitation Song writing is more convenient and faster than Song and Heiti, because as long as the character grid is calculated, it can be written directly with a fountain pen or a wide brush (a harder wolf pen is required). On the other hand, the imitation Song style pays attention to the structure and modeling, which is relatively close to the regular script, and more practice of the imitation Song style is conducive to accurately grasp the basic structure of Chinese characters, and on this basis, it is more convenient and fast to learn other art fonts. Therefore, some comrades advocate that the study of art characters should start with the study of imitation Song style, which is also very reasonable.
The imitation Song style is developed and evolved from italics, and the economy of the Song Dynasty in China has developed to a certain extent, and our ancestors first invented printing. In order to meet the needs of engraving printing, the engravers require a more neat and standardized font than the regular script, and they have created a horizontal and vertical, more standardized engraving font after continuous exploration, which is very close to the italics, and there is not much difference in horizontal and solid strokes. In the Ming Dynasty, this kind of engraving font developed more standardized, becoming a horizontal and vertical, slightly angular font, later generations called the old Song style.
At the beginning of the twentieth century, Qiantang Ding Fuzhi Luzi, Ding Shanzhi and others set the Song Dynasty engraved font, imitating a kind of printing movable type font, this font is equal in horizontal and vertical thickness, beautiful strokes, the glyph is rectangular, delicate and beautiful.
At the end of the Qing Dynasty, Ding Fuzhi and Ding Sanzai, who were the presidents of the Xiling Seal Society, decided to recruit Song edition books, and personally imitated and engraved movable type. By 1916, this kind of italic font after the processing and design of the two brothers, this font that imitated the unified modification of the European style (Ouyang Xunshu style), because the original shape of the font was from the Song version of the book, was named "imitation Song style".
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Anonymous users2024-02-03Songti. Song style is a Chinese character font that appeared to adapt to printing. The strokes have thickness changes, and they are generally horizontal and vertical, with decorative parts at the end (i.e., "feet" or "serifs"), and strokes such as dots, apostrophes, pinchs, hooks, etc., have tips, which belong to the white body, and are often used in the text typesetting of books, magazines, and newspapers.
Because it was introduced to Japan from the Ming Dynasty, it is also known as the Ming Dynasty and the Ming Dynasty. The Song style is a printed body born with it, which was produced in engraving and formed in the Ming Dynasty. In recent years, there have been rumors that Qin Hui created it, but there is no basis, there is no historical record, and there is no literature to support it.
In the existing literature, it can be clearly found that both the imitation Song and the Song style were formed in the bookstore. After the defeat of the Song Dynasty in the Jin Dynasty, he thought that he would reprint the books left in the Song Dynasty, and many publishers were established on the Pengbei Street in Lin'an, the capital of the Southern Song Dynasty, including Chen Qi's Chen Zhai Book Shop. The books published by Chen Zhai Book Shop have a very distinctive font of regular and rotten simple books.
This font, which was imitated by later generations, is the so-called "imitation Song style" in modern times, and has become the basis of Song style.
Song style is a Chinese character font that appeared to adapt to printing. The strokes have thickness changes, and they are generally horizontal and vertical, with decorative parts at the end (i.e., "feet" or "serifs"), and strokes such as dots, apostrophes, pinchs, hooks, etc., have tips, which belong to the white body, and are often used in the text typesetting of books, magazines, and newspapers. Because it was introduced to Japan from the Ming Dynasty, it is also known as the Ming Dynasty and the Ming Dynasty. >>>More
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